Age, Biography and Wiki

Slamet Abdul Sjukur was born on 30 June, 1935 in Indonesia, is an A 20th-century male musician. Discover Slamet Abdul Sjukur's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 80 years old?

Popular As N/A
Occupation N/A
Age 80 years old
Zodiac Sign Cancer
Born 30 June 1935
Birthday 30 June
Birthplace N/A
Date of death 2015
Died Place N/A
Nationality Indonesia

We recommend you to check the complete list of Famous People born on 30 June. He is a member of famous musician with the age 80 years old group.

Slamet Abdul Sjukur Height, Weight & Measurements

At 80 years old, Slamet Abdul Sjukur height not available right now. We will update Slamet Abdul Sjukur's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Slamet Abdul Sjukur Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Slamet Abdul Sjukur worth at the age of 80 years old? Slamet Abdul Sjukur’s income source is mostly from being a successful musician. He is from Indonesia. We have estimated Slamet Abdul Sjukur's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income musician

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Timeline

1935

Slamet A. Sjukur (30 June 1935 – 24 March 2015) was the founding father of contemporary Indonesian music.

He studied and worked in Paris under Olivier Messiaen and Henri Dutilleux.

He was a lecturer at IKJ (Institut Kesenian Jakarta) but because of his unconventional ideas, he finally had to leave.

He had been living in Jakarta and Surabaya as a freelance composer, teacher and music critic.

Developing the idea of minimax in music, his compositions are "notable for their minimal constellation of sounds and for their numerological basis which indicate the composer’s interest in a new ‘ecology of music’".

This idea views limitation not as obstructions but as a challenge to work with a simple material, maximally.

1958

STAGE: Sangkuriang (miniature opera, libretto by Utuy T. Sontani), mixed chorus, 1958; Latigrak (ballet music, choreography by Frédéric Franchini), gamelan orchestra, tape, 1963; Parentheses VI, low-voiced comedian, 2 dancers, flute, 2 guitars, whistling tupies, some gamelan instruments, 1983; Migrasi (music theatre work, text by Afrizal Malna), 1993; Spiral, female dancer, flute, piano, 1993; Awang-Uwung (dance music, choreography by Suprapto Suryodarmo - see Amerta Movement), 2 genders (gamelan instruments), 1994; Marsinah (incidental music, play by Ratna Sarumpaet), ensemble (specially made instruments), 1994

1960

CHAMBER MUSIC: Bulan Hijau, clarinet, piano, 1960; Point contre (players also speak), trumpet, harp, percussion, 1969; Ronda Malam, angklung ensemble, 1975 (section of Angklung; may be performed separately); Kangen, 3 shakuhachi, kokyu, Japanese percussion, 1986; Suwung, flute, 1988; Ji-Lala-Ji, 2 players (flutes, percussion), 1989; Cucuku-Cu, guitar, 1990 (also version for 5 pianos 20 hands); Lesung, synthesizer, 1992; Uwek-Uwek, 2 mouth explorers, 1-2 djembés, 1992; Minimax, variable spatial ensemble, 1993; Jawara, percussion, 1993; ‘The Source, Where the Sound Returns’, clarinet, cello, piano, 1999; Dedicace-1, arpegina/viola, 2000; PAHA for brass quintet (2006/chamber music); KUTANG for cl, bsn, tpt, tbn, percussions, violin and db (2007/chamber music)

VOCAL: Bunga, Weekend and Kabut (texts by Sitor Situmorang, Toto Sidarto Bachtiar), voice, piano, 1960; Mais, ces oiseaux, mezzo-soprano, baritone, clarinet, violin, viola, cello, 1967; Parentheses V (text by Chairil Anwar), mezzo-soprano, 4 celli, 1981; Gelandangan, female voice, karunding, 1999 (version of work for karunding, tape); Sunyi, soprano, 2 cellular phones, small orchestra, 2002

1961

PIANO: Tobor, 1961; Svara, 1979; NZ, prepared piano, 1992; Cucuku-Cu, 5 pianos 20 hands, 1992 (version of guitar work); Yu-Taha, 1997

1972

MULTIMEDIA: Parentheses I-II (dance music, choreography by Denis Carrey), female dancer, suspended chair, piano, lights, 1972; Parentheses IV, 2 dancers, flute, 2 electric guitars, violin, cello, prepared piano, synthesizer, percussion, live painting, 1973; Parentheses III (dancers also speak, text by Ronald D. Laing, choreography by Samuelina Tahija), coloratura soprano, male speaker, 2 dancers, choreographed conductor, flute, oboe, clarinet, bassoon, string quartet, large sculpture (by Elizabeth Gleason), 1975; Jakarta 450 Tahun (environmental work), unlimited sounds of Jakarta, 1977; Wangi, female dancer, gamelan orchestra, lights, 1999

1974

His honors include the Bronze Medal from the Festival de Jeux d’Automne in Dijon (1974), the Golden Record from the Académie Charles Cros in France (1975, for Angklung) and the Zoltán Kodály Commemorative Medal in Hungary (1983).

1975

CHORAL: Angklung, mixed chorus (+ angklungs), angklung ensemble, 1975 (one section, Ronda Malam, angklung ensemble, may be performed separately); Muni, mixed chorus (+ karunding [bamboo jaw harps]), 1998

1984

ELECTROACOUSTIC: Astral, tape, 1984; Gelandangan, karunding, tape, 1998 (also version for female voice, karunding, 1999)

1995

ORCHESTRAL: Õm, 14 strings, 1995; Concerto, arpegina (5-string viola), string orchestra, 2002

1996

More recently, Gatra named him a Pioneer of Alternative Music (1996) and he was made an Officier de l’Ordre des Arts et des Lettres (2000) and a life member of the Akademi Jakarta (2002).

Some of his prominent students include Gilang Ramadhan, Soe Tjen Marching, and Otto Sidharta

FILM SCORE (DIRECTOR): Aku Perempuan Dan Laki-Laki Itu, 1996 (Aria Kusumadewa, Afrizal Malna)

He was working on GAME-Land 3 for brass sextet, and MIRA konserto for piano, saluang and orchestra.

2004

GAMELAN: GAME-Land for full sundanese gamelan orchestra slendro-pelog and female voice (2004/orchestra); GAME-Land 2 for javanese gamelan orchestra slendro (2005/orchestra).