Age, Biography and Wiki
Michael Darling was born on 1968, is an An american art curator. Discover Michael Darling's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 56 years old?
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James W. Alsdorf Chief Curator at the Museum of Contemporary Art, Chicago |
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56 years old |
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We recommend you to check the complete list of Famous People born on .
He is a member of famous with the age 56 years old group.
Michael Darling Height, Weight & Measurements
At 56 years old, Michael Darling height not available right now. We will update Michael Darling's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Michael Darling Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Michael Darling worth at the age of 56 years old? Michael Darling’s income source is mostly from being a successful . He is from . We have estimated Michael Darling's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
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Michael Darling Social Network
Timeline
Michael Darling (born 1967) is the James W. Alsdorf Chief Curator at the Museum of Contemporary Art, Chicago (MCA).
He co-curated The Architecture of R.M. Schindler (2001), which won the International Association of Art Critics “Best Architecture or Design Exhibition” award.
The exhibition also won merit awards for interior architecture from the Southern California American Institute of Architects and the California Council of the American Institute of Architects.
In 2008, Darling began the program SAM Next, a series of contemporary art exhibitions presenting emerging or underappreciated artists from around the globe.
Artist Enrico David, who exhibited as part of SAM Next, has since been nominated for the Turner Prize.
Prior to joining the MCA, Darling was the Jon and Mary Shirley Curator of Modern and Contemporary Art at the Seattle Art Museum (SAM), where he was awarded SAM's Patterson Sims Fellowship for 2009-10.
Darling curated the SAM exhibitions Target Practice: Painting Under Attack 1949-78 (June 25 – September 7, 2009), and Kurt (May 13 – September 16, 2010).
Target Practice showcased the attacks painting underwent in the years following World War II.
Kurt explored Kurt Cobain’s influence on contemporary artists.
Darling was associate curator at the Museum of Contemporary Art, Los Angeles, before joining SAM.
Darling joined the MCA staff in July 2010.
Darling received his BA in art history from Stanford University, and he received his MA and PhD in art and architectural history from the University of California, Santa Barbara.
Darling has worked as an independent writer and curator, contributing essays on art, architecture, and design to publications including Frieze, Art Issues, Flash Art, and LA Weekly.
Darling frequently serves as a panelist, lecturer, and guest curator on contemporary art and architecture.
As reported by the Chicago Tribune in June 2011, Darling is focused on a “philosophical gut rehab [of the MCA] whose ultimate goal is clarity.” Included in the MCA renovations are the reassignment of gallery spaces and the hiring of new curatorial staff.
In 2011, Darling organized the exhibition Pandora’s Box: Joseph Cornell Unlocks the MCA Collection which ran June 18 – October 16, 2011, at the MCA Chicago.
The exhibition placed pieces from the museum’s collection in direct dialogue with Joseph Cornell’s work.
Darling’s most recently organized exhibition Before & After'' runs May 7, 2016–Jun 18, 2017 at the MCA Chicago.
The artists featured in Above, Before & After manipulate form and space to explore the relationship between art and the viewer.
