Age, Biography and Wiki

Neville Brody was born on 23 April, 1957 in Southgate, London, England, is a British graphic designer. Discover Neville Brody's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 66 years old?

Popular As Neville Brody
Occupation Graphic designer, typographer, art director
Age 66 years old
Zodiac Sign Taurus
Born 23 April 1957
Birthday 23 April
Birthplace Southgate, London, England
Nationality United Kingdom

We recommend you to check the complete list of Famous People born on 23 April. He is a member of famous designer with the age 66 years old group.

Neville Brody Height, Weight & Measurements

At 66 years old, Neville Brody height not available right now. We will update Neville Brody's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Wife Not Available
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Neville Brody Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Neville Brody worth at the age of 66 years old? Neville Brody’s income source is mostly from being a successful designer. He is from United Kingdom. We have estimated Neville Brody's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income designer

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Timeline

1932

It is the first new font at the newspaper since it introduced Times New Roman in 1932.

1957

Neville Brody, (born 23 April 1957) is an English graphic designer, typographer and art director.

1975

In 1975, Brody went on to do a Fine Art foundation course at Hornsey College of Art.

1976

In late 1976, Brody started a three-year BA course in graphics at the London College of Printing.

His work was influenced by the emergence of punk rock in London life.

He designed posters for student concerts at the college, most notably for Pere Ubu, supported by The Human League.

His first-year thesis was based around a comparison between Dadaism and pop art.

Brody's experimentation with his self-made sans-serif typography, along with his Pop Art and Dadaism influence, caught the attention of music record companies such as Fetish Records and Stiff records after he left college.

His record cover designs largely consist of work with grunge and punk rock bands.

1981

He is known for his work on The Face magazine (1981–1986), Arena magazine (1987–1990), and designing record covers for artists such as Clock DVA, Cabaret Voltaire, The Bongos, 23 Skidoo and Depeche Mode.

1984

The album Micro-Phonies by Cabaret Voltaire was art directed by Brody in 1984.

His infamous typography features on the front and a bandaged figure spouting liquid from the mouth stares blankly at the viewer.

Brody was art director for The Face magazine.

He directed the art design of other newspapers and magazines including City Limits, Lei, Per Lui, Actuel and Arena, as well as the redesigns of British newspapers The Guardian and The Observer.

1988

In 1988 Thames & Hudson published the first of two volumes about his work, which became the world's best selling graphic design book.

Combined sales now exceed 120,000.

An accompanying exhibition of his work at the Victoria and Albert Museum attracted over 40,000 visitors before touring Europe and Japan.

1990

In 1990 he also founded the FontFont typeface library together with Erik Spiekermann.

Notable fonts include the updated font for the Times newspaper, Times Modern, New Deal as used in publicity material and titles for the film Public Enemies and Industria.

1991

In 1991, Neville Brody and Jon Wozencroft created the FUSE project.

FUSE is an interactive magazine that sets out to challenge our current ideas about typographic and visual language in an age of ever changing communications technology and media.

Brody was also partly responsible for instigating the fusion between a magazine, graphics design and typeface design.

The magazine ranges in themes from "Codes" and "Runes" to "Religion" and "Pornography."

the exploration and freedom that the publishers exhibit is undeniable and exciting.

The conventions upturned in FUSE are prescient in their definition of new standards.

Each package includes a publication with articles relating to typography and surrounding subjects, as well as new font designs.

1994

He created the company Research Studios in 1994 and is a founding member of Fontworks.

His work is included in the permanent collection of the Museum of Modern Art (MoMA).

Brody launched Research Studios with Fwa Richards in London in 1994.

A sister company, Research Publishing, produces and publishes experimental multi-media works by young artists.

The primary focus is on FUSE, the conference and quarterly forum for experimental typography and communications.

The publication is approaching its 20th issue over a publishing period of over ten years.

Three FUSE conferences have so far been held, in London, San Francisco and Berlin.

The conferences bring together speakers from design, architecture, sound, film and interactive design and web.

2011

Recent projects include the redesign of the BBC in September 2011, The Times in November 2006 with the creation of a new font Times Modern.

The typeface shares many visual similarities with Mercury designed by Jonathan Hoefler.

2018

He was the Dean of the School of Communication at the Royal College of Art, London until September 2018.

He is now Professor of Communication.

Brody was born in Southgate, London.

He attended Minchenden Grammar School and studied A-Level Art, from a fine art viewpoint.