Age, Biography and Wiki

Mira Schor was born on 1 June, 1950 in New York City, is an American artist, writer, editor and educator. Discover Mira Schor's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 73 years old?

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Occupation Artist, writer, editor, educator, academic, theorist
Age 73 years old
Zodiac Sign Gemini
Born 1 June 1950
Birthday 1 June
Birthplace New York City
Nationality United States

We recommend you to check the complete list of Famous People born on 1 June. She is a member of famous Artist with the age 73 years old group.

Mira Schor Height, Weight & Measurements

At 73 years old, Mira Schor height not available right now. We will update Mira Schor's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
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Mira Schor Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Mira Schor worth at the age of 73 years old? Mira Schor’s income source is mostly from being a successful Artist. She is from United States. We have estimated Mira Schor's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income Artist

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Timeline

1941

Mira Schor's parents Ilya and Resia Schor were Polish Jewish artists who came to the US in 1941.

1943

Mira Schor and her older sister Naomi Schor (1943–2001), a noted scholar of French Literature and Feminist theory, were both educated at the Lycée Français de New York.

1950

Mira Schor (born June 1, 1950) is an American artist, writer, editor, and educator, known for her contributions to critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism.

1967

After receiving her Baccalauréat in 1967, Mira Schor studied art history at New York University (WSC B.A. 1970).

During this time she worked as an assistant to Red Grooms and Mimi Gross.

1969

In 1969, Yvonne Jacquette lent her a book of Rajput painting and poetry, which she claimed had a "huge, huge influence" on her.

1972

She attended the California Institute of the Arts (CalArts) from 1972-1973, receiving a Master of Fine Arts degree in Painting from in 1973.

There she was a participant in the CalArts Feminist Art Program’s renowned project Womanhouse (1972).

In the Feminist Art Program she studied with Miriam Shapiro and Judy Chicago.

Later at CalArts she studied with Los Angeles-born sculptor Stephan Von Huene.

Schor’s visual work balances political and theoretical concerns with formalist and material passions.

Her work has included major periods in which gendered narrative and representation of the body has been featured, but the predominant focus of her work has been representation of language in drawing and painting.

Her paintings have been foregrounded by these various disciplines: by painting, with shows such as "Slow Art: Painting in New York Now," at P.S.1 Contemporary Art Center; by feminism, with exhibitions such as "Sexual Politics: Judy Chicago's 'Dinner Party' in Feminist Art History," at the Armand Hammer Museum; and by language, with shows such as "Poetry Plastique," at Marianne Boesky Gallery in New York.

1974

She taught at NSCAD in Halifax, Nova Scotia (1974–1978), SUNY Purchase (1983–1985), Sarah Lawrence College (1991–1994), RISD (1999–2000), and was a resident artist at Skowhegan School in 1995.

1980

In the 1980s and 90s, Schor's work was also exhibited in New York at the Edward Thorp Gallery, Horodner Romley Gallery, and in group exhibitions including at the Santa Monica Museum, the Armand Hammer Museum, The Neuberger Museum, and the Aldrich Museum.

1994

Schor has written frequently on issues of gender representation, including "Backlash and Appropriation," a chapter of The Power of Feminist Art, 1994, an historical overview of the Feminist movement published by Abrams, "Patrilineage", 2002, republished in The Feminism and Visual Culture Reader edited by Amelia Jones, and on artists such as Ida Applebroog, Mary Kelly, and Ana Mendieta.

1997

Schor is the author of Wet: On Painting, Feminism, and Art Culture, 1997, and co-founder and co-editor, with Susan Bee, of M/E/A/N/I/N/G publishing 20 issues from 1986-1996.

2000

M/E/A/N/I/N/G: An Anthology of Artists' Writings, Theory, and Criticism, was published by Duke University Press in 2000.

An online version of the journal, M/E/A/N/I/NG Online was launched in 2000 (the final issue, no. 7 was published in 2016).

M/E/A/N/I/N/G An Anthology of Artists’ Writings, Theory, and Criticism, was published by Duke University Press in 2000.

Schor has sometimes been criticized for taking an essentialist position in terms of feminism and many of her writings take on this debate.

2001

Her visual work and her writings are included in Art and Feminism (2001) and Sexual Politics: Judy Chicago’s Dinner Party in Feminist Art History (1996).

In her writings on paintings in essays such as "Figure/Ground," 2001, Schor is seen as making a case for the relevance of painting in a post-medium visual culture and for arguing for the compatibility and mutuality of painterly and theoretical practices.

2003

In 2003, Schor produced a video documentary on her parents’ work, The Tale of the Goldsmith’s Floor, originally created for the 2003 Brown University and differences conference, "The Lure of the Detail"

2006

She has also taught in the Vermont College and MECA low-residency MFA programs as an artist/teacher, and at School of Visual Arts in the MFA in Art Criticism and Writing Program in 2006.

For over a decade she has taught in the Fine Arts Department at Parsons The New School for Design.

2007

The archive of the journal was acquired by the Beinecke Library at Yale University in 2007.

This respected artist-run editorial project continues at M/E/A/N/I/NG Online

2009

In 2009 Schor exhibited her work at Momenta Art in Williamsburg, Brooklyn, in a solo exhibition entitled "Suddenly," marking a departure in Schor's work, from the depiction of language as image to the suggestion of its lack in a space where we expect to see it.

In 2009 painter and critic Robert Berlind wrote, "An intimist whose candor is akin to Emily Dickinson’s.".

Schor was awarded the Creative Capital / Warhol Foundation Arts Writers Grant to develop A Year of Positive Thinking, a blog on contemporary art in 2009.

2010

A solo exhibition, "Mira Schor: Paintings From the Nineties To Now," was held at CB1 Gallery in Los Angeles, CA (November 20, 2010 – January 9, 2011) with a catalogue essay by art historian Amelia Jones.

In 2010, she delivered a lecture called "On Failure and Anonymity" for a collaborative project called #class at Winkleman Gallery in New York.

2012

Schor exhibited her work at Marvelli Gallery in 2012.

In a 2012 New York Times review, critic Roberta Smith wrote "Mira Schor’s small, sharp, quirky paintings have been thorns in the side of the medium for more than three decades now" and "Ms. Schor hardly tells the whole story of creative labor, but she lays out its essential elements: the isolation, reading, thinking and percolation that enable a Voice to emerge. At once poetic, lyrical and oddly real, her paintings give rare and sardonic visual form to the life, and the work, of the mind".

Reviews of Schor's recent exhibitions have been published in Art in America and on Artforum.com.

Schor is the co-founder and co-editor, with Susan Bee, of the art journal, M/E/A/N/I/N/G.