Age, Biography and Wiki
Takako Yamaguchi was born on 1952 in Okayama, Japan, is a Los-Angeles based contemporary artist. Discover Takako Yamaguchi's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 72 years old?
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72 years old |
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Okayama, Japan |
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Japan
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She is a member of famous Artist with the age 72 years old group.
Takako Yamaguchi Height, Weight & Measurements
At 72 years old, Takako Yamaguchi height not available right now. We will update Takako Yamaguchi's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Takako Yamaguchi Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Takako Yamaguchi worth at the age of 72 years old? Takako Yamaguchi’s income source is mostly from being a successful Artist. She is from Japan. We have estimated Takako Yamaguchi's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
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Timeline
Takako Yamaguchi (born 1952, Okayama, Japan) is a visual artist based in Los Angeles, California.
Yamaguchi has been associated with the U.S.-based Pattern and Decoration movement of the 1970s.
Her work embraces what has historically been disfavored by the formal reductivism of Euro-American abstraction and modernism.
Decoration, fashion, beauty, sentimentality, empathy, and pleasure–forms and styles displaced by modernism and the contemporary artistic zeitgeist, are central aspects of Yamaguchi's painting practice.
Through her proposed "poetics of dissent," Yamaguchi recuperates and mixes various visual traditions including Mexican Socialist Muralism, American Transcendentalism, Art Nouveau, and Japanese decorative arts.
Her syncretic approach challenges the binary of an ostensibly race-neutral kind of International Modernism and the aesthetics of local, national and ethnic identity.
Yamaguchi's "abstractions in reverse," a current that runs throughout the artist's practice, works backwards in the traditional historical framework of 20th century western art, from abstraction back towards illusionism.
Her exploration of the semi-abstract, questions the artificial distinction between naturalism, abstraction, and craft.
Yamaguchi has had solo exhibitions at Ortuzar Projects, New York (2023); Ramiken Crucible, New York (2021); Egan and Rosen, New York (2021); STARS Gallery, Los Angeles (2021); as-is.la, Los Angeles (2021) (2019) (2018); Cardwell Jimmerson Contemporary Art, Los Angeles (2008); Nevada Museum, Reno (2007); Kathryn Markel Fine Arts (2007); and Jan Baum Gallery, Los Angeles (2006).
Her work has been exhibited in several museum surveys including The Ocean, Bergen Kunsthall, Norway (2021 ); With Pleasure: Pattern and Decoration in American Art 1972-1985, Museum of Contemporary Art, Los Angeles and Hessel Museum of Art, Center for Curatorial Studies at Bard College, Annandale-on-Hudson, New York (2019-2021); Transcendence: Abstraction & Symbolism in the American West, Nora Eccles Harrison Museum of Art, Logan, Utah (2015); California Echoes: Women Inspired by Nature, Orange County Center for Contemporary Art, California (2007); and L.A. Post-Cool, Museum of Art, San Jose, California (2002).
Yamaguchi's work is in the collections of the Nevada Museum, Reno; Nora Eccles Harrison Museum of Art; Long Beach Museum of Art, California; Eli Broad Family Foundation, Los Angeles; the Lynda and Stuart Resnick Collection, Los Angeles; and Deutsche Bank, New York, among others.
Yamaguchi studied at the International Christian University in Tokyo, Japan (1971-1973) and received her B.A. from Bates College in 1975.
Born in Okayama, Japan, Takako Yamaguchi has lived and worked in Los Angeles since 1978.
During the early years of her practice, Yamaguchi moved between Japan, the U.S. and France.
She went on to get her MFA from the University of California, Santa Barbara in 1978.