Age, Biography and Wiki
Michael Tenzer was born on 22 May, 1957 in New York, NY, is an A 21st-century american male musician. Discover Michael Tenzer's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 66 years old?
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Age |
66 years old |
Zodiac Sign |
Gemini |
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22 May 1957 |
Birthday |
22 May |
Birthplace |
New York, NY |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 22 May.
He is a member of famous musician with the age 66 years old group.
Michael Tenzer Height, Weight & Measurements
At 66 years old, Michael Tenzer height not available right now. We will update Michael Tenzer's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Michael Tenzer Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Michael Tenzer worth at the age of 66 years old? Michael Tenzer’s income source is mostly from being a successful musician. He is from United States. We have estimated Michael Tenzer's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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Source of Income |
musician |
Michael Tenzer Social Network
Timeline
Michael Tenzer (born 1957) is a composer, performer, and music educator and scholar.
Since 1977, Tenzer has been deeply involved with the gamelan music of Bali, Indonesia.
Tenzer was born in New York City and studied music at Yale University (BA. 1978) and University of California, Berkeley (Ph.D. 1986).
In 1979, Tenzer co-founded the Sekar Jaya gamelan ensemble in Berkeley, California, an organization of Americans dedicated to the performance of Balinese arts that is now internationally known.
He received the Charles Ives Center award for his percussion quartet (1981), the DiLorenzo prize for the octet Daya (1985) for string quartet and clarinets, and the Morse Fellowship to complete his Symphony for Strings (1988).
Tenzer's music is available on New World, Cantaloupe and Bali Stereo labels.
He carried out several years of research and writing about it on a series of fellowships, among them a Fulbright (1982), a grant from the Asian Cultural Council (1987) the Morse Fellowship (1989), and a National Endowment for the Humanities University Teacher's Fellowship (1994).
He was the first Western composer invited to compose for Balinese ensembles in Bali and has completed a series of works of an increasingly experimental character for the gamelan since 1982, among them Sinar Jegog (1985), Situ Banda ("Bridge of Monkeys"; 1989), Banyuari ("Tributary"; 1992), Talakalam for gamelan with tabla (1999), "Puser Belah" for 2 simultaneous gamelan ("Unstable Center"; 2003), and "Buk Katah" for gamelan with a nonet of brass, winds and piano ("Underleaf"; 2006).
These works have been cited by Balinese critics as "an important and unique contribution to our cultural heritage".
After teaching at Yale from 1986 to 1996, he moved to University of British Columbia where he teaches ethnomusicology, composition, music theory and gamelan performance, co-directs the doctoral program in ethnomusicology.
Tenzer's compositions for chamber, solo and orchestral media have been performed in North America, Europe, and Asia, featuring performers such as Pandit Swapan Chaudhuri (tabla), Alex Klein (oboe) and Evan Ziporyn (clarinet).
An experienced performer and teacher of gamelan, Tenzer is the author of two books on the subject: Balinese Music (Periplus: 1991; 2nd ed. 1998) and Gamelan Gong Kebyar: The Art of 20th Century Balinese Music (University of Chicago Press 2000).
Since 1996 he has directed Gamelan Gita Asmara in Vancouver.
His publications have been recognized with the Society for Ethnomusicology's Alan P. Merriam Prize (best book of 2000) and the 34th annual ASCAP-Deems Taylor award, and his research has been supported with grants from the National Endowment for the Humanities and Fulbright.
Among his composition prizes are a Library of Congress/Koussevitzky commission for a chamber work, Sources of Current.
After its premiere the New York Times called it "deft, sophisticated and inventive."
More recently he published Analytical Studies in World Music (Oxford 2006).
The last three compositions cited plus others are featured on the 2009 CD Let Others Name You on New World records.