Age, Biography and Wiki

Nina Mae McKinney (Nannie Mayme McKinney) was born on 12 June, 1912 in Lancaster, South Carolina, USA, is an actress,soundtrack. Discover Nina Mae McKinney's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 55 years old?

Popular As Nannie Mayme McKinney
Occupation actress,soundtrack
Age 55 years old
Zodiac Sign Gemini
Born 12 June 1912
Birthday 12 June
Birthplace Lancaster, South Carolina, USA
Date of death 3 May, 1967
Died Place New York City, New York, USA
Nationality United States

We recommend you to check the complete list of Famous People born on 12 June. She is a member of famous Actress with the age 55 years old group.

Nina Mae McKinney Height, Weight & Measurements

At 55 years old, Nina Mae McKinney height is 5' 3" (1.6 m) .

Physical Status
Height 5' 3" (1.6 m)
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
Parents Not Available
Husband Not Available
Sibling Not Available
Children Not Available

Nina Mae McKinney Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Nina Mae McKinney worth at the age of 55 years old? Nina Mae McKinney’s income source is mostly from being a successful Actress. She is from United States. We have estimated Nina Mae McKinney's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Actress

Nina Mae McKinney Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia
Imdb

Timeline

1913

McKinney was born in 1913 in the small town of Lancaster, South Carolina, eventually to become an international figure as an actress, singer and band leader. Her given name was Nannie Mayme McKinney. Her parents, Hal and Georgia McKinney, moved from Lancaster to New York City and left the child with her great-aunt, Carrie Sanders. "Aunt Carrie" lived in a small apartment in the backyard of Col. Leroy Springs, father of businessman and flying ace Elliott White Springs. Aunt Carrie worked as a cook and housekeeper for the Springs family. As soon as Nannie Mayme was old enough she ran errands for Lena Jones Springs, who gave her a bicycle to ride to the post office to pick up the mail. Nannie Mayme's first public performances were riding stunts, or "cutting capers", as amazed bystanders called it. She appeared in plays at the black Lancaster Industrial School (founded by Springs), where she quickly learned the lines of the entire cast. At about age 13 she headed for New York to stay with her mother, Georgia Crawford McKinney. Choosing Nina Mae as her stage name, she managed to get a job as a chorus girl in the Broadway play "Blackbirds".

1929

Nina Mae McKinney is known as the seductress "Chick" from Hallelujah (1929), the first all-black, all-sound musical. Even though she was acknowledged as a great actress, singer and dancer by audiences in the U. S. and Europe, today she is mostly forgotten. She certainly had the looks, enthusiasm, and acting talent to succeed. But as she and other black women of her time learned, there wasn't much work for a black woman other than as a maid, "mammy" figure, or prostitute. Hollywood was scared to take a chance on an attractive black woman, to make her into a glamorous sex symbol as they would with an attractive white actress.

Her lively performance caught the attention of MGM producer/director King Vidor, who gave her a starring role in Hallelujah (1929). It was the first all-black sound musical features, even though many theaters billed the film as "a story of murder and redemption in the Deep South. " This melodrama was not widely acclaimed at the time, but movie historians now see it as an interesting introduction to black theater (one critic described it as having "a crude power").

1931

Nina was signed by MGM to a five-year contract, but in that period she made only two films, Safe in Hell (1931) and Reckless (1935) (in which she didn't even appear on screen; she dubbed Jean Harlow's songs). Hollywood could accept black character actresses like Hattie McDaniel and Butterfly McQueen having a close relationship with white characters in a film, but would not allow a beautiful black actress the same natural role.

1935

However, her first film gave her the opportunity to appear in a number of all-black cast or black-themed films, including Sanders of the River (1935) with Paul Robeson, Dark Waters (1944) and Pinky (1949) (as Rozelia), which is considered her finest film. She had much more success on stage. She played Jeanne Eagels' role in "Rain" at Harlem's famed Apollo Theatre. She proved that she could well have become one of America's enduring performers--she had the talent, the beauty, and the star power, but she realized that the doors to real success were permanently barred to her in Hollywood. She soon left the U. S. for Europe. She made film and stage appearances all over the Continent, from Paris and London to Dublin and Budapest, and became known as "The Black Garbo". When war broke out in Europe she returned to New York, where she married jazz musician Jimmy Monroe and put together a band and toured the country.

1938

Was going to star in Duke Is Tops (1938) as Ethel Andrews, but she became sick while in Australia performing, and the role was given to Lena Horne; that movie made Horne a star.

1942

There would be no true glamorous black female sex symbol until Lena Horne's arrival in 1942. Nina learned, as did other black actresses, that there was little success to be had after an initial big splash.

1950

In the 1950s and 1960s she lived in Athens, Greece, where she was known as the "Queen of Night Life.

1978

In 1978 she received a posthumous award from the American Black Filmmakers Hall of Fame.