Age, Biography and Wiki
Philip Hope-Wallace was born on 6 November, 1911, is an An english music critics. Discover Philip Hope-Wallace's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 67 years old?
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Age |
67 years old |
Zodiac Sign |
Scorpio |
Born |
6 November 1911 |
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6 November |
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Date of death |
3 September 1979 |
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We recommend you to check the complete list of Famous People born on 6 November.
He is a member of famous with the age 67 years old group.
Philip Hope-Wallace Height, Weight & Measurements
At 67 years old, Philip Hope-Wallace height not available right now. We will update Philip Hope-Wallace's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Philip Hope-Wallace Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Philip Hope-Wallace worth at the age of 67 years old? Philip Hope-Wallace’s income source is mostly from being a successful . He is from . We have estimated Philip Hope-Wallace's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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Timeline
Philip Adrian Hope-Wallace CBE (6 November 1911 – 3 September 1979) was an English music and theatre critic, whose career was mostly with The Manchester Guardian (later known as The Guardian).
From university he went into journalism after abortive attempts at other work, and apart from a stint at the Air Ministry throughout the Second World War, his career was wholly in arts journalism in newspapers, magazines and in broadcasting.
Hope-Wallace was born in London, the third and youngest child and only son of Charles Nugent Hope-Wallace, MBE, principal clerk of the Charity Commission for England and Wales, and his wife, Mabel Florence, daughter of Colonel Allan Chaplin, of the Madras Army.
A great-grandson of Admiral Charles Ramsay Bethune, 24th Laird of Balfour, he was also descended from John Hope, 4th Earl of Hopetoun and George Nugent, 7th Earl of Westmeath.
Philip attended Charterhouse School, after which, owing to a weak chest, he was sent to a sanatorium in Germany.
He then moved to France, lodging with a Protestant clergyman in Normandy.
In 1930 Hope-Wallace went up to Balliol College, Oxford, to read modern languages.
He graduated in 1933 during the Great Depression, and had difficulty in finding a job.
He worked briefly for a commercial radio station at Fécamp, and from 1935 to 1936 was press officer for the Gas Light and Coke Company.
While still in that post he obtained work on The Times as a special correspondent.
At first he covered song recitals, and graduated to opera.
Unfit for military service, Hope-Wallace worked at the Air Ministry during the Second World War.
After the war he returned to journalism, writing on music and theatre for The Daily Telegraph (1945–46) and then for The Manchester Guardian (from 1959 known as The Guardian), where he remained for the rest of his life.
He also wrote for The Gramophone and Opera, and broadcast regularly for the BBC.
He appeared as a castaway on the BBC Radio programme Desert Island Discs on 30 March 1974.
The programme was not archived by the BBC, but an unofficial tape copy was among a collection of over 90 episodes discovered by an amateur researcher and placed online in 2022.
In 1975 he was appointed CBE for his services to the arts.
Hope-Wallace was unmarried.
He died in London at the age of 67.
The obituarist in The Times called him "a critic of the arts as wise and searching as anyone in his time … all his work was fuelled by an informed pleasure that his attractively languid personality never concealed … above all he was consistently readable."
A selection of his writings for the publications noted above, as well as several other British periodicals including the New Statesman, Opera (London), Punch, The Spectator, and Vogue appear in a volume edited by C.V. Wedgwood under the title Words and Music.