Age, Biography and Wiki

Nancy Newhall (Nancy Wynne) was born on 9 May, 1908 in Lynn, Massachusetts, U.S., is an American photography critic. Discover Nancy Newhall's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 66 years old?

Popular As Nancy Wynne
Occupation Art critic, museum professional
Age 66 years old
Zodiac Sign Taurus
Born 9 May 1908
Birthday 9 May
Birthplace Lynn, Massachusetts, U.S.
Date of death 7 July, 1974
Died Place Jackson Hole, Wyoming, U.S.
Nationality United States

We recommend you to check the complete list of Famous People born on 9 May. She is a member of famous professional with the age 66 years old group.

Nancy Newhall Height, Weight & Measurements

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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Nancy Newhall Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Nancy Newhall worth at the age of 66 years old? Nancy Newhall’s income source is mostly from being a successful professional. She is from United States. We have estimated Nancy Newhall's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income professional

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Timeline

1908

Nancy Wynne Newhall (May 9, 1908 – July 7, 1974) was an American photography critic.

She is best known for writing the text to accompany photographs by Ansel Adams and Edward Weston, but was also a widely published writer on photography, conservation, and American culture.

Newhall was born Nancy Wynne in Lynn, Massachusetts, and attended Smith College in that state.

She married Beaumont Newhall, the curator of photography at the Museum of Modern Art in New York City, and substituted for him in that role during his military service in World War II.

1940

During the 1940s she wrote essays on popular art and culture for small magazines and journals, in which she called for a society more attuned to art, and particularly to visual art.

Newhall was always more interested in a popular audience than an academic one; in a 1940 essay, she explores the possibilities of the new medium of television for popularizing the visual arts, suggesting techniques for teaching art and photography on camera:

In another, she argues for the centrality of photography for understanding and teaching American history ("Research").

Newhall became close to photographer Edward Weston during this period, championing his early work and regarding his controversial 1940s work, which juxtaposed still lifes and nudes of considerable beauty and delicacy with wartime items such as gas masks, with some anxiety.

1945

In 1945, Newhall wrote the text for a book of photographs, Time in New England, by Paul Strand.

The work would begin a new phase for her career, in which she became a vocal proponent and a central pioneer of the genre of oversized photography collections.

1946

Nancy and Beaumont spent three summers at Black Mountain College beginning in 1946.

In addition to lecturing and teaching, the Newhalls photographed the college campus and its people, taking portraits of Leo Amino, Ilya Bolotowsky, Gwendolyn Knight, Jacob Lawrence, and Buckminster Fuller's venetian-blind experiment.

Some of Nancy and Beaumont Newhall's work is archived at the Center for Creative Photography at the University of Arizona in Tucson, Arizona, and at the Getty Research Institute in Los Angeles, California.

Nancy Newhall's photography has been the subject of an exhibition in its own right.

1960

The best known and most influential of these is This Is the American Earth, a collaboration with Ansel Adams, published in 1960.

Like Adams, Newhall was involved with the Sierra Club, and wrote often about issues of conservation.

Newhall was sometimes accused of political heavy-handedness on that subject—one uncharitable review of American Earth calls her prose "so full of Message that there is no room for poetry" (Deevey)—but her explication of the political context and motivation of Adams' work has been important for the Sierra Club and the conservation movement in general.

1974

She died on July 7, 1974, at St. Johns Hospital in Jackson Hole, Wyoming, from injuries received in an accident which occurred on the Snake River of Grand Teton National Park.