Age, Biography and Wiki
Stanislav Rostotsky (Stanislav Iosifovich Rostotsky) was born on 21 April, 1922 in Rybinsk, Russian SFSR, is a Soviet film director and screenwriter. Discover Stanislav Rostotsky's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 79 years old?
Popular As |
Stanislav Iosifovich Rostotsky |
Occupation |
N/A |
Age |
79 years old |
Zodiac Sign |
Taurus |
Born |
21 April 1922 |
Birthday |
21 April |
Birthplace |
Rybinsk, Russian SFSR |
Date of death |
10 August, 2001 |
Died Place |
Vyborgsky District, Leningrad Oblast, Russia |
Nationality |
Russia
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We recommend you to check the complete list of Famous People born on 21 April.
He is a member of famous film with the age 79 years old group.
Stanislav Rostotsky Height, Weight & Measurements
At 79 years old, Stanislav Rostotsky height not available right now. We will update Stanislav Rostotsky's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Stanislav Rostotsky's Wife?
His wife is Nina Menshikova
Family |
Parents |
Not Available |
Wife |
Nina Menshikova |
Sibling |
Not Available |
Children |
Not Available |
Stanislav Rostotsky Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Stanislav Rostotsky worth at the age of 79 years old? Stanislav Rostotsky’s income source is mostly from being a successful film. He is from Russia. We have estimated Stanislav Rostotsky's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
film |
Stanislav Rostotsky Social Network
Instagram |
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Imdb |
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Timeline
His mother Lidia Karlovna Rostotskaya (1882—1964) was a milliner turned a housewife; she was half-French.
His father Iosif Boleslawovich Rostotsky (1890—1965) was an acclaimed doctor, docent, author of 200 monographs, as well as a secretary of the Scientific Medical Council at the People's Commissariat for Health.
His brother Boleslaw Norbert Iosifovich Rostotsky (1912—1981) was a famous theater historian.
At the age of five, Rostotsky watched Battleship Potemkin and became obsessed with cinema.
Stanislav Iosifovich Rostotsky (Станислав Иосифович Ростоцкий; 21 April 1922, Rybinsk – 10 August 2001, Vyborgsky District) was a Soviet film director, screenwriter and pedagogue.
Stanislav Rostotsky was born in Rybinsk on 21 April 1922 into a Russian-Polish family.
His grandfather Boleslaw Rostotsky served as a General in the Imperial Russian Army and a prosecutor on Emperor's personal order.
In 1936 he met Sergei Eisenstein and took part in his unfinished film Bezhin Meadow as an actor.
Eisenstein became his teacher and good friend later on.
He convinced Rostotsky that only a well-read and educated person may become a film director.
This influenced his decision to enter the Institute of Philosophy and Literature in 1940, with an intention to enter VGIK.
In 1942 he was enrolled in the Red Army.
He left for the front line in a year.
He served as a photojournalist in the 6th cavalry corps and traveled from Vyazma through Smolensk to Rivne.
In 1944 Rostotsky was seriously injured during the fight near Dubno when he was driven over by a Nazi tank.
He survived only due to a trench where his body was partly buried.
According to Rostotsky, one of his legs was ruined, as well as his rib cage and his hand.
"In addition, a shell fragment hurt me in the head... Good thing the mates took my gun away — otherwise I would've probably shot myself. Because I spent 22 hours lying in that swamp, losing my consciousness, so I had time to think".
He was saved by one of the passing soldiers and then — by a front nurse Anna Chugunova who carried him to the hospital.
Rostotsky later dedicated his film The Dawns Here Are Quiet to her.
As a result of gangrene he lost one of his legs (a below-knee amputation).
He wore a prosthesis, yet never mentioned it and led an active life.
Many people working with him didn't even realize he was disabled.
He refused to use a walking stick despite the pain, especially during later years.
He was awarded the 1st class Order of the Patriotic War and the Order of the Red Star.
During September 1944, at the age of 22, Rostotsky joined VGIK to become a film director.
He studied for seven years, simultaneously working as Kozintsev's assistant at the Lenfilm studio.
In 1952 Rostotsky directed his graduation movie Ways-Roads.
Rostotsky received good recommendations and was sent to work at the Gorky Film Studio where he spent the next 35 years.
Between 1955 and 1989 Rostotsky directed and co-directed 12 motion pictures, one short film and one documentary Profession: Film Actor (1979) dedicated to his close friend Vyacheslav Tikhonov who started in five of his movies in the leading roles.
Unlike many other directors, he cast his wife only once, in a supporting role in the film We'll Live Till Monday (1968).
He was named People's Artist of the USSR in 1974.
He was named a People's Artist of the USSR in 1974.
He also served as a teacher at VGIK and the President of the Jury at the 9th Moscow International Film Festival in 1975, the 10th Moscow International Film Festival in 1977, the 11th Moscow International Film Festival in 1979, the 12th Moscow International Film Festival in 1981 and the 13th Moscow International Film Festival in 1983.
Their son — Andrei Rostotsky, a professional actor and stuntman — was also given only one role in the historical war picture Squadron of Flying Hussars (1980) co-directed by Rostotsky under a pseudonym of Stepan Stepanov.
War was a running theme in most of his movies, referred to either directly or indirectly.
A long-time member of the Filmmakers' Union, he lost his place at the board during the infamous V Congress of the Soviet Filmmakers in 1986, being accused of "nepotism" and "political conformism" alongside Lev Kulidzhanov, Sergei Bondarchuk and other top directors.