Oswaldo Vigas

Oswaldo Vigas (August 4, 1923 – April 22, 2014) was a Venezuelan artist, best known as a self-taught painter and muralist.

His work includes paintings, sculptures, prints, drawings, ceramics and tapestries.

He worked in France and Venezuela.

He had over one hundred solo exhibitions, and is represented in numerous public institutions and private collections around the world.

Oswaldo Vigas was born in Valencia, Carabobo, Venezuela on August 4, 1923.

He identified as Mestizo, a term used to describe a person of mixed indigenous and Spanish heritage.

He started painting the human body at the age of 12, when his father died.

He went to college and studied medicine at the University of the Andes (Venezuela) (Universidad de los Andes) and at the Universidad Central de Venezuela in Caracas, hoping to be a pediatrician.

During most of the 1950s, his works shifted away from the human figure and towards constructivism and abstraction.

During the late 1950s to mid-1960s, while still living in France, Vigas was invited to participate in an important survey about Latin American art in which he received the first prize: the Gulf-Caribbean Art Exhibition, curated by Lee Malone at The Museum of Fine Arts, Houston.

He also had exhibitions at the Slater Memorial Museum of Norwich, Connecticut and the University of Nebraska Art Gallery, and participated in the Contemporary Drawings from Latin America show at the Pan-American Union in Washington, D.C. He was included in another large survey exhibition, South American Art Today, curated by José Gómez Sicre at the Dallas Museum of Fine Art.

He received a degree in 1951.

While studying, he took several art classes at the Taller Libre de Artes and attended the Escuela de Artes Plásticas Cristóbal Rojas, where he became acquainted with painters such as Manuel Cabré and Pedro Ángel González, among others.

His early paintings focused on the human figure, mostly the female form, and a theme that would remain a constant throughout his career: witches (brujas).

He became interested in pre-Columbian culture and pottery, specifically Venus de Tacarigua figurines.

Amidst some controversy, his witch paintings were awarded three art prizes in Venezuela.

He won the National Visual Arts Award in 1952 for his painting La gran bruja (1951) and also had a major solo exhibition at the Museo de Bellas Artes (Museum of Fine Arts) in Caracas.

In 1952 these successes allowed Vigas to move to Paris.

After moving to Paris Vigas studied at the École des Beaux-Arts and took open courses at the Sorbonne.

In 1953, he participated in the São Paulo Biennial and in a group show at the Musée d’Art Moderne de la Ville de Paris, among other exhibitions.

Between 1953 and 1958, the artist exhibited regularly in France and Venezuela.

In 1954, he represented Venezuela at the XXVII Venice Biennale, and was part of the Painters of Venezuela traveling exhibition at the Pan-American Union, sponsored by the Smithsonian Institution.

Influenced by a visit to Picasso in 1955 and by an interest in anthropology and so-called "primitive cultures", Vigas channeled his works of the 1950s into a search for an authentic language, combining gestural, geometric and figurative paintings.

This led him to progressively explore connections with early cultures and the notion of a personal identity marked by telluric, magical and personal imaginative resources, which can be found in his works from the 1960s onward.

He lived in Paris for twelve years where he met his wife Janine and was associated with Fernand Léger, Max Ernst, and Wifredo Lam.

The 1960s marked the artist's informalism period; his thick black lines dissolved the figure into abstract volumes and shapes.

Soon after his arrival in Venezuela, he was named Cultural Director of the Universidad de Los Andes.

He simultaneously accepted an appointment as artistic director of the Instituto Nacional de Cultura y Bellas Artes (INCIBA), promoting the work of artists and exhibitions, as well as contributing to the creation of national Salons and awards to help artists from around the country.

In 1964, he moved back to Valencia, Venezuela and continued to exhibit his work thoroughly throughout the country.

In 1967, his son Lorenzo was born, and in 1970, he relocated to Caracas.

He remained in office until 1972.

From the mid 60's onwards, Vigas' work progressively shifted back from informalism to a new figurative phase.

During the 1980s, Vigas produced a series of tapestries and ceramic works, and his first bronze-cast sculptures.

In 1990, the Museo de Arte Contemporáneo de Caracas Sofía Imber organized a major retrospective of his works, showcasing not only paintings and sculptures but also tapestries, ceramics and jewelry.

Lagoven, the oil company and subsidiary of PDVSA, produced a documentary film about his work.

In 1992 the city of Monte Carlo honored him with the Prince Rainier Grand Prize, and the Monnaie de Paris organized a retrospective from 1952 to 1993 showcasing one hundred and thirty-two works comprising paintings, ceramics and sculptures.

During his later years, Vigas continued to work and exhibit worldwide, gaining further international recognition.

He was commissioned to produce five mosaic murals that were to become part of the Universidad Central de Venezuela, later declared a World Heritage Cultural Site by UNESCO in 2000.

In 2012 he was invited to participate in the Un Coeur, un Monde group show that traveled through France, the United States, Vietnam, Australia, Brazil and Japan.

He was also invited to exhibit at The Latin American & Caribbean Contemporary Art Today survey at the Miura Museum of Art, Tokyo, Japan.