Age, Biography and Wiki
Sam Lazar was born on 1933 in United States, is an American jazz musician. Discover Sam Lazar's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 91 years old?
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91 years old |
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1933 |
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1933 |
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United States
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We recommend you to check the complete list of Famous People born on 1933.
He is a member of famous musician with the age 91 years old group.
Sam Lazar Height, Weight & Measurements
At 91 years old, Sam Lazar height not available right now. We will update Sam Lazar's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Sam Lazar Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Sam Lazar worth at the age of 91 years old? Sam Lazar’s income source is mostly from being a successful musician. He is from United States. We have estimated Sam Lazar's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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Not Available |
Source of Income |
musician |
Sam Lazar Social Network
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Timeline
Sam Lazar (born 1933) was an American pianist and Hammond organist originally from St. Louis, Missouri, United States.
The liner notes on his first LP on Argo Records approximates his birth year as 1933.
Initially a pianist, Lazar played in a group led by Ernie Wilkins until Wilkins left St. Louis to join Count Basie.
After a tour with alto saxophonist Tab Smith, Lazar served in the United States Army from 1951-1953.
Upon discharge, he began studying medical technology.
In 1958, Lazar saw the Jimmy Smith Trio at the 'Peacock Alley' club in St. Louis and was inspired to play the Hammond organ and return to music.
Lazar's group played a variety of gigs from strip clubs to jazz clubs, and was reportedly one of the first interracial combos in the area.
Sam Lazar spent a week around Christmas, 1959, playing at the Holy Barbarian nightclub in St. Louis.
He performed as part of a quartet with Grant Green, Chauncey Williams, and tenor saxophonist Bob Graf.
Their performances at the club were recorded, but went unreleased for decades, until Uptown Records released the material as an album titled Grant Green: The Holy Barbarian, St. Louis 1959, in 2012.
A mysterious figure who disappeared from the music scene in the early 1960s, he is best known for fronting a group that included early work from guitarist Grant Green.
Lazar's career was heavily influenced by fellow organist Jimmy Smith.
Little is known about Lazar's life, with much of his biographical information coming from the liner notes of his albums.
Lazar made his first recording to be released a few months later in 1960, a single on Cawthron Records.
He signed with Chicago-based Argo Records, a division of Chess Records in 1960, and released his first album, Space Flight later that year.
Lazar made a total of three albums for Argo: Space Flight, Playback, and Soul Merchant.
Space Flight is most notable because it was recorded in 1960 with bassist Willie Dixon, along with Williams and Green.
Lazar's Argo releases were well received by critics.
His first single on Cawthron Records, "Space Flight, Parts 1 and 2", was given a rating of four stars by Billboard, indicating "Very Strong Sales Potential."
When "Space Flight" was released as single by Argo, it was named one of the top songs just outside of the Billboard Hot 100 Pop singles.
Lazar's 1962 album Playback also received a 4-star rating from Billboard, noting that he played with a lot of blues and soul in a style very similar to Jimmy Smith.
The review also stated that he "had the touch to do very well for himself."
Despite the positive reviews, Lazar's albums were not commercially successful.