Age, Biography and Wiki

Robert Kulicke was born on 1924, is an American painter. Discover Robert Kulicke's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 83 years old?

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Age 83 years old
Zodiac Sign
Born 1924
Birthday 1924
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Date of death 14 December, 2007
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Nationality

We recommend you to check the complete list of Famous People born on 1924. He is a member of famous painter with the age 83 years old group.

Robert Kulicke Height, Weight & Measurements

At 83 years old, Robert Kulicke height not available right now. We will update Robert Kulicke's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Robert Kulicke Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Robert Kulicke worth at the age of 83 years old? Robert Kulicke’s income source is mostly from being a successful painter. He is from . We have estimated Robert Kulicke's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Cars Not Available
Source of Income painter

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Timeline

1950

A floating frame he created in the late 1950s was used by the Modern on some of its most popular masterpieces after the museum's expansion in 1984.

For these widely imitated designs, The New York Times referred to Kulicke as "the most innovative and influential picture frame designer in the United States".

The scope of his craftsmanship was extensive, and his reproduction frames have been used on Leonardo Da Vinci's portrait of Ginevra de' Benci in the National Gallery of Art in Washington, D.C., and the Epiphany by Giotto in the Metropolitan Museum of Art.

1951

Prior to opening his own framing business in New York City in 1951, he traveled to Paris on the G.I. Bill, studied painting with Fernand Léger, and apprenticed himself to several framers.

In New York he befriended the Abstract Expressionists Franz Kline and Robert Motherwell, and designed frames based on a simple band of polished aluminum that would be used on hundreds of works by these and other Modernists.

1956

The "Kulicke frame", a tasteful welded design, was commissioned by the Museum of Modern Art in 1956 for use in traveling exhibitions; he subsequently also designed a Lucite frame for the museum's photography collection.

1957

Discouraged by Léger's emphasis on large compositions, Kulicke stopped painting until 1957, when he was called on to frame some 300 small still life paintings by Giorgio Morandi.

Inspired by Morandi's work, his own paintings were diminutive studies, often of flowers or a single fruit.

1968

In 1968 he perfected the granulation technique which had been practiced from antiquity to the 11th century, and used sporadically thereafter, which he then taught to others in jewellery making workshops and academies he founded.

1982

In 1982 he was elected into the National Academy of Design as an Associate member and became a full Academician in 1994.

2007

Robert Moore Kulicke (1924 – December 14, 2007) was an American artist, frame maker, and teacher.

Though most influential for modernizing the design of picture frames, he was also a noted painter of small and delicate still lifes, as well as a jewellery maker credited with reviving the ancient goldsmithing technique of granulation.

Kulicke was born in Philadelphia, where his formal studies included advertising design at the Philadelphia College of Art, while independently he studied the art collections of the Philadelphia Museum of Art.

Returning home after serving three years in the Army during World War II, he became interested in picture framing.

2017

His works, which he described as "more 17th century than 20th", were exhibited in museums and several New York galleries.

His work is represented in the collections of the Victoria & Albert Museum, the Hirshhorn Museum and Sculpture Garden, and the Albright-Knox Art Gallery.