Nellie Wong

Her father had immigrated to Oakland in 1912.

Wong is a Chinese American poet, feminist, and socialist who has organized and participated in activist groups working to create better conditions for women, workers, and minorities.

During World War II, the Wong family worked in a grocery store in Berkeley.

The internment of her Japanese American neighbors left a profound impact on her intellectual development, sensitizing her to issues of racism and the concerns of Asian Americans.

The family borrowed $2,000 to start a restaurant, The Great China, in Oakland's Chinatown, where Wong worked as a waitress during her youth.

Nellie Wong (born 12 September 1934) is an American poet and activist for feminist and socialist causes.

Wong is also an active member of the Freedom Socialist Party and Radical Women.

Wong was born in Oakland, California to Chinese immigrants.

In the late 1970s, alongside lesbian activist and writer Merle Woo, Wong organized the feminist literary and performance group Unbound Feet.

The group performed at colleges, universities, and community centers.

During this time she encountered members of two affiliated socialist feminist organizations, Radical Women and the Freedom Socialist Party, and within a few years had joined their ranks.

Wong's first collection of poetry, Dreams in Harrison Railroad Park (1977), was published by Kelsey Street Press.

This book went through four printings and was the most successful release in the history of Kelsey Street Press.

During the 1980s and 1990s, Wong was keynote speaker at many national and regional conferences, including Third World Women and Feminist Perspectives, Women Against Racism, and the National Women's Studies Association.

She has recited her poetry in China, Cuba, and throughout the U.S. She has also participated on panels concerning labor, Asian American literature, and poetry.

Furthermore, Wong has taught Women's studies at the University of Minnesota and poetry writing at Mills College in Oakland, California.

Excerpts from two of her poems have been permanently installed as plaques at public sites at the San Francisco Municipal Railway.

She has received awards from the Women's Foundation (San Francisco), University of California, Santa Barbara's Asian American Faculty and Staff Association, and the San Francisco-based Kearny Street Workshop, a multidisciplinary art collective.

She served many years as the Bay Area organizer of the Freedom Socialist Party, and is still active with the party, Radical Women, and Bay Area United Against War.

She currently resides in San Francisco.

In 1981, Wong participated with Mitsuye Yamada in the documentary film Mitsuye & Nellie, Asian American Poets, produced by Allie Light and Irving Saraf.

The film recounts the experiences and hardships that affected the writers and their families.

She attended public school, graduating from Oakland High School, and started bull work as a secretary for the Bethlehem Steel Corporation, a position she held until 1982.

She later served as senior analyst in affirmative action at the University of California, San Francisco (UCSF).

While in her mid-30s, Wong began studying creative writing at San Francisco State University (SFSU) and began to write and publish her poetry.

Wong credits her feminist classmates at SFSU with encouraging her writing.

A male professor had once told her to throw away an angry poem she had written.

One classmate told her, "You don't have to listen to him!"

While a student at San Francisco State University, Wong was involved with the campus Women Writers Union, which organized around issues of race, sex, and class.

In 1983, Wong traveled to China on the first U.S. Women Writers Tour to China sponsored by the US–China Peoples Friendship Association with Tillie Olsen, Alice Walker, Paule Marshall.

Also in 1983 she was a major organizer of the Merle Woo Defense Committee.

Woo, a lesbian Korean-Chinese American feminist, had filed a complaint against their former employer alleging wrongful termination based on discrimination.

Working with other Freedom Socialist Party and Radical Women members, Wong raised funds and awareness of the case.

Two legal cases were won against the defendant.

From 1983 to 1985 Wong taught poetry writing at Mills College in Oakland and playwriting at the Asian American Theater Company in San Francisco.

Her other titles are The Death of Long Steam Lady (1986), published by West End Press and Stolen Moments (1997).

Her work has appeared in approximately 200 anthologies and publications.

Wong writes directly from her working life; she states "A lot of my poems come from the workplace; that's where I've experienced a great deal of sexism and racism."

Other themes include her family history and Asian American identity, about which she has said, "I care about the roots of Asian American culture and how and why they came here [...] It's something every Asian family has experienced."

Her poetry spans issues of feminism, the fight against racism, workplace injustice, and finding identity as a writer and activist.