Age, Biography and Wiki

Olga Viso was born on 1966 in Florida, U.S, is an A women museum director. Discover Olga Viso's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 58 years old?

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Occupation Museum director, curator
Age 58 years old
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Birthplace Florida, U.S
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Olga Viso Height, Weight & Measurements

At 58 years old, Olga Viso height not available right now. We will update Olga Viso's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Olga Viso Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Olga Viso worth at the age of 58 years old? Olga Viso’s income source is mostly from being a successful director. She is from . We have estimated Olga Viso's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income director

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Timeline

1966

Olga Viso (born 1966) is a Cuban American curator of modern and contemporary art and a museum director based at Arizona State University's Herberger Institute for Design and the Arts in Tempe, Arizona.

1972

Viso has curated many major exhibitions, including Ana Mendieta: Earth Body, Sculpture and Performance 1972-1985, a retrospective of about 100 works shown at the Hirshhorn and the Whitney Museum of American Art in 2004.

Another exhibition Viso curated was Jim Hodges: Give More Than You Take.

1993

Before that, Viso curated at the Norton Museum of Art in West Palm Beach, Florida (1993–95) and at the High Museum of Art in Atlanta, Georgia (1989–93).

She has served on the board of directors of the Andy Warhol Foundation for the Visual Arts and belongs to the Association of Art Museum Directors.

1995

She joined the Hirshhorn in 1995, working her way up from assistant curator.

2007

She served as executive director of the Walker Art Center in Minneapolis, Minnesota from 2007 through 2017, and was curator of contemporary art and director of the Smithsonian Institution's Hirshhorn Museum and Sculpture Garden in Washington, DC from 1995-2007.

2008

Viso joined the Walker Art Center in 2008, leaving her post as Director of the Hirshhorn Museum and Sculpture Garden which she held since 2005.

2013

In 2013, President Barack Obama appointed Viso to the National Council on the Arts.

This show traveled from the Dallas Museum of Art (October 6, 2013 – January 12, 2014) to the Walker Art Center (February 15–May 11, 2014) then on to the Institute of Contemporary Art, Boston (June 5–September 1, 2014) and ended at UCLA Hammer Museum, Los Angeles (October 5, 2014 – January 17, 2015).

2017

Viso resigned from her position as executive director of the Walker Art Center in 2017, and there was some speculation that her departure was related to the controversy surrounding Sam Durant's artwork Scaffold, though many museum professionals have publicly expressed support for Viso's handling of the work's reception.

The artist, Sam Durant, took primary accountability and transferred the rights of the work to the Dakota and agreed they would dismantle and ceremoniously burn the work.

In 2021, plans to erect a monument on the site of the massacre were approved, a work by a Dakota artist, Angela Two Stars, in which visitors may sit and pay their respects.

2018

In 2018, Viso joined the leadership team at Arizona State University's Herberger Institute for Design and the Arts, where she is a senior advisor, building global arts partnerships, among them with the Los Angeles County Museum of Art and James Turrell's Roden Crater Project.

Before coming to ASU, Viso was executive director of the Walker for ten years.

There she oversaw a significant facilities expansion that integrated the Walker's main campus with the Minneapolis Sculpture Garden, added a new entrance, and sixteen new outdoor sculptures, including commissions with artists Nairy Baghramian, Katharina Fritsch, Theaster Gates, and Mark Manders.

Viso reflected on the controversy in an opinion piece for the New York Times in 2018, "Decolonizing the Art Museum: The Second Wave," where she acknowledged the colonizing forces at play in museums and the broader art world and urged museum leaders to "stop seeing activists as antagonists."