Age, Biography and Wiki

Philippe Manoury was born on 19 June, 1952 in Tulle, is a French composer (born 1952). Discover Philippe Manoury's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 71 years old?

Popular As N/A
Occupation N/A
Age 71 years old
Zodiac Sign Gemini
Born 19 June 1952
Birthday 19 June
Birthplace Tulle
Nationality France

We recommend you to check the complete list of Famous People born on 19 June. He is a member of famous composer with the age 71 years old group.

Philippe Manoury Height, Weight & Measurements

At 71 years old, Philippe Manoury height not available right now. We will update Philippe Manoury's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Philippe Manoury Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Philippe Manoury worth at the age of 71 years old? Philippe Manoury’s income source is mostly from being a successful composer. He is from France. We have estimated Philippe Manoury's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income composer

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Timeline

1952

Philippe Manoury (born 19 June 1952) is a French composer.

Manoury was born in Tulle and began composition studies at the Ecole Normale de Musique de Paris with Gérard Condé and Max Deutsch.

1972

Manoury's work is strongly influenced by Pierre Boulez, Karlheinz Stockhausen, and Iannis Xenakis, and his early work from 1972 to 1976 combines serial punctualism with the densely massed elements characteristic of the music of Stockhausen and Xenakis, and the paintings of Jackson Pollock.

Works such as Sound and Fury are of interest because of the use of computer-assisted composition.

Sound and Fury also uses a very large orchestra, which is symmetrically disposed, and makes quite extensive use of left-right spatial effects.

1974

He continued his studies from 1974 to 1978 at the Conservatoire de Paris with Michel Philippot, Ivo Malec, and Claude Ballif.

1975

In 1975, he undertook studies in computer assisted composition with, and joined IRCAM as a composer and electronic music researcher in 1980.

1980

Since the 1980s, Manoury has been closely associated with the American computer researcher Miller Puckette, first at IRCAM and subsequently at UCSD.

The Sonus ex machina series of works (Jupiter, Pluton, Neptune and La Partition du Ciel et de l'Enfer), which were developed in collaboration with Puckette, are among the first pieces to utilize real-time audio signal processing, and Pluton was the first ever composition using Puckette's groundbreaking software Max.

2004

From 2004 until 2012, Manoury served on the composition faculty at the University of California, San Diego, where he taught composition, electronic music, and analysis in the graduate program.

After retiring from teaching at UCSD, he currently lives in Strasbourg, France.

2007

His Abgrund—pour grand orchestre was commissioned by the Bavarian State Opera together with the Orchestre symphonique de Montréal and premiered by the Bavarian State Orchestra on November 26, 2007.

It has been described as "a work that will neither disturb nor annoy [...] a pleasant and perhaps harmless string of dissonant semi-climaxes, little jolts, and resting phases. It has an invigorating effect, is easy to concentrate on . . .".

In it "Manoury [...] mercifully knows how to use [the abundance of percussion instruments] in ways far more discriminately than his contemporaries beholden to one bongo-frenzy after another".

"Philippe Manoury hit[s] the right mix between shallow and deep, melodic and dissonant, placating and strident, stasis and progress, simplicity and complexity. The steady run-up—stop—tighten—burst—relax scheme may not be novel at all, but it paid dividends [in 'Abgrund']".