Age, Biography and Wiki
Ray Korona was born on 1946, is an American singer-songwriter. Discover Ray Korona's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 68 years old?
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68 years old |
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1946 |
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1946 |
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Date of death |
16 October, 2014 |
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We recommend you to check the complete list of Famous People born on 1946.
He is a member of famous singer-songwriter with the age 68 years old group.
Ray Korona Height, Weight & Measurements
At 68 years old, Ray Korona height not available right now. We will update Ray Korona's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Ray Korona Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Ray Korona worth at the age of 68 years old? Ray Korona’s income source is mostly from being a successful singer-songwriter. He is from . We have estimated Ray Korona's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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singer-songwriter |
Ray Korona Social Network
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Timeline
Korona was a regular at the Cornelia Street Cafe's Monday night songwriter workshop in the 1980s.
A number of Korona's songs are also featured on compilation albums, such as the new More Gardens CD, a two disc collection of songs supporting the need for community gardens in urban areas.
Ray Korona (1946 – October 16, 2014) was an American folk musician, particularly known for topical songs.
Ray Korona wrote folk and folk rock songs about working, the environment, peace and social justice issues along with songs on the more traditional themes of love and friendship.
Previously an attorney, Korona left the profession to pursue a career in music.
In addition to songwriting and performance Korona helped organise events, ran a home studio, volunteered at a collective-run cafe and supported the Peoples Music Network.
A founding member of the Travelling Musician's Union, Local 1000 of the American Federation of Musicians.
Korona's songs vary from the satirical and topical to ballads, chorus and story songs.
Due to the subject matter of many of these songs, they are often referenced in studies of political and economic issues and used in support of various public causes by their advocates as discussed here.
A number of Korona's songs addressing such diverse subjects as homelessness, downsizing, gay rights and health care policies are included in the directory of some 3,000 songs identified for use in classrooms for teaching purposes maintained by the nonprofit corporation, M.U.S.I.C. In the United States, Teachers' Curriculum Institute has published the lyrics to Korona's "Globalization Blues" song in a classroom text which includes a disc with a recording of the song to promote academic discussions on the subject of globalization.
This same song has likewise been published for classroom use in Germany, Austria and Switzerland.
Another song, "Where Do We Go From Here?"
sparked a New York Magazine cover story reporting on the impact of the housing crisis' on the New York City artist community.
Other songs by Korona have been utilized in advocating causes rather than in fostering learning.
His health care rights song, "Send Me An Ambulance" was featured on National Public Radio and performed at major Jobs With Justice rallies for national health care reform.
"We Will Have Dignity," a song against child labor, has been published around the world in many languages by the UN’s International Labour Organization to lend support to its work on this issue.
Korona performed both solo and with a unique collective of musical organizers, The Ray Korona Band.
The Band is a core group of musicians—Ivice (harmonies & dulcimers), Barry Kornhauser (bass, cello & mandola), Sharon Abreu (harmonies & fiddle), Ellen Davidson (harmonies & piano) & Gina Tlamsa (harmonies, flute, fiddle, mandolin & bouzouki) that works with a wide variety of players who bring racial, cultural and musical diversity to its work.
The names of those who have shared the stage with him suggest the orientation of his activist views and musical style, such as Patti Smith, Harry Belafonte, Tom Paxton, Anne Feeney, Richie Havens, Judy Gorman, Leon Rosselson, Suni Paz, Pat Humphries, Lucy Kaplansky, Gary US Bonds.