Roberto Burle Marx

Roberto Burle Marx (August 4, 1909 – June 4, 1994) was a Brazilian landscape architect (as well as a painter, print maker, ecologist, naturalist, artist and musician) whose designs of parks and gardens made him world-famous.

He is accredited with having introduced modernist landscape architecture to Brazil.

He was known as a modern nature artist and a public urban space designer.

His work had a great influence on tropical garden design in the 20th century.

Water gardens were a popular theme in his work.

He was deftly able to transfer traditional artistic expressions such as graphic design, tapestry and folk art into his landscape designs.

He also designed fabrics, jewellery and stage sets.

He was one of the first people to call for the conservation of Brazil's rainforests.

More than 50 plants bear his name.

He amassed a substantial collection of plants at his home, including more than 500 philodendrons, including some that were discovered by him or bear his name, like Philodendron burle-marxii.

Roberto Burle Marx was born in São Paulo.

He was the fourth son of Rebecca Cecília Burle, a member of the traditional Pernambuco-based family of French ancestry, Burle Dubeux, and Wilhelm Marx, a German Jew born in Stuttgart and raised in Trier.

The family moved to Rio de Janeiro in 1913.

Burle Marx's first landscaping inspirations came while studying painting in Germany, where he often visited the Botanical Garden in Berlin and first learned about Brazil's native flora.

It is 23rd Brazilian location recognized on UNESCO’s list of World Heritage sites.

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Upon returning to Brazil in 1930, he began collecting plants in and around his home.

He went to school at the National School of Fine Arts in Rio in 1930 where he focused on visual arts under Leo Putz and Candido Portinari.

While in school he associated with several of Brazil's future leaders in architecture and botanists who continued to be of significant influence in his personal and professional life.

One of these was his professor, Brazilian Modernism's Lucio Costa, the architect and planner who lived down the street from Burle.

In 1932, Burle Marx designed his first landscape for a private residence by the architects Lucio Costa and Gregori Warchavchik.

His first garden design was completed in 1933.

In 1937, Burle Marx gained international recognition and admiration for this abstract design of a roof garden for the Ministry of Education building.

The design highlighted elements of tension and drama.

This project, the Schwartz house was the beginning of a collaboration with Costa which was enriched later by Oscar Niemeyer who designed the Brazilian Pavilion at the New York World's Fair in 1939.

Niemeyer also designed the Pampulha complex in 1942 for which Marx designed gardens.

In 1949 he acquired the Sítio de Santo Antonio da Bica, a 365,000 m2 estate in the Barra de Guaratiba neighborhood on the outskirts of Rio de Janeiro.

Burle Marx began taking expeditions into the Brazilian rain forest with botanists, landscape architects, architects and other researchers to gather plant specimens.

He learned to practice studying plants in situ from the botanist Henrique Lahmeyer de Mello Barreto and established his garden, nursery and tropical plant collection at Guaratiba.

Roberto Burle Marx founded a landscape studio in 1955 and in the same year he founded a landscape company, called Burle Marx & Cia.

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He opened an office in Caracas, Venezuela in 1956 and started working with architects Jose Tabacow and Haruyoshi Ono in 1968.

Marx worked on commissions throughout Brazil, Argentina, in Chile and many other South American countries, France, South Africa, Washington D.C. and Los Angeles.

This property was donated to the Brazilian government in 1985 and became a national monument.

Now called Sítio Roberto Burle Marx, under the direction of IPHAN, it houses over 3,500 species of plants.

The house was rebuilt in a valley on the site of a garden house belonging to the original plantation estate.

In 2021, Sítio Roberto Burle Marx was inscribed on the UNESCO World Heritage List because of its unique Modernist design and its importance for environmental and cultural preservation.

Roberto Burle Marx's 62-year career ended when he died June 4, 1994, at age 84.

He spent time in the Brazilian forests where he was able to study and explore.

Additionally his artwork can be found displayed throughout the city of Rio de Janeiro "it is an open-air museum of works displaying his unmistakable style, one wholly his own" (Montero 2001 p. 29).