Age, Biography and Wiki
Nicolas Bourriaud was born on 13 April, 1965 in Niort, France, is a French curator and art critic (born 1965). Discover Nicolas Bourriaud's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 58 years old?
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Age |
58 years old |
Zodiac Sign |
Aries |
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13 April 1965 |
Birthday |
13 April |
Birthplace |
Niort, France |
Nationality |
France
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We recommend you to check the complete list of Famous People born on 13 April.
He is a member of famous with the age 58 years old group.
Nicolas Bourriaud Height, Weight & Measurements
At 58 years old, Nicolas Bourriaud height not available right now. We will update Nicolas Bourriaud's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Nicolas Bourriaud Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Nicolas Bourriaud worth at the age of 58 years old? Nicolas Bourriaud’s income source is mostly from being a successful . He is from France. We have estimated Nicolas Bourriaud's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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Nicolas Bourriaud Social Network
Timeline
Nicolas Bourriaud (born 1965) is a French curator and art critic, who has curated a great number of exhibitions and biennials all over the world.
Bourriaud was the Paris correspondent for Flash Art (1987–1995) and the founder and director of the contemporary art magazine Documents sur l'art (1992–2000).
Relational Aesthetics in particular has come to be seen as a defining text for a wide variety of art produced by a generation who came to prominence in Europe in the early 1990s.
He was also one of the 13 co-curators of the “Aperto” section of the 1993 Venice Biennale.
Bourriaud coined the term in 1995, in a text for the catalogue of the exhibition Traffic that was shown at the CAPC contemporary art museum in Bordeaux.
Bourriaud is best known among English speakers for his publications Relational Aesthetics (1998/English version 2002), Postproduction (2001), and The Exform (2015/ English version 2016).
With Jérôme Sans, Bourriaud cofounded the Palais de Tokyo in Paris, where he served as codirector from 1999 to 2006.
In Postproduction (2001), Bourriaud relates deejaying to contemporary art.
During his time at Palais de Tokyo, he also served on the team behind the first and second editions of the Moscow Biennial, in 2005 and 2007, respectively.
Bourriaud was the Gulbenkian curator of contemporary art from 2007 to 2010 at Tate Britain in London.
In 2009 he curated the fourth Tate Triennial, titled Altermodern.
Radicant (2009) aims to define the emergence of the first global modernity, based on translation and nomadic forms, against the postmodern aesthetics based on identities.
Bourriaud was the Director of the École Nationale Supérieure des Beaux-Arts, an art school in Paris, France, from 2011 to 2015.
During his time in office, he organized the 2011 edition of the Athens Biennale, the 2014 edition of the Taipei Biennial, and the 2015 edition of the Kaunas Biennial.
In 2014, he was part of the selection committee that chose Giuseppe Penone, Nedko Solakov and Liam Gillick as the winners of the European Central Bank’s international competition for site-specific artworks at its new premises.
By 2015, he was dismissed from his post by the city, for “reasons related to a change of direction,” according to a Facebook status posted by Bourriaud at the time.)
In 2015, Bourriaud was appointed director of the La Panacée art centre (a.k.a. MO.CO.PANACÉE) and the director of the Contemporary Art Center of Montpellier, France (aka MO.CO.); In 2018, he joined a group of arts professionals — among them the artists Christian Boltanski and Jean-Luc Moulène – in signing an open letter published by the newspaper Libération, calling on the city of Paris to abandon the installation of Bouquet of Tulips by Jeff Koons.
By 2021, he was ousted as director of MO.CO.
after months of growing political tensions between Bourriaud and the city’s mayor, Michaël Delafosse.
In The Exform (2016), Bourriaud examines the dynamics of ideology, specifically as it was developed in the work of Louis Althusser, to account for distinctions between the productive and unproductive, product and waste, and the included and excluded in their relation to society and art production.