Age, Biography and Wiki

Paul Tan was born on 1970 in Singapore, is a Singaporean poet. Discover Paul Tan's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 54 years old?

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Occupation Writer, Deputy Chief Executive of National Arts Council
Age 54 years old
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Born
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Nationality Singapore

We recommend you to check the complete list of Famous People born on . He is a member of famous Writer with the age 54 years old group.

Paul Tan Height, Weight & Measurements

At 54 years old, Paul Tan height not available right now. We will update Paul Tan's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Paul Tan Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Paul Tan worth at the age of 54 years old? Paul Tan’s income source is mostly from being a successful Writer. He is from Singapore. We have estimated Paul Tan's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income Writer

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Timeline

1970

Paul Tan Kim Liang (born 1970) is a Singaporean poet and current deputy chief executive of the National Arts Council (NAC) of Singapore.

Tan only started writing poetry seriously during National Service.

He attained his Bachelor of Arts (Second Upper Honours) in English Language and Literature from the National University of Singapore.

1992

During his undergraduate years, Tan won consecutive first prizes in the NUS Literary Society poetry competition in 1992 and 1993.

1994

His first poetry collection, Curious Roads (1994), won the Commendation award at the Singapore Literature Prize 1993.

Curious Roads focuses largely on the poet's growing up years and his time during national service and has been described as "personal".

1998

Tan's second poetry collection, Driving Into Rain (1998), won the Merit award at the Singapore Literature Prize 1997.

His second collection seeks to project the poet's relationship with the larger world and according to poet Dr Cyril Wong, "regularly stops short of divulging enough about the poet’s persona for readers to enter a more rewarding and connective relationship with the poetry".

Tan's third collection, First Meeting of Hands, represented a departure from his previous style of writing and contains poems that "achieve a balance between social critique and the characterisation of a distinct and authentic—even if disillusioned and resentful—Singaporean voice".

2004

He graduated with a Masters of Arts in Culture and Communications from the University of East Anglia in 2004.

He worked as a broadcast journalist with the Television Corporation of Singapore (now Mediacorp).

He then worked as Deputy Head, Editorial Promotion and Branding with the Singapore Press Holdings between 2004 and 2007.

2010

He was appointed as the festival director of the Singapore Writers Festival (SWF) in 2010 and served as the festival director of the SWF between 2011 and 2014, handing the position over to poet Yeow Kai Chai.

He was then appointed as the NAC's deputy chief executive, taking over from Yvonne Tham.

Tan's early work has been described as having "a unique disposition for observation and reflection, with the occasional cheekiness and lightly interrogative gesture."

2011

He also served as the Director (Strategic Marketing and Communications) in the Singapore Tourism Board until 31 January 2011.

2012

Tan has also penned the lyrics to the National Day Parade 2012 song "Love at First Light", composed by Iskandar Ismail, and sung by Olivia Ong and Natanya Tan.

Tan's fifth collection, When the lights went off, captures the sentiment of middle age and the poet's changing priorities towards love and mortality.