Age, Biography and Wiki

Parisa (Fātemeh Vā'ezi) was born on 16 March, 1950 in Tonekabon, Iran, is an A 20th-century iranian women singer. Discover Parisa's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 73 years old?

Popular As Fātemeh Vā'ezi
Occupation Vocalist, singer, musician
Age 73 years old
Zodiac Sign Pisces
Born 16 March 1950
Birthday 16 March
Birthplace Tonekabon, Iran
Nationality Iran

We recommend you to check the complete list of Famous People born on 16 March. She is a member of famous singer with the age 73 years old group.

Parisa Height, Weight & Measurements

At 73 years old, Parisa height not available right now. We will update Parisa's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
Parents Not Available
Husband Not Available
Sibling Not Available
Children Not Available

Parisa Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Parisa worth at the age of 73 years old? Parisa’s income source is mostly from being a successful singer. She is from Iran. We have estimated Parisa's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income singer

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Timeline

1950

Fātemeh Vā'ezi (, born March 16, 1950, in Tonekabon, Iran), better known as Parisā, is a Persian classical singer, Avaz master, and one of the foremost female vocalists from Iran.

After finishing high school, emphasizing Persian literature, she started her musical work under the supervision of the renowned Persian Radif teacher, Mahmoud Karimi, a highly respected teacher of classical Persian music whose vast knowledge of the ancient repertoire was fundamental to her career.

Karimi once commented: "Parisa is my most promising pupil, and she can sing all the modes with the skill of re-interpretation or improvisation necessary to perform Iranian music correctly".

1970

In the early 1970s, Parisa trained intensely with vocal master Mahmud Karimi at the Honarestan-e Musiqi-ye Meli (National Music Academy) and occasionally performed at the Ministry of Culture's Rudaki Hall.

Fulbright scholar of Iranian music Lloyd Miller was also studying with master Karimi in the men's vocal class at the Music Academy.

One day master Karimi invited Miller to visit the women's class.

Miller was stunned by Parisa's excellent verbal skills and decided to do everything possible to help her rise to the top of the Tehran music scene.

As a music writer in most publications in Tehran, Miller began to continually praise everything about Parisa, while he was also writing relatively negative reviews about some of the westernized pop-oriented concerts presented by the Ministry of Culture at Rudaki Hall.

Miller was the PR person for the Center for Preservation and Propagation of Iranian Music, directed by grand master Daryush Safvat.

Since Parisa was funded by a scholarship from the Ministry of Culture, she could not be a member of the NIRT Center until she worked off her scholarship by performing for the Ministry.

This situation saddened Miller, but one day was invited to Rudaki Hall for a meeting with an official from the Ministry.

At the conference, Miller was asked what it would take to stop writing scathing negative articles about the Ministry for their "inappropriate modern and pop music efforts".

According to him, if the Ministry would "allow Parisa to join the Center's cadre of rising young masers of totally traditional music," he would "only write about the good concerts at the Ministry like western classical music or other harmless efforts."

The next day when Miller went to the Center he was shocked to see Parisa sitting waiting for an interview with master Safvat.

She was consequently immediately accepted and began her career as one of Iran's foremost vocalists.

Meanwhile, Miller had applied to be the A and R person for CBS Iran but was rejected in favor of Marcel, a popular modernized piano personality.

Miller was told he was dismissed because he had an agenda and couldn't be fair in his music selections.

Miller was not discouraged, and at a party soon after, he befriended Marsel and enticed him to come to Dr. Safvat's Center to hear the incredible vocalist and instrumentalists in the country.

Marcel was immediately converted to Parisa and soon produced three cassette tapes that hit the top of the music charts in Tehran.

Parisa and the Center's musicians offered many concerts in Iran and at the annual Shiraz Art Festival.

She also performed at festivals in Europe and Japan.

1979

After the 1979 revolution, Parisa was no longer allowed to perform in public.

However, she should have been the one lady vocalist who would have been accepted, except that other less appropriate singers would try to get back their claim to fame.

So she devoted herself to her family and giving private lessons.

1980

In 1980, she was again invited to teach traditional Persian music at the Center, which she continued to do until 1995.

Since then, she has performed at music festivals and major concert halls throughout the world with many prominent groups and musicians, including Dastan Ensemble, Dariush Tala'i, and Hossein Omoumi.

Parisa currently lives in Tehran, Iran.

Although still based in Iran, for the last 20 years, she has been able to tour widely, performing Persian and Sufi music in Europe and the US, and has recorded several albums.

2012

Here is a list of her activities up to 2012: