Age, Biography and Wiki

Seppe Gebruers was born on 9 May, 1990 in Wilrijk, Belgium, is an A belgian jazz pianist. Discover Seppe Gebruers's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 33 years old?

Popular As Seppe Gebruers
Occupation Musician / Composer / Improviser /researcher
Age 33 years old
Zodiac Sign Taurus
Born 9 May 1990
Birthday 9 May
Birthplace Wilrijk, Belgium
Nationality Belgium

We recommend you to check the complete list of Famous People born on 9 May. He is a member of famous Pianist with the age 33 years old group.

Seppe Gebruers Height, Weight & Measurements

At 33 years old, Seppe Gebruers height not available right now. We will update Seppe Gebruers's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Wife Not Available
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Children Not Available

Seppe Gebruers Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Seppe Gebruers worth at the age of 33 years old? Seppe Gebruers’s income source is mostly from being a successful Pianist. He is from Belgium. We have estimated Seppe Gebruers's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Pianist

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Timeline

1990

Seppe Gebruers (born May 9, 1990) is a Belgian musician, composer and improvisor.

He is also a teacher and researcher at KASK conservatory Ghent.

Gebruers plays both solo and in bands.

His work ranges from jazz to contemporary classical music.

Gebruers has, since his first concerts at the age of twelve, gained a reputation as an adventurous and uncompromising musician.

Currently, he investigates the possibilities of quartertones in piano, composition and improvisation.

Gebruers started to play classical piano when he was 8 years old, but soon became interested in jazz.

Jef Neve became his teacher and at age 12 he played in Belgium and abroad with his pianotrio (with Jakob Warmenbol and Nathan Wouters).

2004

In 2004 he performed at Sportpaleis for Night of the Proms.

The same year he won a grant for Young Musical Talent.

At age 17 he shared the stage with Jim Black and Andrew D'Angelo and met musicians such as Kris Defoort, Bill Carrothers, Eric Thielemans, and Jozef Dumoulin.

At the Royal Conservatoire Antwerp he studied both jazz (with Erik Vermeulen) and classical piano (with Levente Kende).

Gebruers started his education with a clear vision: "I knew which direction I wanted to go in: I wanted to make contemporary music that sounds intuitive."

While Gebruers often clashed with the traditional ways of the academy, he quickly developed a strong connection with Vermeulen.

The latter quickly concluded that 'he had nothing left to teach' and the teacher-student relation soon developed into one of musical sparring partners.

2011

Gebruers was the leader of the large ensemble Ifa y Xango which won the 2011 Jong Jazztalent Gent award and performed at Gent Jazz in 2012.

Their "irreverence, brought about by a sense of quasi-naïve frankness, would become the group's and Gebruers' trademark".

2013

Their first album 'Abraham' was selected by New York City Jazz Record (US) as 'Best Debut Releases 2013'.

They formed a piano duo and in 2013 they released their album 'Antiduo'.

In 2013 Gebruers' group Bambi Pang Pang (with Viktor Perdieus (saxophone) and Laurens Smet (double bass)) played at Jazz Middelheim with the legendary American drummer Andrew Cyrille.

In 2013 Gebruers co-founded the musical collective Troika, of which he is the artistic director.

Troika is an organization that regards improvisation as a means to make music rather than as a genre.

With this idea in mind Troika organizes concerts, produces albums and conducts interviews.

Gebruers also forms a duo with the composer and visual artist Charlemagne Palestine.

2015

Their second album 'twice left handed \\ shavings' (2015) experiments with electronic music.

Here Gebruers plays with electronic instruments and live sound processing.

In these years, Gebruers also collaborated closely with his teacher Erik Vermeulen.

This collaboration led to another album 'Drop your plans' (2015).

At the heart of this album lies an exploratory spirit that combines the lyrical with the abstract, and the sensitive and intuitive with the rational.

A warm, intimate and generous statement that first and foremost believes in the lasting power of human interaction, the subtle variations in the breaks and the fragments and the story that they might tell." Guy Peters

2018

Together, they play four differently tuned piano's. In 2018, Gebruers' played a piece composed by Charlemagne for the carillon in the Cathedral of Our Lady in Antwerp.

Other collaborations include Evan Parker, Paul Lytton, Robin Verheyen and Nate Wooley.

Currently, Gebruers' major project is the exploration of microtonality.

For this, he plays and improvises with two pianos tuned a quarter-tone apart.

2019

Later, the duo became a quartet with drummers Marek Patrman and Eric Thielemans, resulting in the album 'Rorschach' (2019).

About Gebruers' performance in 'Antiduo', the press wrote:

"Mean, against the grain, and unhindered by standard musical practice, Gebruers develops an unfettered entity, which is not in the least bit concerned about what is allowed or taboo, or the way things are supposed to be."

In 2019 he started a research project at the Royal Conservatory of Ghent, titled 'Unexplored possibilities of contemporary improvisation and the influence of microtonality in the creation process'.

Gebruers:

tuning the pianos a quartertone apart, I play with our collective artificial habit: the equal temperament.