Norman Lebrecht

A work of social history, Genius and Anxiety: How Jews Changed the World, 1847–1947, was published in 2019.

He also published Covent Garden: The Untold Story: Dispatches from the English Culture War, 1945–2000 (2000), covering the history of the Royal Opera House.

Norman Lebrecht (born 11 July 1948) is a British music journalist and author who specializes in classical music.

He is best known as the owner of the classical music blog Slipped Disc, in which he frequently publishes articles.

Unlike other writers on music, Lebrecht rarely reviews concerts or recordings, preferring to report on the people and organizations who engage in classical music.

Described by Gilbert Kaplan as "surely the most controversial and arguably the most influential journalist covering classical music", his writings have been praised as entertaining and revealing, while others have accused them of sensationalism and criticized their inaccuracies.

Norman Lebrecht was born on 11 July 1948 in London to Soloman and Marguerite Lebrecht.

He attended Hasmonean Grammar School in London, citing Solomon Schonfeld as a childhood role model.

From 1964 to 1965, Lebrecht attended Kol Torah Rabbinical College, a yeshiva school in Israel, and then Bar-Ilan University in Ramat Gan (1966–1968) and Hebrew University in Jerusalem.

Following his graduation, from 1970 to 1972 Lebrecht worked at the Kol Yisrael news department, part of the Israel Broadcasting Authority.

He returned to London in 1972, where he was a news executive at Visnews Ltd from 1973 to 1978.

In 1977 Lebrecht married the sculptor and writer Elbie Spivack; the couple has three daughters.

The 1980s saw the publication of various books on music by Lebrecht: Discord: Conflict and the Making of Music (1982), The Book of Musical Anecdotes (1985), Mahler Remembered (1987), and A Musical Book of Days (1987).

Beginning in 1982, he was a special contributor to The Sunday Times until 1991.

Following his leave from The Sunday Times, Lebrecht released The Maestro Myth: Great Conductors in Pursuit of Power (1991), which charts the history of conducting, from its rise as an independent profession in the 1870s to its subsequent and purposed preoccupations with power, wealth, and celebrity.

The following year he released two books: Music in London (1992), as well as The Companion to 20th-Century Music (1992).

Herman Trotter of The Buffalo News wrote that Lebrecht's "widely discussed 1992 book "The Maestro Myth" seems to have been a warm-up for his current magnum opus."

In 1993 he became a music columnist for The Daily Telegraph in Britain, holding the post until 2002.

He was a columnist for The Daily Telegraph from 1994 to 2002, and assistant editor of the London Evening Standard from 2002 to 2009.

During this time he wrote When the Music Stops: Managers, Maestros and the Corporate Murder of Classical Music (1996), a history of the classical music business, presenting an exposé of its backstage workings and predicting the collapse of the record industry.

On BBC Radio 3, Lebrecht presented lebrecht.live beginning in 2000, and The Lebrecht Interview from 2006 to 2016.

He also wrote a column for the magazine Standpoint, which ceased publication in 2021.

Beginning in 2000, he presented lebrecht.live (a cultural debate forum where "issues in the arts are debated and hotly disputed by makers and consumers of culture") on BBC Radio 3, whose output centres on classical music and opera.

In additions to writings on the classical music industry, Lebrecht has written 12 books on music and novels The Song of Names (2001) and The Game of Opposites: A Novel (2009).

It was published in 2001, and went on to win the 2002 Whitbread Award for First Novel.

Lebrecht won the award at the age of 54.

The former won a 2002 Whitbread Award and was adapted into a film of the same name directed by François Girard.

His career as a novelist began in 2002 with The Song of Names (2002), a tale of two boys growing up in wartime London and the impact of the Holocaust.

Also in 2002 he was an arts columnist and assistant editor of the Evening Standard, writing a weekly column until 2015.

Gilbert Kaplan wrote that "From his perch in London he has covered and uncovered the classical music world in his full-page weekly column in the Evening Standard which through the internet is must-reading around the world ... concentrating on reporting on the organizations and the people managing – or as he often sees it, mismanaging – the classical music world as well as the stars who dominate this culture. All this with a sensibility normally associated with a political reporter or even a police reporter. He was the first to predict the demise of the major classical record companies – now documented in his recently released book The Life and Death of Classical Music."

From 2006 until 2016 he hosted The Lebrecht Interview ("Classical music critic Norman Lebrecht talks to major figures in the field"), also on BBC Radio 3.

Lebrecht in 2007 launched his classical music blog Slipped Disc, for which he writes.

It attracts over one million readers per month.

He also wrote a monthly column for the culture magazine Standpoint, which ceased publication in 2021.

His 2007 book Maestros, Masterpieces and Madness: The Secret Life and Shameful Death of the Classical Record Industry (US title: The Life and Death of Classical Music) was billed as an inside account of the rise and fall of recording, combined with a critical selection and analysis of 100 albums and 20 recording disasters.

The book, however, was withdrawn from the market after its publisher discovered that it contained numerous libelous claims.

In 2007 the founder of Naxos Records, Klaus Heymann, sued Lebrecht's publisher, Penguin Books, for defamation in London's High Court of Justice.

Heymann claimed that Lebrecht had wrongly accused him of "serious business malpractices" in his book Maestros, Masterpieces and Madness, and identified at least 15 statements he claimed were inaccurate.

The case was settled out of court.

As a result of the settlement, Penguin issued a statement acknowledging the baselessness of Lebrecht's accusations and apologising for "the hurt and damage which [Heymann] has suffered".