Age, Biography and Wiki
Robert Suderburg was born on 28 January, 1936 in United States, is an American composer. Discover Robert Suderburg's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 77 years old?
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77 years old |
Zodiac Sign |
Aquarius |
Born |
28 January 1936 |
Birthday |
28 January |
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Date of death |
22 April 2013 in Williamstown, Massachusetts |
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United States
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We recommend you to check the complete list of Famous People born on 28 January.
He is a member of famous composer with the age 77 years old group.
Robert Suderburg Height, Weight & Measurements
At 77 years old, Robert Suderburg height not available right now. We will update Robert Suderburg's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Robert Suderburg Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Robert Suderburg worth at the age of 77 years old? Robert Suderburg’s income source is mostly from being a successful composer. He is from United States. We have estimated Robert Suderburg's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Source of Income |
composer |
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Timeline
Robert Charles Suderburg (28 January 1936 in Spencer, Iowa – 22 April 2013 in Williamstown, Massachusetts) was an American composer, conductor, and pianist.
The son of a jazz trombonist, Suderburg studied composition with Paul Fetler at the University of Minnesota, where he received a BA in 1957.
He did post-graduate studies with Richard Donovan at Yale University (MM 1960), and with George Rochberg at the University of Pennsylvania, where he received his PhD in 1966 with a dissertation, "Tonal Cohesion in Schoenberg's Twelve-tone Music".
Suderburg's earlier compositions were serial, but in the late 1960s he abandoned twelve-tone technique and turned to a highly personal, lyrical, basically neoromantic style.
His musical language is largely modal, with Phrygian and Lydian predominating, and occasionally adopts scale patterns characteristic of non-Western traditions, such as those of Japanese koto music.
Rising major sevenths and minor ninths are favoured melodic intervals, and his harmonies frequently feature sounds derived from the major-seventh and major-seventh with added fourth chords.
He tends to use moderate to slow underlying tempos, but with active and pliable surface rhythms, suggesting improvisation.
After teaching at Bryn Mawr College, the Philadelphia Academy of Music, and the University of Pennsylvania, in 1966 he was appointed professor at the University of Washington in Seattle, where he also became associate director of the University of Washington's Contemporary Group, and taught there until 1974.
He also served as Co-director of the Contemporary Group at the University of Washington (1966–74), and President of the Cornish Institute in Seattle (1984–85).
From 1974 to 1984 he was chancellor of the North Carolina School of the Arts, and in 1985 joined the music faculty of Williams College in Williamstown, Massachusetts.
He served on many boards and panels, including the National Endowment for the Arts (NEA) Composers Panel from 1975 to 1981.
He received fellowships, awards, and prizes including two Guggenheim Fellowships, two NEA Fellowships, numerous ASCAP awards, awards from the Rockefeller Foundation and the American Music Center, the USIA award, and others.
Suderburg taught music at Williams College beginning in 1985, became composer-in-residence there in 1986, and served as Chair of the Music Department from 1986 to 1995.
He served as chair of the department from 1986 to 1995.
In 1994 he was appointed to a named chair, and continued to teach until his retirement in 2001.
Suderburg's compositions have been published by Theodore Presser and performed nationally and internationally by major orchestras, ensembles, and solo artists, including the Philadelphia Orchestra, the Seattle and North Carolina symphonies, and the Philadelphia String Quartet.
His works and performances have been recorded by Columbia, Vox and Delfon, among others.
Suderburg conducted and taught at Bryn Mawr, the Philadelphia Musical Academy, the University of Pennsylvania, and the City University of New York.