Age, Biography and Wiki

Robert Martin (singer) (Robert Allen Martin) was born on 29 June, 1948 in Philadelphia, Pennsylvania, is a Robert Bobby" Martin is singer, songwriter and multi-instrumentalist. Discover Robert Martin (singer)'s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 75 years old?

Popular As Robert Allen Martin
Occupation Musician
Age 75 years old
Zodiac Sign Cancer
Born 29 June 1948
Birthday 29 June
Birthplace Philadelphia, Pennsylvania
Nationality United States

We recommend you to check the complete list of Famous People born on 29 June. He is a member of famous artist with the age 75 years old group.

Robert Martin (singer) Height, Weight & Measurements

At 75 years old, Robert Martin (singer) height not available right now. We will update Robert Martin (singer)'s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Robert Martin (singer) Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Robert Martin (singer) worth at the age of 75 years old? Robert Martin (singer)’s income source is mostly from being a successful artist. He is from United States. We have estimated Robert Martin (singer)'s net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
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Source of Income artist

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Timeline

1948

Robert "Bobby" Martin (born June 29, 1948) is an American singer, songwriter and multi-instrumentalist born in Philadelphia, Pennsylvania.

Martin sings and plays keyboards, horn, saxophones and other instruments.

Martin was born in Philadelphia in June 1948, the son of opera singers.

His grandmother worked at RCA in Trenton, New Jersey, giving Robert access to a variety of 78 RPM records.

1950

Growing up in the 1950s in this city, and with a deeply musical atmosphere at home, he was exposed to a broad spectrum of music.

"The first piece of music I remember hearing, identifying and asking for was The Firebird by Stravinsky. I used to ask my mom to play that piece – it was the most intensely visual music I had ever heard."

Apart from the exposure to classical music he gained through his parents and through performances of the Philadelphia Orchestra, he also listened to other kinds of music.

His father was a fan of Big Band music, he regularly watched Dick Clark's American Bandstand show, and he listened to the excellent jazz that was played in the city's clubs.

The presence of avant-garde rock and Philadelphia soul in his discography exemplify the breadth of his musical life.

He began his interest in music very early.

At home his parents had a Lester Spinet piano, and as soon as he was tall enough to reach the keys, he taught himself to play by ear.

"I recognized chord progressions and melodies, and I could reproduce them after I had listened to them."

He started taking piano lessons at age 8, although he already knew how to play and compose blues.

After learning to read music he left the lessons, because "I preferred what I was able to learn on my own."

He is completely self-taught with his voice and with almost all the instruments, especially the wind of metal and wood, except the french horn, which he perfected at the Curtis Institute of Music.

While he was an outstanding student at high school, a member of the National Honor Society, and an accomplished sportsman (a wrestling champion and excellent baseball player who considered playing professionally), he preferred to pursue music.

Martin learned to play french horn in elementary school.

When he was in third grade, students were given a test to choose pupils for the band.

He got a perfect score on the test and was given a french horn in fourth grade at age nine.

A few years later he became passionate about the blues and wanted to play the saxophone after listening to Ray Charles saxophonist David "Fathead" Newman.

Finally at age 13 he persuaded the head of the band to let him play the saxophone.

After a few weeks he had learned the instrument well enough to become the main tenor of the band.

1969

In 1969, Martin entered the Curtis Institute of Music where he undertook intensive classical studies.

In Curtis, he had Mason Jones, the principal french horn orchestra interpreter of the Philadelphia Orchestra, as teacher, and he performed the classical repertoire under the baton of Eugene Ormandy, Claudio Abbado, Lorin Maazel and Seiji Ozawa.

Martin began his professional career in his own city, before heading to the west coast.

He performed as a session musician in recording studios at Sigma Sound Studios in Philadelphia.

Between 1969 and 1974, Martin interpreted the french horn in a variety of successes of that time.

At this stage he played on many records that helped to establish the Philadelphia soul sound, such as "Me and Mrs. Jones", "Back Stabbers", "Love Train", and "If You Don't Know Me by Now".

He can be heard on records produced by the successful team of producers and songwriters Gamble and Huff of Philadelphia International Records.

There he played horn on many sessions arranged by another well known Bobby Martin, the gifted TSOP arranger, producer and composer of the label.

Regarding his role as singer, Etta James was his great mentor, who encouraged him to sing with her in her live performances over a period of fifteen years.

1970

In the 1970s he was part of Orleans, a group from Woodstock.

1978

In 1978 he performed horn and saxophone on two Justin Hayward songs on the Moody Blues Octave album.

1980

He is mainly known for collaborating in the 1980s with the musician Frank Zappa, although he is also a prominent session musician, composer of music for cinema, theater, television and advertising, musical director and music teacher.

He also directs music production company Think Method Production with Stephen Boyd.

He recognizes as musical influences Ray Charles, Stravinsky, Coltrane, Rachmaninoff, Mose Allison, Cannonball Adderley, David "Fathead" Newman, Steely Dan, Frank Zappa and Etta James.

1981

In 1981 Dave Robb, top technician on the road crew for Orleans in the 1970s, told Robert that Frank Zappa needed a musician for the 1981 tour.

He was scheduled to audition the next day.

In the audition Zappa put Martin to the test on keyboards, tenor saxophone and horn.

He asked him to transpose keyboard parts to horn and saxophone, as well as follow polyrhythms and metric modulations.