Age, Biography and Wiki

Reva Stone was born on 1944 in Canada, is a Canadian artist (born 1944). Discover Reva Stone's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 80 years old?

Popular As N/A
Occupation Artist
Age 80 years old
Zodiac Sign
Born 1944
Birthday 1944
Birthplace N/A
Nationality Canada

We recommend you to check the complete list of Famous People born on 1944. She is a member of famous artist with the age 80 years old group.

Reva Stone Height, Weight & Measurements

At 80 years old, Reva Stone height not available right now. We will update Reva Stone's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Reva Stone Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Reva Stone worth at the age of 80 years old? Reva Stone’s income source is mostly from being a successful artist. She is from Canada. We have estimated Reva Stone's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1944

Reva Stone (born 1944) is a Canadian artist known for her digital artworks.

Stone's work explores how technology changes the relationship between humans and our surroundings, and how those relationships have the potential to shape our future.

1960

She fuses the concepts of performance art, made popular in the 1960s, with digital imaging and other modern forms of expression.

As one of the first women to be involved in the new media arts in Canada, her large-scale projects influenced many artists she mentored.

1985

Stone graduated from the University of Manitoba in 1985.

In art school, she originally began as a painter, "but that didn't last long" (according to Stone).

Many middle and late 20th century philosophers and artists whose work centers around the collision of art, science, and humanity inspired Stone.

1989

She began working on interactive pieces in 1989, after encouragement from Richard Dyck, a fellow Winnipeg, technologically-focused artist, and the piece Legacy was born.

1990

Since the early 1990s, Stone has focused almost exclusively on interactive, technologically based art forms, using technology to isolate and explore specific properties of the human experience.

Notably, she has done work with "the misogynistic world of video games, the disciplinary effects of medical science, the stimulation of human intelligence and affect in robotics, and the visual modeling of protein molecules."

1993

Legacy, finished in 1993, is a child's room, one wall representing a stereotypical girl and the other representing a stereotypical boy, exploring gender roles of young children.

The viewer can interact with the installation through a computer game that cries out "Come play with me," begging for human interaction.

1998

sentientBody, 1998, uses Stone's own disembodied breathing matched with images of water and sand "to both realize and dematerialize the existence of the body" (according to Enright).

Stone has been featured in numerous solo exhibitions as well many group exhibitions.

She is also featured in six public collections in Canada and private collections throughout Canada and the United States.

2002

Carnevale 3.0, finished 2002, mirrors human consciousness by taking pictures of viewers in the gallery that are either stored or "forgotten" as a way to simulate human memory.

The robot figure is inspired by a picture of Stone, herself, as a young girl.

This choice was very intentional, according to Stone, and attempts to works against the "image of women in cyber culture."

2004

Her "most ambitious piece" (according to Robert Enright) is Imaginal Expression, which appeared in a featured exhibition at the Winnipeg Art Gallery in 2004.

In this piece, she shaped parts of her own body (hair, skin, fingers) into protein molecules projected as moving images on a 9' x 48' screen.

Stone sees Imaginal Expression as a visual form of potential for "genetic re-mapping and re-engineering."

2007

Stone was inducted into the Royal Canadian Academy of Arts in 2007.

Carnevale 3.0 was recognized by Life 5.0, Art & Artificial Life International Competition, Fundación Telefónica in Madrid, Spain with an honorable mention.

2015

In 2015, she received a Governor General's Awards in Visual and Media Arts.