Age, Biography and Wiki

Robert Whitman was born on 23 May, 1935 in New York City, U.S., is an American artist (1935–2024). Discover Robert Whitman's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 89 years old?

Popular As N/A
Occupation N/A
Age 89 years old
Zodiac Sign Gemini
Born 23 May 1935
Birthday 23 May
Birthplace New York City, U.S.
Date of death 19 January, 2024
Died Place Warwick, New York, U.S.
Nationality United States

We recommend you to check the complete list of Famous People born on 23 May. He is a member of famous artist with the age 89 years old group.

Robert Whitman Height, Weight & Measurements

At 89 years old, Robert Whitman height not available right now. We will update Robert Whitman's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Who Is Robert Whitman's Wife?

His wife is Mia Lahanas (m. 1956-1961) Simone Forti (m. 1962-1966) Sylvia Palacios Whitman (m. 1968)

Family
Parents Not Available
Wife Mia Lahanas (m. 1956-1961) Simone Forti (m. 1962-1966) Sylvia Palacios Whitman (m. 1968)
Sibling Not Available
Children 3

Robert Whitman Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Robert Whitman worth at the age of 89 years old? Robert Whitman’s income source is mostly from being a successful artist. He is from United States. We have estimated Robert Whitman's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1935

Robert Whitman (May 23, 1935 – January 19, 2024) was an American artist best known for his seminal theater pieces of the early 1960s combining visual and sound images, actors, film, slides, and evocative props in environments of his own making.

Whitman was born in Manhattan, New York City, on May 23, 1935, and moved to Englewood, New Jersey, at the age of 10, after his father's death.

He attended the local public schools and the Englewood School for Boys (now part of Dwight-Englewood School).

1953

Whitman studied literature at Rutgers University from 1953 to 1957 and art history at Columbia University in 1958.

He was represented by the Pace Gallery in New York.

Whitman died at his home in Warwick, New York, on January 19, 2024, at the age of 88.

1960

From the late 1960s on he worked with new technologies, and his latest work incorporated cellphones.

Whitman was a member of the group of visual artists - Allan Kaprow, Red Grooms, Jim Dine, and Claes Oldenburg - who in the early 1960s presented theater pieces on the Lower East Side in Manhattan.

Whitman presented more than 40 theater pieces in the United States and abroad, including American Moon, E.G. and Mouth at the Rueben Gallery.

A retrospective, Robert Whitman: Theater Works, 1960–1976 was held in 1976 sponsored by the Dia Art Foundation and presented six earlier works and the premiere of Light Touch.

His theater works have been presented at the Galerie Maeght Festival in France, Contemporary Arts Museum, Houston, Texas, Moderna Museet, Stockholm; Walker Art Center, Vera List Art Center at MIT, and many more.

1965

Night Time Sky was his contribution to the First New York Theater Rally in New York in 1965; Prune Flat was first presented at the Cinematheque in New York in 1965 and has been performed numerous times since.

1966

In 1966, Whitman was one of the 10 New York artists who worked with Billy Klüver and more than 30 engineers and scientists from Bell Telephone Laboratories to create works that incorporated new technology for 9 Evenings: Theatre and Engineering, a series of performance artworks presented October 13–23 in 1966 at the 69th Regiment Armory in New York City.

For this piece, Two Holes of Water- 3, Whitman used seven automobiles on the floor of the Armory, from which were projected film, over-the-air television programs, and closed-circuit television projections of live performances and actions, including images from one of the first fiber-optic miniature video cameras.

1969

Whitman collaborated with engineers on installations and works that incorporate new technology: laser sculptures, including Solid Red Line, in which a red line draws itself around the walls of a room and then erases itself and Pon, a sound-activated metallized PET film mirror installation shown at The Jewish Museum in New York City in 1969.

1970

Whitman, working with Experiments in Art and Technology, E.A.T., in the early 1970s, developed and participated in a number of innovative communications projects : - Anand Project: he was part of an interdisciplinary team to develop methods for instructional television programming for rural Indian villages; - Children and Communications, open environments for children to work with a variety of communication equipment; - Telex: Q&A: a worldwide person-to-person question and answer opportunity using telex equipment in New York, Stockholm, Ahmedabad, India, and Tokyo; - Artists and Television, artists’ programming on New York cable channels.

1971

His long collaboration with optics scientist John Forkner began with a mirror, light, and sound installation for the Art and Technology exhibition at the Los Angeles County Museum of Art in 1971.

They developed an optical system that allowed real images to float in space, to appear and disappear in an environment made up of a wall array of 6-inch corner reflectors in which the visitors saw multiple images of themselves.

Whitman was one of the co-founders of Experiments in Art and Technology along with engineers Billy Klüver and Fred Waldhauer and artist Robert Rauschenberg - a project to provide contemporary artists with access to new technology as it developed in research institutions and laboratories.

Whitman was one of the core artists for the Pepsi Pavilion at Expo '70, Osaka Japan, a project administered by E.A.T. One of the main features of the interior of the Pavilion was the central performance space in a 90 ft diameter 120 degree spherical mirror made of aluminized reflective PET film, which produced real images of the visitors hanging upside down in space.

Significant one-person exhibitions of Whitman's sculpture and installation pieces include shows at The Museum of Modern Art in New York, The Hudson River Museum of Contemporary Art, Chicago, and Thielska Galleriet, Stockholm.

Whitman enjoyed one person gallery exhibitions at PaceWildenstein in New York, and his work has been included in many group exhibitions.

1972

In 1972, Whitman produced his first telephone piece, NEWS, in which participants, using pay phones, called in reports which were broadcast live over radio station WBAI.

NEWS was performed later in Houston, Minneapolis, and other cities over a two- or three-year period.

1976

Whitman received many awards, including a Guggenheim Fellowship (1976); Creative Artists Public Service Grant; Citation of Fine Arts, Brandeis University; and a Creative Arts Award Xerox Company Grant.

2002

Ghost, his most recent theater performance, was staged at the Pace Wildenstein Gallery in New York City in 2002.

A later performance in Leeds, England in 2002, utilized cell phones, and the calls were broadcast in real time on large speakers in a public square in the town.

A recording of the performance was made available by the sponsor, Lumens, at Ubuweb.

2003

In 2003 the Dia Art Foundation, in New York presented, Playback, a large-scale retrospective exhibition of Whitman’s works.

2004

In the fall of 2004, Whitman presented a theater performance, Antenna, in Leeds, England, sponsored by Lumens, as part of the New Media Festival there.

2005

The exhibition traveled to Porto, Portugal, and opened at the Museum of Contemporary Art in Barcelona, Spain in September 2005.

A major book, Playback, a comprehensive study of his work, accompanied this exhibition.

In the summer of 2005, Whitman presented Local Report, a video cell phone project.