Age, Biography and Wiki
Noel DaCosta was born on 24 December, 1929 in Lagos, Nigeria, is an A 20th-century male musician. Discover Noel DaCosta's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 72 years old?
| Popular As |
N/A |
| Occupation |
Composer, violinist, conductor |
| Age |
72 years old |
| Zodiac Sign |
Capricorn |
| Born |
24 December 1929 |
| Birthday |
24 December |
| Birthplace |
Lagos, Nigeria |
| Date of death |
29 April, 2002 |
| Died Place |
New York City |
| Nationality |
Niger
|
We recommend you to check the complete list of Famous People born on 24 December.
He is a member of famous artist with the age 72 years old group.
Noel DaCosta Height, Weight & Measurements
At 72 years old, Noel DaCosta height not available right now. We will update Noel DaCosta's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Noel DaCosta Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Noel DaCosta worth at the age of 72 years old? Noel DaCosta’s income source is mostly from being a successful artist. He is from Niger. We have estimated Noel DaCosta's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
artist |
Noel DaCosta Social Network
| Instagram |
|
| Linkedin |
|
| Twitter |
|
| Facebook |
|
| Wikipedia |
|
| Imdb |
|
Timeline
Noel G.. Da Costa (24 December 1929 – 29 April 2002) was a Nigerian-Jamaican composer, jazz violinist, and choral conductor.
Noel Da Costa was born on 24 December 1929 Lagos, Nigeria to parents from Kingston, Jamaica, who were Salvation Army missionaries.
After returning to Jamaica while Da Costa was young, they emigrated to New York City, living in Harlem.
It was here that he started violin lessons with Barnabas Istok at the age of 11.
While in High School, he was inspired by one of his teachers to work in an artistic field.
Da Costa completed his Bachelor's at Queens College in 1952 and his Master's in theory and composition at Columbia University in 1956, studying with Otto Luening and Jack Beeson.
He studied with Luigi Dallapiccola in Florence, Italy under a Fulbright Fellowship, and shortly thereafter in 1961 took positions teaching at Hampton University and the City University of New York.
As well as exploring Caribbean musical traditions and black American spirituals Da Costa also explored freely atonal music and serialism, as seen in his Five Verses/With Vamps (1968), Occurrence for Six (1965) and Four Preludes (1973) for trombone and piano.
Da Costa was married to his wife Patricia, with whom he had a son and a daughter.
In 1970 he accepted a position at Rutgers University, where he taught until 2001.
He died the following year at the age of 72.
Da Costa was also a co-founder of the Society of Black Composers.
He was an accomplished violinist, playing his own works as well as both classical and jazz music; he played on albums by Les McCann, Roland Kirk, Bernard Purdie, Roberta Flack, McCoy Tyner, Donny Hathaway, Felix Cavaliere, Willis Jackson, Eddie Kendricks, and others.
His first music set to poetry being Tambourines by Langston Hughes.
He also worked with choral groups, becoming the director of the Triad Choral in 1974, and played with both Symphony of the New World and several orchestras on Broadway theatre productions.
Da Costa's works are marked by an infusion of elements of jazz, Caribbean music, and African music into the framework of Western classical music.
The New York Times has described his music as "conservatively chromatic."
