Age, Biography and Wiki
Rasmus Breistein was born on 16 November, 1890 in Åsane, Norway, is a director,writer,producer. Discover Rasmus Breistein's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 85 years old?
| Popular As |
N/A |
| Occupation |
director,writer,producer |
| Age |
85 years old |
| Zodiac Sign |
Scorpio |
| Born |
16 November 1890 |
| Birthday |
16 November |
| Birthplace |
Åsane, Norway |
| Date of death |
16 October, 1976 |
| Died Place |
Norway |
| Nationality |
Norway
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We recommend you to check the complete list of Famous People born on 16 November.
He is a member of famous Director with the age 85 years old group.
Rasmus Breistein Height, Weight & Measurements
At 85 years old, Rasmus Breistein height not available right now. We will update Rasmus Breistein's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Rasmus Breistein Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Rasmus Breistein worth at the age of 85 years old? Rasmus Breistein’s income source is mostly from being a successful Director. He is from Norway. We have estimated Rasmus Breistein's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Director |
Rasmus Breistein Social Network
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Timeline
Rasmus Breistein made his mark in the annals of Norwegian cinema history in more ways than one. Most importantly he played a huge part in the period 1920-1930, that later was known as "the national breakthrough for Norwegian films.
" Until 1920, ironically the only dramatization of Norwegian literature was made by Swedish and Danish filmmakers, a trend that shifted when Breistein made his debut as a feature filmmaker and screenwriter with 1920's "Fante-Anne", based on a story by Norwegian writer Kristofer Janson. Historians would later claim that "Fante-Anne" marked the true beginning for the serious and dedicated Norwegian film-industry.
It was in the 1920s that the Norwegian film industry started to get a self-awareness that would also lead to a wave of respected stage actors finally taking a leap into the art of moving pictures, and thereby helping to improve the productions. It was considered quite a historical feat when Breistein got his "Fante-Anne" cast with professional stage actors from Det Norske Teatret (until then Norwegian theaters had actually forbidden it's actors to work in the film industry!).
The days when theatres looked down upon the new media was over, and Breistein helped play a part by directing som of the best Norwegian movies of the decade (a total of five feature films until 1930), and even challenging and finally weakening the powerful Swedish film industry's grip on the Norwegian public.
After the invention of sound Breistein would seal his reputation as a popular director with classical box-office hits such as "Ungen" (1938) and "Trysil-Knut" (1942).
His documentary features "Jorden rundt på to timer" (1949) and "Tirich Mir til topps" (1952) are considered classics in the history of Norwegian documentary filmmaking. "Jorden rundt på to timer" was also the first Norwegian feature in color. The latter, "Tirich Mir til topps" (also in color) was shot on location in Pakistan, and would prove to be the last production from Breistein, who subsequently retired from the industry all-together.
