Reginald Le Borg

The oldest of three sons, Reginald LeBorg majored in political economy at the University of Austria and studied musical composition for a year at Arnold Schoenberg's Composition Seminar. His education completed, LeBorg entered his father's banking business and, acting as the senior LeBorg's representative, traveled to Prague, Hamburg and Paris to transact family business negotiations. During his two-year stay in Paris he studied at the Sorbonne. In the mid-'20s LeBorg traveled to New York to dispose of a collection of paintings on his father's behalf. Remaining in New York, he was employed by several banks and brokerage houses and at an advertising agency. The stock market crash of 1929 wiped out the LeBorg family fortune, and Reginald's interest in the financial world waned. He returned to Europe and his first love, the stage. He worked at the Max Reinhardt School in Vienna, and later devoted much of his time to directing operas and musical comedies for provincial houses throughout Central Europe.

Arriving on the Hollywood scene in the early 1930s, LeBorg appeared as an extra in pictures at Paramount and Metro and later staged opera sequences in the Grace Moore hits One Night of Love (1934) and Love Me Forever (1935), as well as other films with operatic themes at Fox, Paramount and United Artists. After a number of second-unit assignments at MGM, Goldwyn and Selznick, LeBorg joined Universal, where he turned out band shorts. An 18-month hitch with the U. S.

Interviewed in Tom Weaver's book "Interviews with B Science Fiction and Horror Movie Makers" (McFarland & Co., 2006).