Age, Biography and Wiki
Tai Shani was born on 1976 in London, is a British artist. Discover Tai Shani's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 48 years old?
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United Kingdom
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She is a member of famous Artist with the age 48 years old group.
Tai Shani Height, Weight & Measurements
At 48 years old, Tai Shani height not available right now. We will update Tai Shani's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Tai Shani Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Tai Shani worth at the age of 48 years old? Tai Shani’s income source is mostly from being a successful Artist. She is from United Kingdom. We have estimated Tai Shani's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
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Tai Shani Social Network
Timeline
Tai Shani (born 1976) is a British artist.
Shani uses performance, film, photography, sculptural installations and experimental texts to explore forgotten histories and stories.
She is currently a Tutor in Contemporary Art Practice at the Royal College of Art.
Shani was born in London.
'Moans of approaching Death from unsatisfied Desire and other physical manifestations of Lovesickness', performed by Francesca Cluny at Tate Modern, 24 June 2016, within the Painting With Light exhibition.
Tai Shani collaborated with Let's Eat Grandma and Maya Lubinsky to produce "Mystical Best Friend, A Miracle Play" as part of the Miracle Marathon festival at the Serpentine Sackler Gallery 8–9 Oct 2016.
Shani and Peake built upon their collaborative piece 'Andromedan Sad Girl' which was presented for the first time at Wysing Arts Centre in 2017.
The work seeks to "imagine fluid mythologies capable of representing non-hierarchical civilizations through a series of sculptures and mural paintings".
However, the project did not come to fruition after organisers rejected the mentions of Palestine in the proposed work.
Shani writes that the artists were responding to the history of the statue: "built in the late nineteenth century, [it] commemorates the 7th Earl of Shaftesbury, who was instrumental in the colonisation of Palestine".
Shani has further written on how the artworld can adopt techniques of boycott, divestment, and sanctions to support Palestine.
In 2019, her work DC: SEMIRAMIS commissioned by Glasgow International (May–April 2018) and The Tetley, Leeds (July–October 2018), and her participation in Still I Rise: Feminisms, Gender, Resistance at Nottingham Contemporary and the De Le Warr Pavilion, Bexhill-on-Sea, was nominated for the Turner Prize.
She was awarded the Prize, along with three other artists, after jointly requesting from the jury that all four artists win "in the name of commonality, multiplicity and solidarity".
DC: Productions, which formed part of her 2019 Turner Prize installation at the Turner Contemporary, is inspired by the 15th-century protofeminist text The Book of the City of Ladies by Christine de Pizan.
The title "DC: Productions" alludes to Freud's description of female sexuality, with DC short for ‘Dark Continent’.
The White Review dubbed Shani's reimagining of the story as a "feminist science fiction".
Shani's debut book, Our Fatal Magic (ISBN 9781907222818), collects together texts from the DC Productions project.
The book moves between "genres of horror, sci-fi, and smut, all produced with pulp".
In 2019-2020 Rafael Barber Cortell at CentroCentro, Madrid, Spain, commissioned Shani and Florence Peake to produce work as a pair as part of the curatorial project Absolute Beginners.
In their letter the artists explained their decision: "The politics we deal with differ greatly, and for us it would feel problematic if they were pitted against each other, with the implication that one was more important, significant or more worthy of attention than the others."
Shani was born in the UK.
She was raised in Goa, India, before moving to Brussels at the age of 12.
Shani has spoken about the inaccessibility of performance art, as well as against cuts to arts funding and the increasingly "expansionist, market and state-driven managerial approach within museums and galleries", expressing solidarity with striking arts workers during the 2020 pandemic.