Age, Biography and Wiki

Native Art Department International was born on 1975, is an Art collective. Discover Native Art Department International's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 49 years old?

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Age 49 years old
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Native Art Department International Height, Weight & Measurements

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She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Native Art Department International Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Native Art Department International worth at the age of 49 years old? Native Art Department International’s income source is mostly from being a successful . She is from . We have estimated Native Art Department International's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
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Timeline

1975

Native Art Department International (NADI) is a Toronto-based collaborative project of wife-and-husband pair of artists Maria Hupfield (b. 1975) and Jason Lujan (b. 1971).

Together they curate group exhibitions in which they sometimes show and for which they often make work together.

They see this as a way to counter the pigeonholing of contemporary art by Native Americans and people of First Nations descent.

Artforum critic Gabrielle Moser has also written about the duo's "commitment to artistic camaraderie, decolonial politics, and non-competition."

Hupfield is Ojibwe and belongs to the Wasauksing First Nation, and Lujan is Mestizo.

Hupfield has said "It’s important for artists to generate and frame our own content so we’re not always looking at institutions to co-opt and define it outside of our awareness."

Lujan told the Tacoma Art Museum for its website, "There is a lot of value to Native artists representing anything they want today, not just their own cultures. The field is wide open. I think artists have a lot of good things to say about anything and everything, and there is plenty of room for all of that."

2015

In 2015, the couple established a blog that documents their activities as Native Art Department International and publishes interviews with artists and scholars and articles on subjects of interest such as South African magazine Chimurenga and early Japanese American photographer Frank Matsura.

They have screened their work and curated those of others at Artists Space and at the Kitchen in New York.

Exhibitions by Native Art Department International include

Curatorial projects in which their own work isn't a part include

Inclusion in other group shows, residencies, and talks

2016

In Christopher Green of Hyperallergic's interview of the couple about their work in the 2016 Brooklyn show "free play," he wrote about the contrast between their individual styles.

He described Lujan's use of the Zuni print as "graphically intense" and Hupfield's materiality as "soft."

A Swedish reporter said of their subsequent show "Chez BRKLYN" in Galerie Se Konst, "The artists ... put people at the center, shrinking the world and succeeding in showing how much we are one regardless of home address. It is inspiring, rich with energy, and hopeful. We hope these Brooklyn artists return soon."

2020

They received a review in Artforum of their 2020 solo show at Mercer Union in Toronto, an installation of a variety of works since 2017, including Untitled (Carl Beam), 2017, and two videos they made when they lived in New York City including one with a number of artist-friends made filmed the Bard Graduate Center Gallery, Everything Sacred Is Far Away, 2019.

Of the latter, which staged episodes around the life of anthropologist Franz Boas, Gabrielle Moser wrote, "Reminiscent of community-access television, organized-labor role play and strategies from the Theater of the Oppressed.... they reveal something honest about intercultural interactions: that they are always messy, deeply strange, and perpetually under construction."