Age, Biography and Wiki
Patrick Ascione was born on 22 October, 1953 in France, is a French composer (1953–2014). Discover Patrick Ascione's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 61 years old?
| Popular As |
N/A |
| Occupation |
N/A |
| Age |
61 years old |
| Zodiac Sign |
Libra |
| Born |
22 October 1953 |
| Birthday |
22 October |
| Birthplace |
France |
| Date of death |
2014 |
| Died Place |
Calvados, France |
| Nationality |
France
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We recommend you to check the complete list of Famous People born on 22 October.
He is a member of famous composer with the age 61 years old group.
Patrick Ascione Height, Weight & Measurements
At 61 years old, Patrick Ascione height not available right now. We will update Patrick Ascione's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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| Height |
Not Available |
| Weight |
Not Available |
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Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Patrick Ascione Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Patrick Ascione worth at the age of 61 years old? Patrick Ascione’s income source is mostly from being a successful composer. He is from France. We have estimated Patrick Ascione's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
composer |
Patrick Ascione Social Network
Timeline
Patrick Ascione (Paris, France, 22 October 1953 - Calvados, France, 21 November 2014) was a French composer of electroacoustic and acousmatic music.
Patrick Ascione (Paris, France, 1953) began composing in 1976 and shortly after joined the team of the Institut International de Musique Electroacoustique de Bourges (IMEB, France) which he left in 1984.
At the same time he started composition by computer at IRCAM (Research institute and coordination acoustics / music).
He has pursued his activities independently and has produced a series of pieces, the majority of which have been commissions from the Groupe de recherches musicales of the Institut national de l'audiovisuel (Ina-GRM) in Paris (France).
During the first, from 1977 to 1987, he placed an emphasis on the ties unifying acousmatic music and painting, ties arising from the use of a common permanent working surface which permitted the painter to directly place his colors on the canvas in the way the composer immediately captures sonorities on 'magnetic tape'.
He expressed this analogy and attempted to explore its ramifications in virtually all the works of this period (Métamorphose d’un jaune citron, 1978, Bleus et formes, 1981...).
A number of his pieces have been awarded prizes and mentions in international competitions: Fontaines (La Défense/SACEM, France, 1978); Métamorphose d’un jaune citron (Bourges, France, 1979); Lune noire (Noroit-Léonce Petitot, France, 1989); Espaces-Paradoxes, (Ars Electronica, Linz, Austria, 1994).
In the second period, from 1987 to the present, following upon this initial preoccupation, he presented the idea of a ‘spatial polyphony’ (a ‘polyphony’ of spaces and not uniquely of sounds).
He inaugurated this path in 1989 with Espaces-paradoxes, composed for 16 channels of speakers.
The concert works thus developed have as their objective the mastering and integration of the spatial dimension of the piece from the very beginning of its elaboration in the studio via adequate multi-speaker techniques.
He was also a recipient of the ‘Léonard de Vinci Prize’ for Canada from the French Minister of Foreign Affairs (1991).
He taught acousmatic composition at the Conservatoire of La Rochelle, a course of electroacoustic music composition at the Conservatoire of Cherbourg in 2003 by means of the DRAC Basse-Normandie, and was active as an instructor in the CeFEDeM in Normandy.
He participated on international juries for acousmatic composition competitions in France and abroad.
Two distinct esthetic periods characterized his work.
