Mick Anglo

Michael Anglo (born Maurice Anglowitz, 19 June 1916 – 31 October 2011) was a British comic book writer, editor and artist, as well as an author.

He was best known for creating the superhero Marvelman, later known as Miracleman.

Born in Bow, London, of Russian Jewish descent, Mick Anglo was educated at the Central Foundation School and John Cass Art School, both in London.

He has also written a series of nostalgic books looking back at the decades from the 1930s–1950s, with a companion duo of quiz books, a book about Victorian magazines, "Penny Dreadfuls and other Victorian Horrors", and one on cannibalism, "Man Eats Man: The Story of Cannibalism", together with a small number of stories or features for Fleetway/IPC's war comics output between 1979 and 1983, before retiring during the 1980s.

On leaving school he freelanced in fashion and commercial art until 1939, and first drew cartoons for SEAC, the official army newspaper for South East Asia Command in 1942, then for newspapers in Singapore in 1945.

Since the mid-1940s L. Miller and Son had successfully reprinted American comic book company Fawcett Comics' Captain Marvel, Mary Marvel, and Captain Marvel Jr stories in the UK.

Anglo was then approached by John Spencer & Co, a company that had produced crime and western books since the 1940s, latterly under the sobriquet Badger Books, to launch a series of comics.

He also drew a small number of short humorous comic strips for the publisher John Matthew during 1946, and for two other companies, Rayburn and A. Solway in 1948.

After illustrating the book jacket for one of his own novels, Martin and Reid suggested he develop strips for their comics line, and he worked on their comics imprint between 1948 and 1950; editing the line and writing and drawing western, adventure and science fiction strips and titles.

He also produced a number of one-off stories contemporaneously with his Martin and Reid work for Paget Publications, one of the smaller British comics imprints of the day; producing short run, often single issue, titles containing a number of stories.

Although contributing mainly short humor strips, Anglo's creations for Paget Publications included an early British superhero, Wonderman, who appeared for 24 issues in his own title from 1948 to 1951.

Between 1950 and 1952 Anglo produced a number of strips for publisher Arnold Miller's Arnold Book Company, on stories such as "Captain Valiant" (in Space Comics) and "Ace Malloy of the Special Squadron", while concurrently producing Space Commando Comics, featuring "Space Commander Kerry", for L. Miller and Son, a major British comics company run by Arnold Miller's father, Leonard Miller and still writing novels for Martin and Reid.

As well as the Marvelman family of titles, in the mid-1950s Anglo took over a number of L. Miller's established American reprint titles, continuing the series Jim Bowie, Annie Oakley, and Davy Crockett utilising both the English artists from his studios and a number of Spanish artists.

After completing his National Service, he became an author for a small publishing company, Martin & Reid, producing westerns, romance books and crime thrillers with titles such as "Guns & Gamblers", "My Gun Speaks For Me"/"Muscles For Hire" (1951), and "Broadway Glamour", under the pen-name Johnny Dekker.

However, in 1953 Fawcett were party to a protracted lawsuit brought by National Comics (now DC Comics) claiming plagiarism of their Superman character.

Fawcett cancelled their Captain Marvel titles, leaving Leonard Miller without reprint material for their best-selling British titles.

Miller approached Mick Anglo to create an replacement; "One day Leonard Miller phoned and said he wanted to see me urgently. His supply of the American material for the Captain Marvel series had suddenly been cut off. Had I any ideas? ... So I quickly told him I had plenty of ideas, and for my trouble I received a regular supply of work for the next six years."

Anglo replaced the Captain Marvel Family with almost identical characters, Marvelman and Young Marvelman.

Initially Anglo drew the titles himself, but later to meet the demand (both were weekly publications) Anglo developed a system similar to that later famously used by Stan Lee of Marvel Comics - he would give one of the artists a loose plot outline rather than a detailed script; the artist would then draw the story, and Anglo would tailor the dialogue accordingly, lettering the work himself.

Marvelman and Young Marvelman actually increased in sales compared to their predecessors, with both titles burgeoning a fan club and hardback annuals.

Marvelman became the "best-loved and best-known British superhero" and the longest-running British superhero.

Early in 1954 Anglo opened his own comics production company, Gower Studios, in Gower Street, London.

As "an old school editorial packager", Anglo's studio created "packets" for various publishers, usually comprising the entire content of a publication; and Mick Anglo Limited was incorporated on 21 August 1954 for the purpose of Artistic and literary creation.

Anglo and his staff of British artists, including Don Lawrence (who was given his first break in drawing comics by Anglo), Bob Monkhouse, Denis Gifford, Ron Embleton and George Stokes and Janet Rasmussen had a hand in the creation of many British independent comic books and magazines between 1954 and 1963.

"I employed a pretty large staff of freelancers: scriptwriters and artists. Most of the artists had just come out of the Forces, and were looking for something to do".

In 1954 Anglo created the character he is best known for, Marvelman.

Between 1954 and 1960 Anglo would be the main writer for all three titles, producing a vast number of stories.

Parallel to Marvelman, Anglo had gained further mileage from the Marvelman material; in 1954 Anglo wrote two issues of Captain Universe for Arnold Books, a near-identical character to Captain Marvel and Marvelman.

In 1956 a third title, Marvelman Family was launched, adding Kid Marvelman (previously introduced as a back-up feature in Marvelman).

He also created the character Superhombre for Spanish publisher Editorial Ferma in 1958; the new hero was a third reworking of the Captain Marvel template.

Turning down an offer to again work for Arnold Miller, he set up his own Anglo Features imprint from Gower Studios, launching Captain Miracle,; Battle, Gunhawks Western and TV Features, the last of which contained reprints of material produced by the Studio for L. Miller.

However, in November 1959 a ban on importing American comics for the British market was lifted, and the black-and-white L. Miller & Son comics would struggle to compete.

From 1960 - with #335 of both Marvelman and Young Marvelman the titles switched to a monthly reprint format, and Anglo began to look for work elsewhere.

None of the titles lasted more than 10 monthly issues between October 1960 and June 1961; after which Anglo Comics folded.

Anglo next adapted three stories by Edgar Allan Poe, Oscar Wilde and Wilkie Collins for the British Classics Illustrated imprint of publishers Thorpe & Porter, a company for which he also devised a number of 68-page hardback annuals based on television series The Avengers, Charles Rand, and Danger Man.

Anglo then worked on the weekly Look & Cook magazine in the late 1960s, co-wrote a small number of cookery books, and was a joke writer for comedian Tommy Cooper.

During 1965–1966, Anglo produced thirteen issues of Miracle Man for Thope & Porter's Top Sellers imprint – which actually consisted of reworked Super Hombre material made for the Spanish market.

Four titles appeared in 1966, Fantasy Stories, Macabre Stories, Spectre Stories and Strange Stories, featuring, among other stories, a number of reworked strips by Gower Studios artists Ron Embleton and Bill Merrill, Spaceman (originally produced for Gould/Norman Light Publishing).

With low production values, the John Spencer titles were not a success, and all folded within the year after six issues.

Anglo then edited City Magazines Ltd's TV series-based weekly comic TV Tornado in 1967 and contributed the short-run strips Voyage to the Bottom of the Sea and Green Hornet, before returning to Top Sellers and packaging reprints of DC Comics material, including Superman, Wonder Woman and the Batman newspaper strip, for their Super DC anthology series in 1969/1970.