Age, Biography and Wiki

Roger Karl (Roger Trouve) was born on 29 April, 1882 in Bourges, Cher, France, is an actor. Discover Roger Karl's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 102 years old?

Popular As Roger Trouve
Occupation actor
Age 102 years old
Zodiac Sign Taurus
Born 29 April 1882
Birthday 29 April
Birthplace Bourges, Cher, France
Date of death 4 May, 1984
Died Place Paris, France
Nationality France

We recommend you to check the complete list of Famous People born on 29 April. He is a member of famous Actor with the age 102 years old group.

Roger Karl Height, Weight & Measurements

At 102 years old, Roger Karl height not available right now. We will update Roger Karl's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Roger Karl's Wife?

His wife is Paule Andral (April 1925 - 1926) ( divorced)

Family
Parents Not Available
Wife Paule Andral (April 1925 - 1926) ( divorced)
Sibling Not Available
Children Not Available

Roger Karl Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Roger Karl worth at the age of 102 years old? Roger Karl’s income source is mostly from being a successful Actor. He is from France. We have estimated Roger Karl's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Actor

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Timeline

1882

One of the very few actors to have spent more than a hundred years on this earth and to have performed his art until he was over 90, Roger Karl (1882-1984) was an exceptionally gifted person who could have become an artist ('Pablo Picasso' was a friend of his) or a writer (he was close to Guillaume Apollinaire and Paul Léautaud, eventually putting pen to paper with a book of memoirs, "Journal d'un homme de nulle part"). Bur Roger Karl finally opted for acting, studying drama at the Conservatoire de Paris first, then at the Odeon. Throughout his long career, he appeared in prestigious plays (Molière 's "L'amour médecin", Jules Romains's Le roi masqué, Albert Camus's "Le malentendu", William Shakespeare's "Henry IV and many many others), with prestigious partners (among whom the legendary Sarah Bernhardt) under the direction of prestigious directors (Jacques Copeau, Louis Jouvet, Jean Vilar. . .

1909

) But although theater was a passion and despite the fact that he had always expressed his preference for theater over cinema, Roger Karl did not miss out on a film actor career, debuting on the silver screen as early as 1909, which was an exception among 'serious' theater actors of his kind only to say his professional goodbye 65 years later in a 1974 TV movie.

1928

Nevertheless a few films have fared better and are still exciting to see today, like Misdeal (1928), directed by Jean Grémillon alongside 'Charles Dullin' and wife, Julien Duvivier's ,The Man of Stone (1936), Under Western Eyes (1936) Oddly enough, while the quality of the films Roger Karl improved in the early forties, the military types he continued playing were on the wrong side of history.

1946

A much more uneven career than his stage one, both in terms of quality and steadiness (he indeed made only brief and sparse appearances after 1946), it is not without high points though, notably the five films directed by famous avant-garde director director Marcel L'Herbier: Phantasmes (1917), L'homme du large (1920),The Living Image, or the Lady of Petrograd (1926) and Le diable au coeur (1927) and L'Argent (1928), two of which are eternal masterpieces (L'homme du large" and "L'argent"). As a tough Breton fisherman, the desperate but uncompromising father of a good-for-nothing, Roger Karl proved particularly convincing, which earned him a lot of authority figures such as bankers, police commissioners, bishops, nobles and other ministers. The trouble is that well as fine-looking with gravitas Roger Karl played them, it was often in conventional bourgeois dramas which have not stood the test of time, especially during the thirties.