Age, Biography and Wiki
Mirto Picchi was born on 15 March, 1915, is an Italian tenor. Discover Mirto Picchi's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 65 years old?
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65 years old |
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15 March 1915 |
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15 March |
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Date of death |
1980 |
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We recommend you to check the complete list of Famous People born on 15 March.
He is a member of famous with the age 65 years old group.
Mirto Picchi Height, Weight & Measurements
At 65 years old, Mirto Picchi height not available right now. We will update Mirto Picchi's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Mirto Picchi Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Mirto Picchi worth at the age of 65 years old? Mirto Picchi’s income source is mostly from being a successful . He is from . We have estimated Mirto Picchi's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
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Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Timeline
Mirto Picchi (15 March 1915, San Mauro, near Florence - 25 September 1980, Florence) was an Italian dramatic tenor, particularly associated with the Italian repertory, and with contemporary works.
Picchi studied in Milan with Giulia Tess and Giuseppe Armani, and made his debut there as Radamès in Aïda, in 1946.
In 1947, he appeared in Vienna, as Don José in Carmen, and in London, at the Cambridge Theatre, as the Duca di Mantua in Rigoletto, Rodolfo in La bohème, Cavaradossi in Tosca, and sang Riccardo in Un ballo in maschera at Edinburgh, in 1949.
Later, the tenor sang Radamès again at the Teatro alla Scala (opposite Maria Caniglia, then Herva Nelli, 1948), Andrea Chénier (with Renata Tebaldi and Enzo Mascherini, 1948), Fidelio (with Delia Rigal, 1949), Boris Godounov (as the Pretender, with Boris Christoff, 1949), Raskolnikov (1950), Lucrezia Borgia (opposite Caterina Mancini and Miriam Pirazzini, 1951), The Rake's Progress (with Dame Elisabeth Schwarzkopf, 1951), Proserpina y el Extranjero (1952), Wozzeck (as the Drum Major, with Tito Gobbi and Dorothy Dow, conducted by Dimitri Mitropoulos, 1952), Cagliostro (1953), Der Freischütz (with Victoria de los Ángeles, conducted by Carlo Maria Giulini, 1955), La figlia di Iorio (conducted by Gianandrea Gavazzeni, 1956), Malipiero's I capricci di Callot (led by Nino Sanzogno, 1968), The Bassarids (1968), Wozzeck (now as the Captain to Ticho Parly's Drum Major, conducted by Claudio Abbado, 1971), Morte dell'aria (at the Piccola Scala, 1971), and Le nozze di Figaro (with José van Dam and Mirella Freni as the Contessa, 1974).
He also appeared in Rio de Janeiro in 1950, and Chicago in 1954.
However, the main part of his career was in Italy, notably in Milan, Rome, Naples, and Florence.
He created roles in many contemporary works, notably Ildebrando Pizzetti's Cagliostro and La figlia di Iorio, and Juan José Castro's Proserpina y el Extranjero.
He participated in a film of Il tabarro for Italian television.
One of the leading tenors of the post-war period, he had a fine voice and was an accomplished singing-actor.
He made his debut at the Royal Opera House in 1952, as Pollione in Norma, opposite Maria Callas.
He retired from the stage in 1974 (Don Basilio in Le nozze di Figaro, at La Scala), and published his autobiography, Un trono vicino al sol, in 1978.