Age, Biography and Wiki

Montgomery Clift (Edward Montgomery Clift) was born on 17 October, 1920 in Omaha, Nebraska, USA, is an actor,writer,soundtrack. Discover Montgomery Clift's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 45 years old?

Popular As Edward Montgomery Clift
Occupation actor,writer,soundtrack
Age 45 years old
Zodiac Sign Libra
Born 17 October 1920
Birthday 17 October
Birthplace Omaha, Nebraska, USA
Date of death 23 July, 1966
Died Place New York City, New York, USA
Nationality United States

We recommend you to check the complete list of Famous People born on 17 October. He is a member of famous Actor with the age 45 years old group.

Montgomery Clift Height, Weight & Measurements

At 45 years old, Montgomery Clift height is 5' 9¼" (1.76 m) .

Physical Status
Height 5' 9¼" (1.76 m)
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Montgomery Clift Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Montgomery Clift worth at the age of 45 years old? Montgomery Clift’s income source is mostly from being a successful Actor. He is from United States. We have estimated Montgomery Clift's net worth, money, salary, income, and assets.

The Search (1948)$100,000
Red River (1948)$60,000
The Heiress (1949)$100,000
From Here to Eternity (1953)$150,000
Raintree County (1957)$250,000
Judgment at Nuremberg (1961)Waived salary
Freud (1962)$130,000

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Timeline

1789

Son of William Brooks Clift and wife Ethel Anderson Fogg. Ethel is believed by some biographers to have been an illegitimate daughter of Woodbury Blair by Maria Latham Anderson. Woodbury Blair was the son of Montgomery Blair, after whom his great-grandson received his middle name, and wife Mary Elizabeth Woodbury, daughter of Levi Woodbury (1789-1851), United States Supreme Court, and wife Elizabeth Wendell Clapp. Montgomery's ancestry was English, as well as more distant Scottish, Dutch, German and French.

1888

He was the son of Ethel "Sunny" Anderson (Fogg; 1888-1988) and William Brooks Clift (1886-1964). His father made a lot of money in banking but was quite poor during the depression. His mother was born out of wedlock and spent much of her life and the family fortune finding her illustrious southern lineage and raising her children as aristocrats. At age 13, Monty appeared on Broadway ("Fly Away Home"), and chose to remain in the New York theater for over ten years before finally succumbing to Hollywood. He gained excellent theatrical notices and soon piqued the interests of numerous lovelorn actresses; their advances met with awkward conflict.

1920

Edward Montgomery Clift (nicknamed 'Monty' his entire life) was born on October 17, 1920 in Omaha, Nebraska, just after his twin sister Roberta (1920-2014) and eighteen months after his brother Brooks Clift.

1934

His first professional acting assignment was in the play Fly Away Home in 1934 a the Berkshire Playhouse in Stockbridge, Massachusetts where he co-starred with Mary Wickes.

1940

While working in New York in the early 1940s, he met wealthy former Broadway star Libby Holman. She developed an intense decade-plus obsession over the young actor, even financing an experimental play, "Mexican Mural" for him. It was ironic his relationship with the bisexual middle-aged Holman would be the principal (and likely the last) heterosexual relationship of his life and only cause him further anguish over his sexuality.

1948

His film debut was Red River (1948) with John Wayne quickly followed by his early personal success The Search (1948) (Oscar nominations for this, A Place in the Sun (1951), From Here to Eternity (1953) and Judgment at Nuremberg (1961)).

1949

Starred in four Oscar Best Picture nominees: The Heiress (1949), A Place in the Sun (1951), From Here to Eternity (1953) and Judgment at Nuremberg (1961). From Here to Eternity is the only winner.

1950

She would wield considerable influence over the early part of his film career, advising him in decisions to decline lead roles in Sunset Boulevard (1950), (originally written specifically for him; the story perhaps hitting a little too close to home) and High Noon (1952). His long apprenticeship on stage made him a thoroughly accomplished actor, notable for the intensity with which he researched and approached his roles.

By the early 1950s he was exclusively homosexual, though he continued to hide his homosexuality and maintained a number of close friendships with theater women (heavily promoted by studio publicists).

By 1950, he was troubled with allergies and colitis (the U. S. Army had rejected him for military service in World War II for chronic diarrhea) and, along with pill problems, he was alcoholic. He spent a great deal of time and money on psychiatry.

1951

Had appeared with Elizabeth Taylor in three movies: A Place in the Sun (1951), Raintree County (1957) and Suddenly, Last Summer (1959).

1953

Hollywood folklore has it that his ghost haunts the Hollywood Roosevelt Hotel. The actor had stayed there while filming From Here to Eternity (1953), even though all filming locations for "From Here to Eternity" were in Hawaii.

1956

In 1956, during filming of Raintree County (1957), he ran his Chevrolet into a tree after leaving a party at Elizabeth Taylor's; it was she who saved him from choking by pulling out two teeth lodged in his throat. His smashed face was rebuilt, he reconciled with his estranged father, but he continued bedeviled by dependency on drugs and his unrelenting guilt over his homosexuality.

1958

On the set of The Young Lions (1958), Marlon Brando insisted on doing his own stunt fall after being "shot" by co-stars Clift and Dean Martin and wound up dislocating his shoulder. Seeing that Brando was in pain, Clift offered him a swig from the thermos jug he carried with him at all times. The combination of vodka and prescription drugs in the thermos helped Brando through the ordeal.

1959

Turned down Dean Martin's role in Rio Bravo (1959), which would have reunited him with his Red River (1948) co-star John Wayne.

1960

He was voted the 60th Greatest Movie Star of all time by Entertainment Weekly.

1961

With his Hollywood career in an irreversible slide despite giving an occasional riveting performance, such as in Stanley Kramer's Judgment at Nuremberg (1961), Monty returned to New York and tried to slowly develop a somewhat more sensible lifestyle in his brownstone row house on East 61st Street in Manhattan.

1962

He had so many health problems on the set of Freud (1962) that Universal sued him for the cost of the film's production delays. During the trial, the film opened and was such a huge hit that Clift's lawyers brought up the point that the film was doing well because of Clift's involvement. Clift won a lucrative settlement.

1966

He was set to play in Taylor's Reflections in a Golden Eye (1967), when he died in the early morning hours of July 23, 1966, at his home at age 45. His body was found by his live-in personal secretary/companion Lorenzo James, who found Clift lying nude on top of his bed, dead from what the autopsy called "occlusive coronary artery disease.

1967

Was Elizabeth Taylor's choice to play her husband, the closeted homosexual Major Weldon Penderton, in Reflections in a Golden Eye (1967). He died before the film began shooting and was replaced by Marlon Brando, who at one time was considered his only rival as an attractive leading man who was also a great actor.

1977

In Robert LaGuardia's "Monty" (1977), the first published biography, LaGuardia tells of how Clift was discomfited when he initially met co-star Burt Lancaster on the set of From Here to Eternity (1953). Lancaster was in awe of Monty and was so nervous, he actually shook during their first scene (as also mentioned in Lancaster's biography).

1979

Is the subject of the song "The Right Profile" by the punk rock band The Clash on their album "London Calling" (1979).

1980

Footage of home movies shot by his family and which included Monty Clift, was used for a 1980s feature length documentary on the actor.

1988

In his biography "Monty" (1988), Robert LaGuardia claimed that director John Huston, who had paternalistic feelings towards Clift after directing the alcoholic and emotionally troubled actor in The Misfits (1961) (1961), became sadistic towards him during the troubled Freud (1962) (1962) shoot. Basing his charges on interviews with co-star Susannah York, LaGuardia claimed that Huston kept asking Clift about the Freudian concept of "represssion", obviously alluding to Clift's repressed homosexuality. Apparently, Huston himself could not broach the idea that Monty was gay in his own mind, but subconsciously, he reacted to Monty's homosexuality quite negatively. (Marilyn Monroe had admonished Monty not to work with Huston again, finding him a sadist on the "Misfits" set. Her ex-husband Arthur Miller, on the other hand, did not fault Huston in his autobiography "Timebends", but instead, marveled about how he kept his cool during the "Misfits" shoot, which was also troubled due to Marilyn Monroe's mental illness and frequent absences from the set.) Monty's biographer thought that Huston still had paternalistic feelings towards the actor, but was subconsciously appalled at his surrogate son's homosexuality; thus, he began to torture him on the set by insisting on unnecessary retakes and that he perform his own stunts, such as climbing up a rope. Despite Monty's many problems, he always proved a trouper, and gave as much as he could, including diving into a river in his last film, The Defector (1966).

1992

Is the subject of the song "Monty Got a Raw Deal" by the rock band R.E.M. on their album "Automatic for the People" (1992).

1995

Chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#29) (1995).

2014

Played by Alexander Des Combes in Hollywood Mouth 2 (2014).