Rirkrit Tiravanija

Rirkrit Tiravanija (ฤกษ์ฤทธิ์ ตีระวนิช, pronunciation: [] or Tea-rah-vah-nit ) is a Thai contemporary artist residing in New York City, Berlin, and Chiangmai, Thailand.

He was born in Buenos Aires, Argentina in 1961.

His installations often take the form of stages or rooms for sharing meals, cooking, reading or playing music; architecture or structures for living and socializing are a core element in his work.

The son of a Thai diplomat and an oral surgeon, Tiravanija was born in Buenos Aires in 1961 and was raised in Thailand, Ethiopia, and Canada.

He learned English at an international school in Ethiopia before being sent to a Catholic school back home in Thailand, where his grandmother operated a garden restaurant.

Tiravanija painted the words " Ne Travaillez Jamais" on the wall, a phrase lifted from the May 1968, protest riots in Paris.

When Tiravanija does make objects, they are most often multiples and ephemera connected with exhibitions.

Tiravanija’s support of free speech is conveyed by his choice to broadcast the low-budget film Punishment Park (1971), a documentary on the suppression of Vietnam War protests.

After initially studying history at Carleton University, he later enrolled in the Ontario College of Art in Toronto (1980–84), the Banff Center School of Fine Arts (1984), the School of the Art Institute of Chicago (1984–86), and the Whitney Independent Studies Program in New York (1985–86).

He moved to Manhattan in 1982.

According to art historian Rochelle Steiner, Tiravanija's work “ Is fundamentally about bringing people together.” The artist's installations of the early-1990s involved cooking meals for gallery-goers.

In one of his best-known series, beginning with pad thai (1990), at the Paula Allen Gallery in New York, he rejected traditional art objects altogether and instead cooked and served food for exhibition visitors.

He used a westernized recipe that was being popularized by an expat Englishwoman who had written a cookbook after visiting Bangkok; the recipe substituted ketchup for tamarind paste, and the meal was prepared in a West Bend wok, a then-new appliance.

Since the early 1990s, Tiravanija has published multiples in the form of backpacks, cooking utensils, and maps as part of his practice.

These commonplace objects used for cooking or camping serve today as memories of the artist's earlier projects and also stimulate new interactions, whether physical or purely in the imagination.

The work presents filmic portraits of twelve artists, all chosen by Tiravanija, that belong to the same generation as him, that rose to critical attention in the 1990s.

All good friends, they rose to international success.

Relating to the name, they create a relaxed situation where conversation flows naturally, with personal issues arising to do with work and career.

It premiered as part of the exhibition "theanyspacewhatever" at the Solomon R. Guggenheim Museum in New York.

In 1995 he presented a similar untitled work at the Carnegie International exhibition at the Carnegie Museum of Art, where he included wall text that presented written instructions for cooking South-east Asian green curry, which was then prepared for visitors.

In 1997 Tiravanija began an engagement with modernist architecture when he installed in the Museum of Modern Art's sculpture garden Untitled: 1997 (Glass House), a child-size version of Philip Johnson's Glass House (1949).

Some viewers, like the students who lived in Untitled 1999, a recreation of Tiravanija's East Village apartment, actually moved in for the duration of an exhibition.

Similarly, untitled 2002 (he promised) is an arena of activities ranging from DJ sessions to film screenings within a chrome and steel structure inspired by Rudolf M. Schindler's Kings Road House (1922) in West Hollywood.

In 2004 the Solomon R. Guggenheim Museum in New York honoured Tiravanija with the Hugo Boss Prize and presented an exhibition of his work, which had more overtly political tones.

A 2005 solo show at Serpentine Gallery, London, featured two new, full-scale replicas of this apartment, complete with kitchen, bath, and bedroom.

In other projects, he has bricked up the entrance to gallery spaces, rendering them impenetrable for the duration of the respective exhibition.

Featured in this exhibition, Untitled 2005 (The Air Between the Chain-Link Fence and the Broken Bicycle Wheel) was an installation in which the artist addressed governmental control of popular media by installing a low-tech pirate television station within the museum, using a simple metal antenna and cables as broadcasting equipment, accompanied by a small wooden structure housing a television set and chairs.

On the gallery walls Tiravanija featured the text of the US Constitution’s First Amendment (advocating freedom of speech), a history of radio and television communication in America, and simple directions for constructing low-tech broadcasting equipment.

In Tiravanija's untitled 2006 (pavilion, table and puzzle) installation, visitors are welcome to gather at a picnic table to assemble an expansive puzzle depicting Eugène Delacroix’s 1830 masterpiece, Liberty Leading the People; a pavilion-like structure, a replica of one designed by Jean Prouvé for use in French colonial Africa, completes the tableau.

For the season 2006/2007 in the Vienna State Opera, Tiravanija designed the large scale picture (176 sqm) "Fear Eats the Soul" as part of the exhibition series "Safety Curtain", conceived by museum in progress.

Tiravanija later recreated the installation in 2007 at the David Zwirner Gallery in Chelsea using the original elements and renaming the work Untitled (free still).

Alongside Hans Ulrich Obrist and Philippe Parreno, Tiravanija staged the opera Il Tempo del postino (‘Postman Time’) with the participation of a number of leading contemporary visual artists, first unveiled at the Manchester International Festival in 2007 and later at Art Basel fair in an expanded form in 2009.

"It is not what you see that is important but what takes place between people."

In Untitled 2008–2011 (the map of the land of feeling), Tiravanija presents a visual chronology of his life and work between 1988 and 2008, as told through the pages of his expansive passport.

Tiravanija released Chew the Fat in 2008.

For Asile Flottant (2010), he constructed a sketch of Le Corbusier’s boat of the same name and inserted a section of it into a gallery.

Le Corbusier’s barge was designed for the Salvation Army literally as a floating asylum meant to provide temporary overnight shelter for vagrants wandering the streets of Paris; Tiravanija’s barge, constructed in Chiang Mai, was to serve as a pavilion that houses both political T-shirts designed by the artist, and others that have been collected from all over the world.

As a prelude to the opening of La Triennale 2012, Tiravanija was invited to transform the main nave of the Grand Palais into a festive, large-scale, twelve-hour banquet composed of a single meal of Tom Kha soup (Soup/No Soup, 2012).

In 2015, Tiravanija and Gavin Brown opened Unclebrother, a restaurant and gallery in a former car dealership in Hancock, New York.

Other exhibitions are also based on interaction and exchange among participants.