Age, Biography and Wiki
Odile Versois (Étienette De Poliakoff-Baidarov) was born on 14 June, 1930 in Paris, France, is an actress. Discover Odile Versois's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 50 years old?
| Popular As |
Étienette De Poliakoff-Baidarov |
| Occupation |
actress |
| Age |
50 years old |
| Zodiac Sign |
Gemini |
| Born |
14 June 1930 |
| Birthday |
14 June |
| Birthplace |
Paris, France |
| Date of death |
23 June, 1980 |
| Died Place |
Neuilly-sur-Seine, Hauts-de-Seine, France |
| Nationality |
France
|
We recommend you to check the complete list of Famous People born on 14 June.
She is a member of famous Actress with the age 50 years old group.
Odile Versois Height, Weight & Measurements
At 50 years old, Odile Versois height not available right now. We will update Odile Versois's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Who Is Odile Versois's Husband?
Her husband is François Pozzo di Borgo (9 May 1953 - 23 June 1980) ( her death), Jacques Dacqmine (19 March 1951 - 30 April 1952) ( divorced)
| Family |
| Parents |
Not Available |
| Husband |
François Pozzo di Borgo (9 May 1953 - 23 June 1980) ( her death), Jacques Dacqmine (19 March 1951 - 30 April 1952) ( divorced) |
| Sibling |
Not Available |
| Children |
Not Available |
Odile Versois Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Odile Versois worth at the age of 50 years old? Odile Versois’s income source is mostly from being a successful Actress. She is from France. We have estimated Odile Versois's net worth, money, salary, income, and assets.
Odile Versois Social Network
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Timeline
Docile, delicately beautiful, light-haired Parisian actress Odile Versois was born Katiana de Poliakoff-Baidaroff on June 14, 1930, the second of four Poliakoff sisters, all of whom became renowned actresses in their own right. From an artistic family (her father was opera singer Vladimir de Poliakoff), Versois began her career as a child ballerina with the Paris Opera Corps de Ballet.
Her second husband, count François Pozzo di Borgo (Paris, 4 May 1931-4 January 2018, Villanova, Corsica, France) is a descendant of a noble family who had also ties to Russia and conflicting relations with the Bonapartes. He is the uncle of Philippe Pozzo di Borgo whose book 'Le second souffle' is the basis of The Intouchables (2011).
She subsequently turned to film acting at age 18 and proved a natural with a major debut in The Last Vacation (1948) [The Last Vacation]. Of the numerous films in which she undertook leading lady parts, she moved audiences most with her portrayals of fragile, often tragic heroines in romantic drama.
Her more notable pictures include Paolo e Francesca (1950), Bel amour (1951) [Beautiful Love], the title role in Domenica (1952), Grand gala (1952) and director/actor Robert Hossein's Toi. . .
Versois also provided lovely distraction in British films in the 1950s in_A Day to Remember (1953)_, David Knight in Chance Meeting (1954) [aka Chance Meeting], Alec Guinness in To Paris with Love (1955), Anthony Steel in Checkpoint (1956) and Room 43 (1958) starring Diana Dors and Herbert Lom.
Had 4 children with her second husband, Count François Pozzo di Borgo: Barbara (1954), Charles-André (1955), Alexandre (1957) and Vanina (1964).
le venin (1958) [Nude in a White Car], which also co-starred sister Marina Vlady -- known for her sultry roles.
She matured in taut crime dramas and lively costumers in the 1960s, notably Le rendez-vous (1961) and Cartouche (1962) the latter starring a swashbuckling Jean-Paul Belmondo.
She also worked on the French, Belgian, Swiss and North African stages and on television, lending some touching performances toward the end, particularly in the films Églantine (1972) and Le Crabe-Tambour (1977).
