Age, Biography and Wiki

Reinhild Hoffmann was born on 1 November, 1943, is a German choreographer and dancer (born 1943). Discover Reinhild Hoffmann's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 80 years old?

Popular As N/A
Occupation N/A
Age 80 years old
Zodiac Sign Scorpio
Born 1 November 1943
Birthday 1 November
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Nationality

We recommend you to check the complete list of Famous People born on 1 November. She is a member of famous choreographer with the age 80 years old group.

Reinhild Hoffmann Height, Weight & Measurements

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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Reinhild Hoffmann Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Reinhild Hoffmann worth at the age of 80 years old? Reinhild Hoffmann’s income source is mostly from being a successful choreographer. She is from . We have estimated Reinhild Hoffmann's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income choreographer

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Timeline

1943

Reinhild Hoffmann (born 1 November 1943 in Sorau) is a German choreographer and dancer who is an important innovator in Tanztheater, along with Pina Bausch and Susanne Linke.

Reinhild Hoffmann moved to southern Germany as a child and studied ballet at a school in Karlsruhe.

1965

From 1965 to 1970, she studied contemporary dance at the Folkwang School in Essen with Susanne Linke and Pina Bausch and graduated with a degree in dance education.

Hoffmann, Linke, and Bausch are often credited as the three chief founders of the contemporary hybrid form known as Tanztheater in Germany (where it originated) and dance theater in English-speaking countries.

Hoffmann demonstrates a concern for the female perspective in her work, and she has revived from Expressionist dance the use of masks, an appreciation for the solo, and an emphasis on expressive abstraction in movement.

After leaving the Folkwang School, Hoffmann worked as a dancer for both Kurt Jooss and Johann Kresnik.

1975

From 1975 to 1977 she directed the Folkwang Dance Studio with Susanne Linke.

In this period she created her first choreographic work, a trio, which earned her a two-year stipend as a choreographer at the school.

The pieces Duett, Solo, Fin al punto, and Rouge et noir followed.

1977

In 1977, she choreographed one of her best-known solos, Solo mit Sofa, set to the music of John Cage, in which a dancer is pinned to a sofa by a dress with an oversized train.

Two years later, she created two more solo works, Steine, Bretter and Auch.

1978

In 1978 she spent six months in New York on a grant from the State of North Rhine-Westphalia.

In the fall of 1978, Hoffmann was hired along with Gerhard Bohner as director of the Tanztheater Bremen (Dance Theater Bremen) in the north German port city.

Her first piece for the theater was Fünf Tage, fünf Nächte, followed by Hochzeit, a piece that dealt with courtship, wedding, marriage, and pregnancy in a range of moods from humor to seriousness.

1980

In 1980, she created Unkrautgarten, a piece about familiar neuroses; Erwartung; Pierrot Lunaire (set to the music of Arnold Schoenberg); and Kings and Queens, a piece that traveled to the Berlin Theatre.

1981

After Gerhard Bohner left the theater in 1981, Hoffmann became solely responsible for the dance division.

1982

Hoffmann received the German Critics' Prize in 1982 and the Federal Cross of Merit First Class in 1992.

1983

She went on to choreograph two of her most successful Bremen works: Callas (1983), which dealt with the theatrical world of illusion, followed by Dido und Aeneas (1984).

1984

Hoffmann herself danced these two solo works until 1984.

1985

In 1985, she staged Föhn and in 1986 Verreist.

1986

In 1986, Hoffmann moved her ensemble from Bremen to the Schauspielhaus Bochum (Bochum Theater), then under the direction of Frank-Patrick Steckel, with the goal of creating work that was a closer melding of acting and dance.

The Bochum theater renovated an old mine building as a 100-seat theater for her projects.

Her first piece in Bochum was Machandel, followed by Horatier nach Heiner Müller, Ich schenk mei Herz, Hof, Zeche Eins, Zeche Zwei, and others.

Hoffmann's work has toured widely in Europe, being produced in Turin, Lisbon, Berlin, Leipzig, Amsterdam, Paris, and other cities.

Among the performers who were members of Hoffmann's company in Bremen or Bochum are Robert Allen, Patrick Beauseigneur, Isabel Fünfhausen, Mimi Jeong, Maarten Kops, Anna Pocher, and Remo Rostagno.

1994

Hoffmann left the Schauspielhaus Bochum at the end of the 1994-95 season and moved to Berlin, where she has since been working as a freelance choreographer and opera director.

1997

In 1997 she was elected a member of the German Academy of Arts.

2003

There she has worked on Richard Strauss's Ariadne auf Naxos (2003) and, with Isabel Mundry Das Mädchen aus der Fremde (2005, Mannheim National Theatre).

2008

In October 2008, she worked on a production of Strauss's opera Salome.