Age, Biography and Wiki

Michael Bach was born on 17 April, 1958, is a German artist, composer and cellist. Discover Michael Bach's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 65 years old?

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Age 65 years old
Zodiac Sign Aries
Born 17 April 1958
Birthday 17 April
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We recommend you to check the complete list of Famous People born on 17 April. He is a member of famous artist with the age 65 years old group.

Michael Bach Height, Weight & Measurements

At 65 years old, Michael Bach height not available right now. We will update Michael Bach's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Michael Bach Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Michael Bach worth at the age of 65 years old? Michael Bach’s income source is mostly from being a successful artist. He is from . We have estimated Michael Bach's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Timeline

1958

Michael Bach (born 17 April 1958 in Worms, Germany), also known as Michael Bach Bachtischa, is a German cellist, composer, and visual artist.

He studied cello with Gerhard Mantel, Boris Pergamenschikow, Pierre Fournier, and János Starker, then embarked on a career of international concert activity as well as performances on radio, recordings, and television.

He made numerous significant contributions to the art of contemporary cello performance; his publication Fingerboards & Overtones proposes new ideas concerning overtones and harmonics and is considered a pioneering work in the literature on contemporary technique.

1990

In 1990 he developed the curved bow (BACH.Bogen) for the cello, violin, viola and bass, which, in polyphonic playing, permits the simultaneous sounding of multiple strings, with the high arch of the bow allowing for full, sustained chords.

Michael Bach's visual works include Fingerboards (1990–2010), which capture the hand's choreography on the cello fingerboard as color impressions, Fieldwork (1994), Mit diesen beiden Händen (1994), Lagauche (1995), and Olévano (1995–).

1996

The German postage stamp 75 Jahre Donaueschinger Musiktage, Deutschland 1996 shows his composition and drawing 18–7–92, Scetches to Ryoanji (1992).

1997

During the years 1997 to 2001 Mstislav Rostropovich has been intimately involved in its development.

2000

The project Schloss Kapfenburg besaitet... was listed in the Guinness Book of Records in 2000.

In the two blogs the bach update and the cello upgrade, Michael Bach documents and analyzes projects and aspects of contemporary music as well as new insights into the solo works for violin and cello by Johann Sebastian Bach.

2001

In 2001 he invited Michael Bach to Paris for a presentation of his BACH.Bow (7th Concours de violoncelle Rostropovitch).

2012

In 2012, during an exhibition on the theme BACHLAEUFE – The Imprint of Johann Sebastian Bach on Modern Times, held at Arnstadt, Germany, the first prize was awarded to the BACH.Bow.

His work as cellist and composer was awarded the Gaudeamus Prize Amsterdam, the Kranichstein Prize Darmstadt, the Japan Record Academy Prize, the Millennium Prize Würzburg.

Several contemporary composers, among them John Cage, Dieter Schnebel, Walter Zimmermann and Hans Zender, have composed works especially for the BACH.Bow.

Bach Bachtischa is also a composer.

His purely musical compositions are idiosyncratic and highly personal, described by him as “free from compositional conventions.”

In collaboration with the visual artist Renate Hoffleit he has created strikingly original string installations.

Their projects (zwischen e and f)² in Stuttgart and IM KLANGSTROM in Ulm, Germany were supported i. a. by the Innovationsfonds Kunst of the State of Baden-Württemberg.