Age, Biography and Wiki

Pierre Cordier was born on 28 January, 1933, is a Pierre Cordier is Belgian artist Belgian artist. Discover Pierre Cordier's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 91 years old?

Popular As N/A
Occupation N/A
Age 91 years old
Zodiac Sign Aquarius
Born 28 January 1933
Birthday 28 January
Birthplace N/A
Nationality

We recommend you to check the complete list of Famous People born on 28 January. He is a member of famous artist with the age 91 years old group.

Pierre Cordier Height, Weight & Measurements

At 91 years old, Pierre Cordier height not available right now. We will update Pierre Cordier's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Pierre Cordier Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Pierre Cordier worth at the age of 91 years old? Pierre Cordier’s income source is mostly from being a successful artist. He is from . We have estimated Pierre Cordier's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Cars Not Available
Source of Income artist

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Timeline

1915

Several important figures in the arts became interested in these new visual possibilities, among them Otto Steinert (1915–1978), professor and founder of the Subjektive Fotografie movement.

Thanks to his encouragement, Cordier produced many chemigrams as well as photographic self-portraits.

1933

Pierre Cordier (born January 28, 1933, in Brussels) is a Belgian artist.

He is considered a pioneer of the chemigram and of its development as a means of artistic expression.

Cordirn into a family of Franco-Belgian industrialists specializing in cosmetic products, including nail polish.

When he was young he became interested in jazz.

The improvisational freedom of this music is reflected in his works.

1952

In 1952 he made an important acquaintance: Georges Brassens, the poet and singer, who was unknown at the time.

He recorded and photographed him.

Brassens left a deep influence on Cordier and encouraged him to continue exploring the "unfrequented steep road" that he had chosen.

1956

After studying political science at the Université Libre de Bruxelles, Cordier completed his military service in Germany in 1956.

It was there that a new pathway opened up for him: the chemigram.

On November 10, 1956, writing a dedication with nail polish on photographic paper to a young German woman named Erika, Pierre Cordier discovered what he later called the chemigram.

This technique, which "combines the physics of painting (varnish, oil, wax) and the chemistry of photography (photosensitive emulsion, developer, and fixer), without the use of a camera or enlarger, and in full light", became for him a source of experiments and a plastic language.

It opened up a new visual space at the boundaries of painting, photography, and writing, allowing him "to create entrancing images impossible to realize by any other means. Working like a painter, he replaces the canvas with photographic paper."

1958

These works were exhibited in 1958 during the Subjektive Fotografie 3 exhibition in Cologne.

1960

From the 1960s until the mid-1970s Cordier continued his experiments: chromatic research (1961), the photo-chemigram (1963), and magical varnish (1972).

1965

He also produced some experimental films and became a lecturer at the École nationale des arts visuels in Brussels from 1965 to 1998.

1967

Alongside his visual research, he continued in his career as a professional photographer, finally abandoning it in 1967.

At a time when artistic photography was not really accepted in Europe, the exhibition he had (with Denis Brihat and Jean-Pierre Sudre) at the Museum of Modern Art in New York City in 1967 was a major event.

The next year he was one of the founders, with Gottfried Jäger, of the Generative Fotografie movement in Germany.

1977

His meeting with Aaron Siskind in 1977 was crucial: this great American photographer became his spiritual father and introduced him to many important figures in the New Bauhaus circle of Chicago.

The end of the seventies was an especially fruitful period of exhibits and contacts, and also marked his technical mastery of the chemigram technique.

1988

The year 1988 was emblematic of this maturity, with a retrospective of the artist's work at the Museum of Fine Arts of Belgium, Brussels, the creation of a monumental piece for the Brussels subway, and his induction into the Académie royale de Belgique.

1992

He resided in the south of France from 1992 to 2007, gathering material for the publication of a monograph which synthesizes fifty years of research.

2007

Since its publication in 2007, the Centre Pompidou in Paris and the Victoria & Albert Museum in London have each acquired five chemigrams for their collections.

2010

Those at the Victoria and Albert Museum were on view from October 2010 until February 2011.

Arising from hybrid techniques, the work of Pierre Cordier has always been difficult to classify, and raises the question of affiliation from an art-historical point of view.

Yet an authentic personal mythology emerges, whose indecipherable language would be key to providing the answer.