Age, Biography and Wiki

Myfanwy Macleod was born on 1961 in London, Ontario, is a Canadian artist (born 1961). Discover Myfanwy Macleod's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 63 years old?

Popular As N/A
Occupation N/A
Age 63 years old
Zodiac Sign N/A
Born
Birthday
Birthplace London, Ontario
Nationality Canada

We recommend you to check the complete list of Famous People born on . She is a member of famous artist with the age 63 years old group.

Myfanwy Macleod Height, Weight & Measurements

At 63 years old, Myfanwy Macleod height not available right now. We will update Myfanwy Macleod's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
Parents Not Available
Husband Not Available
Sibling Not Available
Children Not Available

Myfanwy Macleod Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Myfanwy Macleod worth at the age of 63 years old? Myfanwy Macleod’s income source is mostly from being a successful artist. She is from Canada. We have estimated Myfanwy Macleod's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

Myfanwy Macleod Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia Myfanwy Macleod Wikipedia
Imdb

Timeline

1961

Myfanwy MacLeod (born 1961) is a Canadian artist who lives, and works, in Vancouver, British Columbia.

She has exhibited work in Canada, the United States of America, and Europe.

1968

The Tiny Kingdom is a full-size scale of an outhouse, inspired by the one used in the film Chitty Chitty Bang Bang(1968).

1990

Since the 1990s, MacLeod has become known for creating art that extends across, and links together, high culture with mass entertainment.

In recent work, MacLeod directs focus towards how popular culture has portrayed masculinity through the lens of modernist art history.

Artistic mediums that MacLeod works in are sculpture, drawing, painting, and photography, performance video, and sound installation.

MacLeod attended Concordia University in Montreal, Quebec, where she earned a Bachelor of Fine Arts in 1990.

1994

In 1994, MacLeod completed an independent study at École nationale supérieure des Beaux-Arts in Paris, France.

1995

MacLeod received an award from La Fondation André Piolat (1995), and a VIVA award from the Doris and Jack Shadbolt Foundation (1999).

She has work in public, and private collections, including at the National Art Gallery of Canada, and the Vancouver Art Gallery.

MacLeod grew up between Oakville, Ontario, and London, Ontario.

Upon completing high school, she traveled throughout Europe.

Coming back to Canada, MacLeod attended Concordia University, in Montreal, Quebec, where she studied film before changing her major to visual arts.

MacLeod uses humor, satire, allusions to pop culture, and often references various folklore traditions in her work.

She takes interest in how an image or object can be transformed to change its meaning.

MacLeod completed her Master of Fine Arts at the University of British Columbia in Vancouver, British Columbia in 1995.

MacLeod has taught in Vancouver, at the University of British Columbia in 1995, Emily Carr University of Art and Design from 2001 to 2006, as well as teaching as an assistant professor at the University of Western Ontario, in London, Ontario, from 2007 to 2008.

MacLeod was part of Bounce, an exhibition showcasing three Vancouver-based emerging artists, held at the Power Plant Contemporary Art Gallery in Toronto, Ontario.

Curated by Philip Monk, Bounce included works by Myfanwy MacLeod, Brian Jungen, and Damian Moppett.

Bounce was an exhibition primarily based on sculpture, and included sketches and drawings.

2000

Works by MacLeod include four silkscreen prints titled How To Make a Man Fall in Love With You (2000), a wood sculpture called One Week (2000), twelve ink drawings on vellum paper based on film stills (2000), and The Greeter (2000), a video projection where MacLeod poses as a greeter that can be found in big box department stores.

The Tiny Kingdom (2000) is a wood and mixed media based sculpture, measuring fourteen feet high, four feet long, and four feet wide.

2001

Works by MacLeod included in Bounce were: The Tiny Kingdom (2001), Wood For The People, (2002), and A Shady Place (2002).

Placed with one another, these works reference to the ‘hillbilly’ portrayed through pop culture.

It was first shown in 2001 at the Or Gallery in Vancouver, British Columbia.

The Tiny Kingdom is “intended to function as a place of reflection and solitude”, and “foregrounds the anxious relations between art and society, country and city, colony and imperialist nation”.

MacLeod alludes to the idea of Marcel Dumchamp's 'Ready Made,' and combines it with references to pop culture, and folklore.

The Tiny Kingdom is now in the permanent collection at the National Art Gallery of Canada.

2002

Hammertown was a touring exhibition curated by Reid Shier and co-presented by the Fruitmarket Gallery in Edinburgh, Scotland (2002), Contemporary Art Gallery in Vancouver (2002), and the Winnipeg Art Gallery, Manitoba (2004).

MacLeod's work was presented alongside Geoffrey Farmer, Brian Jungen, Euan Macdonald, Luane Martineau, Damian Moppett, Shannon Oksanen, and Kevin Schmidt.

MacLeod's use of enormous scale, weight, and minimalism is conveyed through the inclusion of Our Mutual Friend (2002), a wooden carved sculpture that measures nineteen inches long, and has a circumference of ten inches.

Our Mutual Friend refers to a Charles Dicken's novel, and is a visual example of MacLeod's interest with satire, and disembodied parts.

2005

In the spring of 2005, MacLeod was part of the three-month-long Glenfiddich Distilleries artist-in-residence program.

During the residency, MacLeod documented her experience through photography, sculpture, and drawing.

She recorded specific aspects of the area surrounding the distilleries, and notably- the deterioration of buildings on the land that Glenfiddich Distilleries inhabits.

MacLeod was the first Canadian artist to be invited to this residency, and was one of seven international artists attending the residency.

2006

The collection of work created through the Glenfiddich Distilleries artist in residence program was shown at the Contemporary Art Gallery in 2006, in an exhibition titled Where I Have Lived and What I Have Lived For.

MacLeod's exhibition, A Brief Overview of Personology, was created for the Charles H. Scott Gallery in Vancouver, British Columbia, and was curated by Cate Rimmer A Brief Overview of Personology contained several works by MacLeod that were under the themes surrounding the use of self-help books, consumerism, and comedy, creating a dynamic setting of satire.

MacLeod pulls inspiration from Tracy Cabot's How To Make a Man Fall in Love With You, a self-help book and appropriates illustrations from the book, putting them into the realm of fine art for public viewing.

2012

MacLeod has also written works, including published essays, and an artist book titled “Whole Lotta Love” (2012).