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Tadanori Yokoo was born on 27 June, 1936 in Nishiwaki, Hyōgo, Japan, is a Japanese artist. Discover Tadanori Yokoo's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 87 years old?

Popular As N/A
Occupation Graphic designer
Age 87 years old
Zodiac Sign Cancer
Born 27 June 1936
Birthday 27 June
Birthplace Nishiwaki, Hyōgo, Japan
Nationality Japan

We recommend you to check the complete list of Famous People born on 27 June. He is a member of famous designer with the age 87 years old group.

Tadanori Yokoo Height, Weight & Measurements

At 87 years old, Tadanori Yokoo height not available right now. We will update Tadanori Yokoo's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Tadanori Yokoo Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Tadanori Yokoo worth at the age of 87 years old? Tadanori Yokoo’s income source is mostly from being a successful designer. He is from Japan. We have estimated Tadanori Yokoo's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income designer

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Timeline

Tadanori Yokoo (横尾 忠則) is a Japanese graphic designer, illustrator, printmaker and painter.

Yokoo’s signature style of psychedelia and pastiche engages a wide span of modern visual and cultural phenomena from Japan and around the world.

1594

In A la Maison de M.Civeçawa, Yokoo again employed his stylish collage coated with dark humor, citing photos of Tatsuhiko Shibusawa (a novelist to whom the dance was dedicated to, top left corner), Hijikata and fellow Butoh dancer Kazuo Ohno (on the rose stem in the middle of the composition), and the famous painting Gabrielle d’Estrées and One of Her Sisters from 1594.

In the backdrop we find again the rising sun, Mt. Fuji, and Hokusai’s great waves.

1936

Tadanori Yokoo, born in Nishiwaki, Hyōgo Prefecture, Japan, in 1936, is one of Japan's most successful and internationally recognized graphic designers and artists.

He began his career as a stage designer for avant garde theatre in Tokyo.

His early work shows the influence of the New York-based Push Pin Studio (Milton Glaser and Seymour Chwast in particular), but Yokoo cites filmmaker Akira Kurosawa as his most formative influences.

The designer’s ambition embarked on at an early age during Yokoo’s teenager years, and before moving to Tokyo, he had done graphic design-related works for a period of time for the Chamber of Commerce in Nishiwaki.

1960

At the age of 22, Yokoo won an heritable mention at the Japanese Advertising Artists Club (JAAC) poster exhibition in Tokyo and joined the JAAC, and officially moved to Tokyo around 1960.

By acting against the Bauhaus-led, abstract design that prevailed Japanese graphic design during the 1960s, Yokoo delivered an audacious deviation that criticized the passive acceptance of Western modernism in Japan and on top of that, the country's rapid economic growth.

Yokoo was frequent collaborator with choreographer Hijikata Tatsumi.

By the late 1960s he had achieved international recognition for his work and was included in the 1968 "Word & Image" exhibition at the Museum of Modern Art in New York.

Four years later MoMA mounted a solo exhibition of his graphic work organized by Mildred Constantine.

Yokoo collaborated extensively with Shūji Terayama and his theater Tenjō Sajiki.

He starred as a protagonist in Nagisa Oshima's film Diary of a Shinjuku Thief.

1965

The year of 1965 witnessed Yokoo’s rising as an eminent young artist in the post-war era.

The first work of his to receive popularity, Tadanori Yokoo (1965) was on view at the Persona exhibition, featuring 16 designers and held at Tokyo’s Matsuya department store.

This self-portrait poster shows the artist as a man who hanged himself, captioned in English with “Made in Japan/Having reached a climax at the age of 29, I was dead.” The lower left shows a cutout of Yokoo's photograph taken at age one and a half and on opposing side we find another cutout placed at the back, showing likely a group photo taken at school during Yokoo’s teenage years.

The rising sun, the most representative symbol of wartime Japan, dominates the layout.

On the upper corners, the Shinkansen on one side and the nuclear bomb on the other, break through Mt. Fuji, another icon of Japan.

Yokoo explained, “…with Tadanori Yokoo, these works represented a form of rebirth for me.” The poster, on the one hand, was a death statement the artist issued for himself, aiming to break away from his own past.

On the other hand, the integration of a bold, collage-like style along with the presence of nationalistic symbols such as the rising sun, Shinkansen, and even Mt. Fuji, Yokoo set out to challenge the state of design, and that of culture and politics at large in post-war Japan.

1966

One of his best known works, A la Maison de M.Civeçawa (1966) was a poster designed for a performance by Tatsumi Hijikata's Ankoku Butoh dance company.

Interweaving the sexual and the political, the historical and the modern, the Western and the Japanese, A la Maison de M.Civeçawa (1966) was another bold declaration of Yokoo.

From Space to Environment, 1966

1967

In 1967, Yokoo, together with Terayama Shūji and Higashi Yukata, co-founded the Tenjō Sajiki experimental theater troupe.

Yokoo worked on several stage design projects as well as posters for various performances.

Along with the founding of the troupe, Yokoo and Shuji Terayama collaborated on the latter’s book — Throw Away Your Book, Let’s Get into the Streets.

Yokoo mainly contributed to the layout and illustrations of this book, which was regarded as a radical statement on its own.

Throughout the 60s and 70s, Yokoo also collaborated with musicians and designed albums, record covers, and concert posters for individuals and groups such as The Happenings Four, Takakura Ken, Ichiyanagi Toshi, Asaoka Ruriko, and several international rock bands including Earth Wind and Fire, The Beatles, Emerson Lake and Palmer, Cat Stevens, and Tangerine Dream.

1968

, The Museum of Modern Art, 1968

1972

Graphics by Tadanori Yokoo, The Museum of Modern Art, 1972

1981

In 1981 he unexpectedly "retired" from commercial work and took up painting after seeing a Picasso retrospective at the Museum of Modern Art (New York).

His career as a fine artist continues to this day with exhibitions of his paintings every year.

Alongside this, he remains fully engaged and prolific as a graphic designer.