Neil MacGregor

Robert Neil MacGregor (born 16 June 1946) is a British art historian and former museum director.

The period that followed was spent studying philosophy at the École Normale Supérieure in Paris (coinciding with the events of May 1968), and as a law student at Edinburgh University, where he received the Green Prize.

Despite being called to the bar in 1972, MacGregor next decided to take an art history degree.

The following year, on a Courtauld Institute (University of London) summer school in Bavaria, the Courtauld's director Anthony Blunt spotted MacGregor and persuaded him to take a master's degree under his supervision.

Blunt later considered MacGregor "the most brilliant pupil he ever taught".

This was seen by at least a million visitors on the Museum's estimation, more than any loan exhibition to the United Kingdom had attracted since the Treasures of Tutankhamun exhibition in 1972.

Holding tenure when the Acropolis Museum in Athens was completed, MacGregor followed previous Directors in arguing against returning the sculptures from the Parthenon (the "Elgin Marbles") to Greece.

From 1975 to 1981, MacGregor taught History of Art and Architecture at the University of Reading.

He left to assume the editorship of The Burlington Magazine.

He oversaw the transfer of the magazine from the Thomson Corporation to an independent not-for-profit company with charitable status.

He was editor of the Burlington Magazine from 1981 to 1987, then Director of the National Gallery, London, from 1987 to 2002, Director of the British Museum from 2003 to 2009, and founding director of the Humboldt Forum in Berlin until 2018.

Neil MacGregor was born in Glasgow to two medical doctors, Alexander and Anna MacGregor.

He was educated at Glasgow Academy and then read modern languages at New College, Oxford, where he is now an honorary fellow.

In 1987 MacGregor became director of the National Gallery in London.

During his directorship, MacGregor presented three BBC television series on art: Painting the World in 1995, Making Masterpieces, a behind-the-scenes tour of the National Gallery, in 1997 and Seeing Salvation, on the representation of Jesus in western art, in 2000.

He declined the offer of a knighthood in 1999, the first director of the National Gallery to do so.

In the year 2000, he presented on television Seeing Salvation, about how Jesus had been depicted in famous paintings.

MacGregor was made director of the British Museum in August 2002, at a time when that institution was £5 million in deficit.

He has been lauded for his "diplomatic" approach to the post, though MacGregor rejects this description, stating that "diplomat is conventionally taken to mean the promotion of the interests of a particular state and that is not what we are about at all".

His tenure included exhibitions that were more provocative than the museum had previously shown and some told stories from perspectives that were less Eurocentric than previously, including a project about the Muslim Hajj.

He sparked debate with his claim that the ancient Persian empire was greater than Ancient Greece.

In January 2008, MacGregor was appointed chairman of the World Collections programme, for training international curators at British museums.

The exhibition The First Emperor, focussing on Qin Shi Huang and including a small number of his Terracotta Warriors, was mounted in 2008 in the British Museum Reading Room.

That year MacGregor was invited to succeed Philippe De Montebello as the Director of the Metropolitan Museum of Art in New York.

He declined the offer as the Metropolitan charges its visitors for entry and is thus "not a public institution".

In 2010, MacGregor presented a series on BBC Radio 4 and the World Service entitled A History of the World in 100 Objects, based on one hundred artefacts held in the British Museum's collection.

From September 2010 to January 2011 the British Museum lent the ancient Persian Cyrus Cylinder to an exhibition in Tehran, Iran.

More recently, he has made important contributions on BBC Radio 4, including A History of the World in 100 Objects and, in 2012, a series of fifteen-minute programmes after The World at One called Shakespeare's Restless World, discussing themes in the plays of William Shakespeare.

A poll in 2014 suggested that more British people (37%) supported the marbles' restoration to Greece than opposed it (23%).

MacGregor argued that it is the British Museum's duty to "preserve the universality of the marbles, and to protect them from being appropriated as a nationalistic political symbol", and that "there is no legal system in Europe that would challenge the [British Museum's] legal title" to the works.

The legal basis of various Ottoman documents, now lost, to which the British Museum has traditionally appealed in order to claim ownership of the sculptures is disputed.

Under the directorship of MacGregor, the Museum rejected UNESCO mediation.

As of 2015, MacGregor was paid a salary of between £190,000 and £194,999 by the British Museum, making him one of the 328 most highly paid people in the British public sector at that time.

MacGregor retired from the post in December 2015 and was succeeded in spring 2016 by Hartwig Fischer, till then the director of the Staatliche Kunstsammlungen Dresden ("Dresden State Art Collections").

On 8 April 2015, MacGregor announced his retirement as Director of the British Museum.

It was announced that MacGregor would become founding director and head of the management committee of the Humboldt Forum in Berlin, and that he would make recommendations to the German government on how the future museum could draw on the resources of the Berlin collections to "become a place where different narratives of world cultures can be explored and debated".

Archaeologist Hermann Parzinger and art historian Horst Bredekamp were the co-directors of the management committee.

One of MacGregor's proposals was to make admission to the museum free of charge, based on the model of the British Museum.

In 2018, MacGregor left the post.

MacGregor has made many programmes for British television and radio.