Age, Biography and Wiki

Rudolf Stephan was born on 3 April, 1925, is a German musicologist (1925–2019). Discover Rudolf Stephan's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 94 years old?

Popular As N/A
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Age 94 years old
Zodiac Sign Aries
Born 3 April 1925
Birthday 3 April
Birthplace N/A
Date of death 29 September, 2019
Died Place N/A
Nationality

We recommend you to check the complete list of Famous People born on 3 April. He is a member of famous with the age 94 years old group.

Rudolf Stephan Height, Weight & Measurements

At 94 years old, Rudolf Stephan height not available right now. We will update Rudolf Stephan's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Rudolf Stephan Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Rudolf Stephan worth at the age of 94 years old? Rudolf Stephan’s income source is mostly from being a successful . He is from . We have estimated Rudolf Stephan's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Timeline

1925

Rudolf Stephan (3 April 1925 – 29 September 2019) was a German musicologist.

Stephan was born in Bochum.

After studying violin at the conservatory, he entered the Institute of Heidelberg, where he studied musicology at the University under the direction of Wolfgang Fortner.

1934

Among Stephan's students were the musicologist Reinhold Brinkmann (1934-2010), as well as musicologists Rüdiger Albrecht, Regina Busch, Károly Csipák, Klaus Ebbeke, Thomas Ertelt, Werner Grünzweig, Heribert Henrich, Reinhard Kapp, Ulrich Kramer, Claudia Maurer Zenck, Adolf Nowak, Wolfgang Rathert, Christian Martin Schmidt, Matthias Schmidt, Martina Sichardt, Lotte Thaler and the teacher Bernd Riede.

The musicologist Andreas Traub was Stephan's long-time assistant in Berlin.

1950

With Heinrich Besseler, Stephan went to the University of Göttingen, where he obtained his doctorate in 1950 with a work on Die Tenores der Motetten ältesten Stils by musicologist Rudolf Gerber (1950).

Carl Dahlhaus, Ludwig Finscher and Joachim Kaiser were among his classmates.

1957

He became known to the German-speaking public at large as the publisher of volume five of Das Fischer Lexikon's "Language", published in the Fischer Library in Frankfurt in 1957.

1958

In 1958, Stephan published the book on Neue Musik "Versuch einer kritischen Einführung".

His work was approved by Theodor W. Adorno with whom he remained in contact in the following years during radio broadcasts.

1963

In 1963, he moved to Göttingen as soon as he obtained his habilitation.

1965

From 1965 to 1976, Stephan was the editor-in-chief of publications for the Institute for New Music and Music Education in Darmstadt.

1967

In 1967, he accepted a chair in historical musicology at the Institute of musicology, now the musicology seminar of the Institute of Theatrical Studies at the Free University of Berlin.

1981

He was a visiting professor in Vienna in 1981, and his colleagues at the Berlin Institute were musicologists Tibor Kneif and Klaus Kropfinger, and from 1984 onwards Jürgen Maehder, who became his Director General from 1990 to 1992.

1989

As a publisher, Stephan contributed to the general editions of Arnold Schönberg's and Alban Berg's musical works (1989–1996).

1990

After his retirement in 1990 he held the rank of professor emeritus.

1992

Stephan's successor in 1992 was Albrecht Riethmüller.

2018

Stephan's research focused on the recent history of music since the 18th century and in particular on music from the first half of the 20th century.

He has made innovative contributions to the revision of the image of the works of Gustav Mahler, Hans Pfitzner, Max Reger and Paul Hindemith, as well as to the recognition of the importance of the Second Vienna School for the history of music, Arnold Schönberg, Alban Berg and Anton Webern.