Ron Wigginton

Ron Wigginton (born October 1, 1944, in Oakland, California) is an American artist and landscape architect.

His paintings and sculptures are found in West Coast museums and many private collections.

His landscapes are known for their narrative and aesthetic qualities, and his artwork typically involves and explores human perceptions of natural and built landscapes.

Wigginton is considered to be one of the first Landscape Architects to approach the design of a landscape as a conceptual work of art, for which he has received international recognition through publication and awards.

Wigginton graduated from El Cerrito (California) High School.

He received a B.F.A. from the University of Montana and an M.F.A from the University of Oregon.

As a young man he studied briefly with painter David Simpson, and in Montana he worked with ceramicist and sculptor Rudy Autio and poet Richard Hugo.

In Oregon he met and befriended painter Charles Stokes, later sharing studios and exhibiting with him in Portland and Seattle.

During the 1970s, Wigginton taught painting and sculpture at Cornish School of the Arts in Seattle.

Paintings and sculptures from this period and afterward are held in numerous private and public collections, including the Oakland Museum of California, the Portland Art Museum, Portland, Oregon, the Seattle Art Museum, the Museum of Contemporary Crafts, Portland, Oregon, the Center for Folk Art and Contemporary Crafts, San Francisco, the Rainer Bank Collection, Seattle, and the Museum of Northwest Art, La Conner, Washington.

In 1973 he met sculptor J.B. Blunk, with whom he maintained a friendship and working relationship until Blunk's death in 2002.

He returned to Japan in 1977 for an extended stay, establishing a painting studio close to the Mizumi Gallery in Tokyo and meeting international artists including Agnes Martin.

On his return to the U.S., he settled in San Diego, where he studied with Niwa landscape master Takendo Arii.

Wigginton was the landscape architect for numerous college campuses in California, including the University of California, San Diego during the mid-1980s.

Land Studio designed the site and landscape architecture for a new Price Student Center, amphitheater and fountain which also included the concept for the subsequent Library Walk (subsequently developed and implemented by Peter Walker's office), and the Molybiological Unit Two building sited and designed to create a campus-wide central pedestrian walk.

Over the next two decades his work included campus design and implementation at San Diego Mesa College, Grossmont-Cuyamaca College in San Diego County, the Stanford University reservoir project in Palo Alto, and the precedent-setting work for Cabrillo College in Aptos, California.

Wigginton has continued his work in painting and sculpture throughout his career in landscape architecture.

Reviewing Source of Power, a 1981 exhibit at the Quint Gallery in La Jolla, California, Robert McDonald wrote in Artweek that the series consisted of “twelve works combining painting and sculpture," all “visual metaphors for physical and spiritual power, for nature and man. . . . The paintings are abstract landscapes, skyscapes, or simply atmospheres. The sculptural forms . . . represent both man-made, architectural forms . . . and natural, topographic features, such as mountains and oceans. Installed at eye level, the pieces are small worlds for exploration.” Elise Miller, reviewing Source of Power in the Los Angeles Times, noted that “the multifaceted process and sheer beauty of Wigginton’s art work are immediately intriguing” and that the “pieces reward on many levels. The more time taken, the more they are understood.” Thematically, Miller observed the focus on “power over death, power to create, spiritual power, and power as energy, from land, sun, water, wind, the atom.” But “rather than define sources” of this power, Miller wrote, “Wigginton seeks to expose human concepts about sources, as if he were a compassionate observer of all time and space, sitting on the edge of the universe.”

Wigginton founded Land Studio in San Diego in 1981 and after a brief partnership continued as the sole principal of the firm.

Land Studio completed numerous projects in the San Diego area, many of which are open for public view, including the Union Bank Building Plaza at La Jolla Center One, the Nexus Technology Park, and the Linda Vista Library and Community Center.

In the book San Diego Artists (1988), Wigginton tells of an early and ongoing affinity for Japanese culture which led to a hitchhiking trip through Japan in 1970.

There he met Japanese potters and Living National Treasures, including Shoji Hamada, Fujiwara Kei, and others: “I was able to travel through the central spine of the country tracking down the ancient dragon kilns and meeting masters, very unusual people, very inspiring."

Wheat Walk, Land Studio's design for an expansion of the University of California, Davis, Arboretum was awarded first prize in a 1988

NEA International Design Arts competition.

According to Jory Johnson, writing in Landscape Architecture (January 1989), the jury noted particularly the aesthetic achievement of the design.

The jury, whose members included the university chancellor as well as artist and professor Robert Arneson, wrote, "The winner, Wheat Walk, reconciles modern agriculture with its spiritual and vernacular origins. . . . More than the (second and third place winners), Wheat Walk belongs to the world of art. . . . The success of Wheat Walk lies in its sophisticated transformation of both Noguchi and Van Gogh.”

Architectural critic Sally Woodbridge wrote in Progressive Architecture (July 1989) that Wigginton “seeks to objectify [the] experience” of being “moved, elevated, transported” by the landscape.

Woodbridge quoted Wigginton on one of his primary purposes: “I build platforms and bridges, places to sit and stand in order to intensify these moods.” Wigginton, Woodbridge said, “wants his landscapes to take hold of people and convert observers into participants.” Woodbridge emphasized Wigginton's focus on the time and place in which people find themselves.

"I would never," she quoted him, "use a classical arch or any symbolic form that refers to some other time and place."

Rather, Wigginton said, he wants people to "tap into that memory" of the landscape that has shaped their unique collective experience.

In “Places about Art, Places about Mind” (collected in Profiles in Landscape Architecture, 1992), J. William Thompson wrote that Wigginton “conceives of landscapes to awaken thought.” According to noted landscape architect Peter Walker, "he's not just doing pretty things. He has a strong sense of narrative; he has been trying to make landscapes which respond to a person's intelligence as well as visual sense."

Rob Wellington Quigley, an architect with whom Wigginton frequently worked, remarked on Wigginton's "fresh approach to the whole discipline of landscape architecture . . . . He brings a fine artist's approach to the design process. . . . Ron's value is that he practices as a site-specific sculptor whose medium happens to be landscape. He is not burdened with any of the clichés of conventional landscape architecture."

In 2002, Wigginton began working at his mountain studio in Cascadel Woods, North Fork, California.

There, he began a new series of ethereal paintings on canvas and aluminum panels.

The introduction to his works collected at the Environmental Design Archives at the University of California, Berkeley notes that “Wigginton has been recognized for his art-informed approach to landscape design, continuing to work on art installations and paintings throughout his professional career." In the Illustrated History of Landscape Design, Chip Sullivan and Elizabeth Boults wrote that "Ron Wigginton was one of the first Landscape Architects to approach the design of a landscape as a conceptual work of art." In honoring Wigginton as a Fellow in 2002, the American Society of Landscape Architects declared that Wigginton “has advanced the standing of landscape architecture through his exacting technical expertise in innovative design and sculptural form. [He] was the first landscape architect to use fiber optics in the built landscape (at La Jolla Centre Plaza) and to create exterior freestanding elevator corridors to solve complex ADA problems at Cabrillo College.

He was also the first artist or landscape architect appointed a Resident Fellow at the University of California Humanities Research Institute.”

In 2018, he completed "Experimental Heavens" the fifth monograph of paintings designed by graphic artist Lynn Robb of Santa Monica.

The five books consist of seventy-five works shown consecutively in unbroken sequence created over four years.

The founder of a landscape architecture firm, Land Studio, Wigginton entered the field following a decade as an exhibiting painter and sculptor.

He is one of a relative few without a degree in Landscape Architecture to pass the state exam and become certified to practice in California.