Age, Biography and Wiki

Pablo Serrano (Pablo Serrano Aguilar) was born on 8 March, 1908 in Crivillén (Teruel), Spain, is a Spanish sculptor (1908–1985). Discover Pablo Serrano's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 77 years old?

Popular As Pablo Serrano Aguilar
Occupation N/A
Age 77 years old
Zodiac Sign Pisces
Born 8 March 1908
Birthday 8 March
Birthplace Crivillén (Teruel), Spain
Date of death 26 November, 1985
Died Place Madrid, Spain
Nationality Spain

We recommend you to check the complete list of Famous People born on 8 March. He is a member of famous sculptor with the age 77 years old group.

Pablo Serrano Height, Weight & Measurements

At 77 years old, Pablo Serrano height not available right now. We will update Pablo Serrano's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Pablo Serrano Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Pablo Serrano worth at the age of 77 years old? Pablo Serrano’s income source is mostly from being a successful sculptor. He is from Spain. We have estimated Pablo Serrano's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income sculptor

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Timeline

1908

Pablo Serrano Aguilar, (8 March 1908, Crivillén, Teruel – 26 November 1985, Madrid) was a Spanish abstract sculptor.

1920

1920–1925. Pablo Serrano studied as a boarder in the Escuelas Profesionales Salesianas in Sarriá (Barcelona).

1935

1935–1954. He settled in Montevideo (Uruguay), Serrano had the opportunity to meet Joaquín Torres García and Lucio Fontana.

1955

1955. Pablo Serrano was now to become a force within the Spanish artistic avant-garde.

As evidence of this, in that same year, he won the III Biennial of Spanish American Art in Barcelona.

1957

1957. His first solo exhibition was held at the Atheneum of Madrid.

Together with Juana Francés and artists such as Manolo Millares, Manuel Rivera, and Antonio Saura he collaborated with El Paso Group.

1957–1958. The reflections that arose as a result of these series of pieces gave birth to a new project, which he christened Drama of the Object and Burning of the Object.

1958

In 1958, he exhibited in the Eduard Loeb Gallery in Paris and was invited to take part in the Art du XXI Siècle which was held in Charleroi, Belgium.

Serrano's abstract introspection reached its zenith with the series Rhythms in Space, dynamic compositions constructed from stainless steel rods.

1959

In 1959, while taking part in one of Pierre Schaeffer's experimental music projects, Serrano presented his working models for these series, as well as the first Burning of an object entitled The Dis-occupation of the Space or the Presence of the Absence in the Galleria del Disegno in Milan, Italy.

1960

1960. The reputation that he had by now firmly established lead him to be selected to take part in the New Spanish Painting and Sculpture exhibition that was on show for two years at first in MOMA in New York and later in Washington, Chicago and New Hampshire.

He also took part in Current Art in Aschaffenburg, Germany.

1961

Pablo Serrano was invited in 1961 to The Pittsburg International in the Carnegie Institute in the United States, and to the II Exposition Internationale de Sculpture Contemporaine in the Rodin Museum in Paris.

He received the González Critics Prize in the Saloon of May in Barcelona.

1962

He entered 23 pieces for the XXXI International Biennial in Venice in 1962, only to find himself a mere one vote short of the First Prize for Sculpture, which was to be won by Alberto Giacometti.

1967

1967. Portrayal of Milton Rua.

Concurrently, and in keeping with the aesthetic and philosophical line he had started at the beginning of the decade, he produced Men with Door, a logical continuation of his earlier Men-Vault.

In this new period the character of Serrano's work became even more dichotomic.

He participated in the Sculpture from Twenty Nations exhibition in the Guggenheim Museum in New York.

1969

1969. The Juana Mordó Gallery in Madrid publishes Calvin Cannon's book Serrano in the Sixties.

1975

1975. His sculptures were exposed in the Sala Gaudí Barcelona gallery, today Gaudifond Gallery, which collaborated exhibiting a sculpture in the famous La Rambla central Barcelona street and still owns several artworks of his.

1976

1976. The series Yoke-Unit paved the way for the numerous sculptural projects like the piece entitled Spiritu mundi, Open Yoke-Unit sculpted for the University of Houston, Texas.

1982

1982. That same year he was awarded the inaugural Príncipe de Asturias award for Art.

Later he was to exhibit in the Hermitage Museum, in Leningrad.

1985

1985. Serrano exhibited pieces from these last series at the Juana Mordó Gallery in Madrid, as well as their original plaster versions at the Guggenheim Museum in New York.

Pablo Serrano died in Madrid on 26 November at the age of seventy seven.

1994

1994. 27 May, the Foundation-Museum Pablo Serrano in Saragossa was officially opened.

America

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