Age, Biography and Wiki

Senam Okudzeto was born on 1972 in Chicago, Illinois, United States, is an American and British artist and educator (born 1972). Discover Senam Okudzeto's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 52 years old?

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Age 52 years old
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Birthplace Chicago, Illinois, United States
Nationality United States

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Senam Okudzeto Height, Weight & Measurements

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She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Senam Okudzeto Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Senam Okudzeto worth at the age of 52 years old? Senam Okudzeto’s income source is mostly from being a successful artist. She is from United States. We have estimated Senam Okudzeto's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Timeline

1972

Senam Okudzeto (born 1972) is an American and British artist and educator who lives and works in Basel, London, Ghana and New York City.

Okudzeto was born in Chicago, to an American mother and Ghanaian father and grew up between London, Chicago and Lagos.

1995

She received a bachelor's degree from the Slade School of Fine Art in 1995 and a master's degree from the Royal College of Art in 1997.

Okudzeto continued with post-graduate studies in the Whitney Independent Study Program (ISP) at the Whitney Museum of American Art and earned a doctorate in the field of Humanities and Cultural Studies from the London Consortium and Birkbeck, University of London in 2022.

Her work incorporates writing, scholarly research and art practice within a wide range of mediums, including painting, film, installation and social sculpture to articulate her methodological practice of "Afro-Dada".

It explores global connectivity, modernity, and the relationships between Africa, the diasporas, and the rest of the world.

Her work forges narrative connections between unexpected vectors, an ongoing exploration of identity politics, material culture and critical responses to previously overlooked socio-economic and political histories.

Her installations are designed to represent forgotten or unnoticed forms of material and architectural culture as carriers of lost or hidden histories, especially stories about the genesis of contemporary West Africa and its diaspora.

Interwoven into these broader themes are ideas such as economics as an archive of social relations and readings of Lacan in relation to race, performance and the gendered body.

Okudzeto's practice locates unexpected juxtapositions in the material culture of post-independence West Africa's modernist narratives and her identity as a West African who is also a European and of U.S. American descent.

1998

Since 1998, Okudzeto has developed the 'conceptual drawing' workshops incorporating practical and theoretical approaches to drawing, most recently taught at Ecole Nationale Supérieure d'Arts de Paris-Cergy (ENSAPC), The University of Nigeria, Nsukka and Yaba College of Technology as part of the international exchange program she organized as the ENSAPC visiting professor during 2018 and 2019.

She is the founder and administrative Director of the partially-dormant NGO Art in Social Structures (AiSS), a donor member society run and funded by artists with the aim of creating and supporting heritage initiatives in Ghana.

2000

Okudzeto has been artist in residence at the Studio Museum in Harlem (2000-2001) and the Stiftung Laurenz Haus in Basel (2002) and the BINZ39 residency in Zurich (2003).

2002

Okudzeto received a Pollock-Krasner Award in 2002 and was awarded the work-grant from Kunstkredit Basel-Stadt in 2005 and again in 2018

2003

She was a fellow at the Radcliffe Institute for Advanced Study at Harvard University from 2003 to 2004.

2005

Okudzeto has published a number of texts and peer reviewed essays and has served on the editorial board of the CAA publication Art Journal (2005–2009) and taught in a range of diverse fields, including African studies, art, architectural history at a wide range of institutions including The Kunsthistorisches Seminar, University of Basel (2015), at Harvard University (2004), Loyola University, Occidental College and the Hochschule für Gestaltung in Basel, Switzerland as well as institutions across Europe, West Africa and the USA.

2012

She also served as a board member on the Global Agenda Council for the Role of the Arts in Society at the World Economic Forum, Geneva (2012–2014).

2013

As Director of AiSS she co-organised and chaired Across the Board, a two-year project by Tate Modern in Ghana (2013–2014) that "provides an organic and experimental platform for emerging artists and explores recent artistic practices in Africa and its Diaspora", realized in collaboration with curator Elvira Dyangani Osei and the Nubuke foundation Ghana.

2015

She was awarded the Edith Bloom/Jesse Howard Junior Rome Prize fellowship at the American Academy in Rome, 2015–2016, for her project "Afro-Dada Glossolalia".

2017

In 2017 she received a grant from the Graham Foundation for Advanced Studies for her project Geomancy, Modernity and Memory, Unofficial and Unrecognized Historic Civic Centers in Ghana.

2018

She was the 2018–2019 Visiting Professor at L'École nationale supérieure d'arts de Paris-Cergy (ENSAPC), where she taught a theoretical graduate research seminar "Counter-Histories of a Continent; Making, Mapping, Recovering and Reviewing" which "instead of outlining an "African Art History" (asked) students (to) examine a history of Africa as constructed by artists, writers, musicians and filmmakers. This paradigm shift in research methodology attempts to "counter" stereotypes through an analysis of constructions of the image of Africa in the past 100 years, artifacts made both in and outside the geographical boundaries of the continent".