Age, Biography and Wiki

Sekou Sundiata (Robert Franklin Feaster) was born on 22 August, 1948 in New York City, New York, USA, is an actor. Discover Sekou Sundiata's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 59 years old?

Popular As Robert Franklin Feaster
Occupation actor
Age 59 years old
Zodiac Sign Leo
Born 22 August 1948
Birthday 22 August
Birthplace New York City, New York, USA
Date of death 18 July, 2007
Died Place Valhalla, New York, USA
Nationality United States

We recommend you to check the complete list of Famous People born on 22 August. He is a member of famous Actor with the age 59 years old group.

Sekou Sundiata Height, Weight & Measurements

At 59 years old, Sekou Sundiata height not available right now. We will update Sekou Sundiata's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Sekou Sundiata's Wife?

His wife is Maurine "Kazi" Knighton (? - 16 July 2007) ( his death) ( 1 child)

Family
Parents Not Available
Wife Maurine "Kazi" Knighton (? - 16 July 2007) ( his death) ( 1 child)
Sibling Not Available
Children Not Available

Sekou Sundiata Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Sekou Sundiata worth at the age of 59 years old? Sekou Sundiata’s income source is mostly from being a successful Actor. He is from United States. We have estimated Sekou Sundiata's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Actor

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Timeline

1863

Titled The Sounds of the Memory of Many Living People (1863-1876/ 1963-1976), this production, which included upcoming novelist Arthur Flowers and such poets as Safiya Henderson-Holmes, BJ Ashanti, Tom Mitchelson, Louis Reyes Rivera, et al, was staged in Harlem over a period of two days, signaling much of what was to come from Sekou's sense of vision, steadily breaking ground for what was then a new literary genre, Performance Poetry, fully anticipating elements of both Hip Hop Culture and Spoken Word Art.

1948

A highly esteemed performing poet, Sekou Sundiata wrote for print, performance, music and theater. Born Robert Franklin Feaster in Harlem, on August 22, 1948, Sundiata came of age as an artist during the Black Arts/Black Aesthetic movements of the 1960s and 1970s. While attending the City College of New York (CCNY), where he began reciting poetry publicly, Sundiata converged with several other student activists, including once-mayoral candidate of Pittsburgh and longtime friend, Leroy Hodge, to form the basis for what soon became known as the Black and Puerto Rican Student Community of City College (BPRSC).

1969

This phalanx of 400 students soon made their own history, closing the 21,000-student campus during the Spring of 1969, to demand, among other things, that CCNY be renamed Harlem University.

1970

The net effect of the student takeover culminated in both an Open Admissions Policy that took effect in September 1970, the full legitimization of ethnic studies departments throughout the nation, as well as the requirement that all education majors within the City University take courses in African American History and to have Spanish as a Second Language. Among his acknowledged mentors at City were Toni Cade Bambara, June Jordan, and fellow student Louis Reyes Rivera, with whom Sundiata helped to establish the first Black student newspaper in the City University, CCNY's The Paper. Their association would span close to forty years of mutual respect and admiration.

1974

Upon completing his Bachelor's Degree (circa 1974), Sundiata enrolled and completed his Master's in Creative Writing while regularly producing community-based poetry readings that were known to draw SRO crowds.

1976

In 1976, his creative sensibilities, his innate organizing skills, and his associations with a convergent generation of excellent poets, musicians and dancers immediately led to a collaborative project he directed that would commemorate 100 years of Black struggle for freedom and Human Rights.

1977

In 1977, the aforementioned poets, along with Zizwe Ngafua, Rashidah Ismaili, Fatisha (Hutson), Sandra Maria Esteves, Akua Lezli Hope, Mervyn Taylor, and Sekou, among others, formed the Calabash Poets Workshop, which group signaled the arrival of a new literary heat in New York, regularly producing soirees and fori (1977-1983) that included all of the arts and culminated in a three-year attempt (1979-1982) to establish an independent Black Writers Union.